Barbara Blackman

Barbara Blackman (née Patterson; born 22 December 1928) is an Australian writer, poet, librettist, broadcaster and patron of the arts.[2][3] In 2004, she donated $1 million to a number of Australian music organisations, including Pro Musica, the Australian Chamber Orchestra, the Australian National University's School of Music and the Stopera Chamber Opera Company. In 2006, she was awarded the Australian Contemporary Music Award for Patronage.[4]

Barbara Blackman AO
Born	Barbara Patterson (1928-12-22) 22 December 1928
Nationality	Australian
Occupation	Writer poet librettist arts patron radio personality [1]
Notable work	All My Januaries: Pleasures of Life and Other Essays; Glass after Glass: Autobiographical Reflections; Portrait of a Friendship: The Letters of Barbara Blackman and Judith Wright
Spouse(s)	Charles Blackman (1952–1978)
Children	3

Biography

Early life

Blackman Patterson was born on 22 December 1928 with her twin sister, Coralie Hilda, who died 16 days later. Three years later her father, W.H. (Harry) Patterson, died and her mother, Gertrude Olson Patterson, was able to support them both by working as an accountant.[2] She attended Brisbane State High School where she developed what was to be a lifelong love of music. She also developed an early interest in writing, and was a member, with Pamela Crawford, Judith Wright and Thea Astley, of the Barjai group of writers in Brisbane. She had poor eyesight from an early age and, at 22, was diagnosed with optic atrophy. Her vision deteriorated rapidly and she became completely blind.

Blackman became an artist's model who was in high demand by many leading modernist artists in Australia such as Clifton Pugh and Fred Williams, and appears in many of Charles Blackman's, works, including his Alice In Wonderland series of paintings.[4]

Work and interests

Blackman has lived a self-described unconventional life according to her autobiography.[5] In a documentary film about her, Seeing From Within, released in 2017, Blackman states, "I could not have lived a conventional life, as I could not have picked up the rules".[6]

She has exhibited a wide range of intellectual interests and abilities. For example, she wrote the libretto for Peter Sculthorpe's Eliza Surviva (an opera that was never completed because of difficulties between him and his collaborator, Patrick White).[7], an autobiography,[8] and a humorous book of verse.[9] Blackman's work is highly valued, as evidenced in the collection of correspondence between Blackman and her friend, the poet Judith Wright, published in 2007,[10] and in the list of numerous resources written by her and about her that has been collected in the Australian Women's Register.[11] Nevertheless, Blackman has maintained a humble attitude about her intellectual pursuits, saying, "I go with the angels and they know more than we do," she says. "I told them what I wanted and they showed me the way."

Marriage and children

She married the artist Charles Blackman in 1952 and they lived in Melbourne, supported by her income as an artist's model and from the blind pension and his earnings as a kitchen hand, most of which went to pay for costs associated with maintaining Charles' studio.[2] They divorced in 1978 after Charles' alcoholism had escalated over their marriage of nearly 30 years, which she described as "one of the great marriages, which lasted as long as possible, and a bit longer".[12]

Blackman had three children (Auguste and Christabel, both of whom became artists, and Barnaby) by Charles. She later married Marcel Veldhoven and moved with him to a retreat on the South Coast of NSW. When this relationship ended she moved to Canberra.

Recognition

In 2012, Blackman was appointed Officer of the Order of Australia (AO) "for distinguished service to the arts and to the community, as a supporter of artistic performance, through philanthropic contributions, and as an advocate for people who are blind and partially sighted."[13]

Published works

• Certain Chairs, published by Viking Press
• Barbara and Charles Blackman Talk About Food (Taylor, John), published by Rigby, a division of Houghton Mifflin Harcourt
• Glass after Glass : Autobiographical Reflections, Penguin Books/Viking, 1997 ISBN 0140260331/ISBN 0670872725
• All My Januaries: Pleasures of Life and Other Essays, University of Queensland Press, 2016, ISBN 9780702254178
• Portrait of a Friendship: The Letters of Barbara Blackman and Judith Wright (Bryony Cosgrove), published by The Miegunyah Press, a division of Melbourne University Press

[1]

References

1. "Blackman, Barbara (1928-)".
2. Lemon, Barbara (18 February 2013). "Blackman, Barbara (1928 - )". The Australian Women's Register. Retrieved 28 June 2017.
3. Grishin, Sasha (16 June 2017). "Barbara Blackman: Seeing from within". The Canberra Times. Retrieved 28 June 2017.
4. Galvin, Nick (9 April 2016). "How being blind became a 'gift' for author Barbara Blackman". The Sydney Morning Herald. Retrieved 20 December 2017.
5. Blackman, Barbara (1997). Glass after glass : autobiographical reflections. Ringwood, Vic: Viking. ISBN 0-670-87272-5.
6. Delaney, Bridget (8 August 2017). "Barbara Blackman: 'Nice' is a word that masks over things". The Guardian. Retrieved 10 January 2018.
7. McCallum, Peter (8 August 2014). "Peter Sculthorpe's musical legacy a lonely charm". Sydney Morning Herald. Retrieved 10 January 2018.
8. Blackman, Barbara (1997). Glass after glass: autobiographical reflections. Ringwood, Victoria: Viking. ISBN 0-670-87272-5.
9. Blackman, Barbara (2011). Dogs and doggerel. Ultimo: Halstead Press. ISBN 978-1-920831-87-5.
10. Cosgrove, Bryony (2007). Portrait of a friendship: the letters of Barbara Blackman and Judith Wright 1950–2000. Miegunyah Press. ISBN 978-0-522-85355-1.
11. Australian Women's Register
12. Grishin, Sasha (16 June 2017). "Barbara Blackman: Seeing from within". The Canberra Times. Retrieved 28 June 2017.
13. "Blackman, Barbara Patterson". Australian Honours Search Facility, Dept of Prime Minister & Cabinet. Retrieved 23 December 2017.