Beatrix Mugishagwe

M. Beatrix Mugishagwe is a Tanzanian film director. She is the founder and CEO of Abantu Visions, Tanzania's first independent professional film and production company, and has chaired the Tanzania Independent Producers' Association (TAIPA).[1]

Life

Mugishagwe studied film-making in West Germany, working in television for two decades there before returning to Tanzania in 1994.[1] She established her production company, Abantu Vusions, with a twenty-four-part environmental documentary series in Kiswahili. Another documentary series, Unsung Heroines: African Female Leaders, consisted of thirteen twenty-six-minute films presented by Angélique Kidjo. The series profiled women such as Ellen Johnson Sirleaf, Graça Machel and Wangari Maathai.[1]

Together with Imruh Bakari and lecturer Augustine Hatar, she cofounded the Tanzania Screenwriter's Forum in 2001, running a monthly scriptwriting workshop at the University of Dar es Salaam.[1]

Mugishagwe's feature film Tumaini (2005) told the story of its eponymous child heroine, who has to fend for herself and her two siblings after their parents die of AIDS. The film received $400,000 of donor funding from the Norwegian embassy, who saw it as a vehicle for promoting orphanages for AIDS orphans. A declaration of love was inserted at the donors' insistence, in order to include a condom promotion. Despite, or because of, the tension between it being an effective fictional drama and an 'issues' film, Tumaini won the Unicef Award and the SIGNIS award when it premiered at Zanzibar International Film Festival.[1]

Films
  • Tumaini / Hope (2005)
gollark: You're not obligated to since it'll have essentially no effect.
gollark: There seemed to be a more coherent idea of exactly where to look and what interference was happening with that.
gollark: DVDs are digital and thus exactly copyable however.
gollark: That is a... somewhat bizarre conclusion to draw from that.
gollark: Universities do seem to mention "transferable skills" a lot, but I don't know how significant those actually are.

References
  1. Bryce, Jane (2010). "Outside the Machine? Donor Values and the Case of Film in Tanzania". In Mahir Saul; Ralph A. Austen (ed.). Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution. Ohio University Press. pp. 165–72. ISBN 978-0-8214-1931-1.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.