Bad Blood (Ice album)
Bad Blood is the second and final album by Ice. The album is most notable for its fusion of industrial music and hip hop, as well as the number of guests on the album.[2]
| Bad Blood | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 20, 1998 | |||
| Recorded | ??? | |||
| Genre | Industrial hip-hop | |||
| Length | 53:46 | |||
| Label | Morpheus Records In Bloom/Reprise/Warner Bros. Records 47068 | |||
| Producer | Kevin Martin | |||
| Ice chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   |
Track listing
- "X-1" – 7:13
- Vocals – Blixa Bargeld, Sebastian Laws
- "The Snakepit" – 5:54
- Scratches – DJ Vadim
- Vocals – Blixa Bargeld, Toastie Taylor
- "Trapped in Three Dimensions" – 7:38
- Vocals: A-Syde, El-P
- "Dusted" – 6:53
- Vocals: Sebastian Laws, Sensational
- "A New Breed of Rat" – 11:55
- Vocals: Blixa Bargeld
- "Devils" – 7:04
- "When Two Worlds Collide" – 7:09
- Scratches - DJ Vadim
- Vocals - Blixa Bargeld, Priest, Sebastian Laws
Personnel
- Ice
- Kevin Martin – Vocals, Saxophone, Synthesizer, Turntables
- Justin Broadrick – Guitar
- Dave Cochrane – Bass
- Lou Ciccotelli – Drums, Percussion
- Additional personnel
- Scott Harding - Drum Loops, Samples
- Alex Buess - Engineering
- Simon Heyworth - Mastering
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gollark: It would be limited to 100ms of CPU per event or something, but you could have people trigger events and such too much.
gollark: Actually, hmm, people could maliciously invoke it a lot, but I suppose they would have to give it money so I'm not sure that's an awful issue.
gollark: So the "contract" would basically be a sandboxed bit of code which can be triggered on events, which is publicly viewable/auditable, and which can send and be sent krist.
gollark: Maybe I should try and clarify the exact model of this a bit, hm.
References
- Bad Blood at AllMusic
- Alexander, Kim Ann (March 13, 1999). "Ice: Bad Blood". Last Sigh Magazine. Archived from the original on February 16, 2011. Retrieved July 26, 2020.
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