Back to the Future Now: Live at Arizona Charlie's, Las Vegas

Back to the Future Now: Live at Arizona Charlie's, Las Vegas is the third live album by American country band Asleep at the Wheel. Recorded on December 6 and 7, 1996 at Arizona Charlie's Decatur in Las Vegas, Nevada, it was produced by the band's frontman Ray Benson with Blake Chancey and released on May 20, 1997 by Sony Music imprint Lucky Dog. The album did not chart, spawned no single releases, and received mixed reviews from critics.

Back to the Future Now: Live at Arizona Charlie's, Las Vegas
Live album by
Asleep at the Wheel
ReleasedMay 20, 1997 (1997-05-20)
RecordedDecember 6 and 7, 1996
VenueArizona Charlie's Decatur
(Las Vegas, Nevada)
Genre
Length54:19
LabelLucky Dog
Producer
Asleep at the Wheel chronology
The Wheel Keeps on Rollin'
(1995)		 Back to the Future Now: Live at Arizona Charlie's, Las Vegas
(1997)		 Merry Texas Christmas, Y'all
(1997)

Asleep at the Wheel recorded Back to the Future Now at two shows on the tour in promotion of 1995's The Wheel Keeps on Rollin'. The album marks the debut of new members Jason Roberts and Chris Booher on fiddles, the latter of whom had recently taken over from Tim Alexander on piano (who features as a guest). Also featured are several former members of the group, including vocalists LeRoy Preston, Chris O'Connell, and steel guitarist Lucky Oceans.

Background

In early 1997, Asleep at the Wheel signed as one of the first two artists (alongside David Allan Coe) on Lucky Dog, an imprint label set up by Sony Music in Nashville, Tennessee for "older [country] acts and new roots artists".[1] Back to the Future Now: Live at Arizona Charlie's, Las Vegas was issued as the label's first release on May 20, 1997.[2] The album was recorded over the course of two shows on December 6 and 7, 1996 at Arizona Charlie's Decatur in Las Vegas, Nevada, tracked directly to a Sonic Studio remote recording station.[3] It was produced by frontman Ray Benson with Blake Chancey, a co-founder of Lucky Dog.[4] No singles were released from the album, but a music video was issued for "Boogie Back to Texas" directed by Dan Karlok, in which the band "cruises around various parts of the U.S. in its tour bus".[5]

Speaking about the album in an interview with Los Angeles Times, Benson noted that "What I wanted to do this time was make a live record of all the songs that have come to be identified with us over the last 27 years, with the people who were identified with the songs ... Then I wanted to add the new people and do some new things because we have been described by a lot of people as our forte being the live show."[6] The shows recorded for Back to the Future Now featured six former members of the band making guest appearances: vocalist and rhythm guitarist LeRoy Preston, pedal steel guitarist Lucky Oceans, vocalist Chris O'Connell, bassist Tony Garnier, and pianists Floyd Domino and Tim Alexander.[7] The album is also the band's first to feature fiddler and mandolinist Jason Roberts, and pianist and fiddler Chris Booher.[6]

Reception
Professional ratings
Review scores
SourceRating
AllMusic[7]

Critical reviews for Back to the Future Now were mixed. Billboard wrote that "this is the kind of kick-ass, feel-good music you hardly hear anymore outside the dance hall circuit," describing the album as "Great stuff".[8] AllMusic's William Ruhlmann dubbed the album "a good primer of Asleep at the Wheel", although suggested that the release of another live record was "redundant".[7] Similarly, Jerry Sharpe of the Pittsburgh Post-Gazette dubbed Back to the Future Now an "excellent sampler".[9] Country Standard Time's George Hauenstein described the album as a "thoroughly enjoyable recording includ[ing] 12 of AATW's most popular songs".[10]

Indianapolis Star writer Steve Hall was much more critical, complaining that "Most concert recordings bristle with energy; Back to the Future Now suggests that Ray Benson and his band should have slurped up a few pots of espresso before hitting the stage at Arizona Charlie's. Dan Fogelberg with two broken legs and a serious head cold would exude more liveliness. If Asleep at the Wheel was any more laid-back here, its name would be all too appropriate."[11]

At the 40th Annual Grammy Awards, Asleep at the Wheel received a nomination in the category of Best Country Instrumental Performance for the song "Fat Boy Rag".[12]

Track listing
No.TitleWriter(s)Length
1."Ain't Nobody Here but Us Chickens" (originally recorded by Louis Jordan and His Tympany Five)
4:30
2."Miles and Miles of Texas" (originally recorded by Jim McGraw and the Western Sundowners)
  • Tommy Camfield
  • Diane Johnston
4:19
3."Roly Poly" (originally recorded by Bob Wills and His Texas Playboys)Fred Rose4:02
4."Ida Red" (originally recorded by Bob Wills and His Texas Playboys)Traditional (arr. Bob Wills, Tiny Moore)4:00
5."My Baby Thinks She's a Train"LeRoy Preston5:39
6."The Letter That Johnny Walker Read"
3:52
7."God Bless the Child" (originally recorded by Billie Holiday)
7:15
8."Fat Boy Rag" (originally recorded by Bob Wills and His Texas Playboys)
3:55
9."Cherokee Boogie" (originally recorded by Moon Mullican)
3:58
10."Hot Rod Lincoln" (originally recorded by Arkie Shibley and His Mountain Dew Boys)
4:38
11."Boogie Back to Texas"Benson3:43
12."House of Blue Lights" (originally recorded by Freddie Slack and Ella Mae Morse)
4:28
Total length:54:19

Personnel
gollark: I assume it's basically a dumb video output which gets software rendered pixels pushed to it.
gollark: Given the existence of HTTPS, they can't really do much on devices which aren't under their direct control. Yay progress/cryptography!
gollark: My school has ridiculously intrusive monitoring (seemingly including a keylogger) on the school-owned computer hardware, and for phones and stuff just route traffic through the mostly ineffective filtering proxy thing.
gollark: You can just... buy the components in it, for I think $2000 or so.
gollark: I doubt it.

References
  1. "On The Row" (PDF). Billboard Country Airplay Monitor. Vol. 5 no. 12. Nashville, Tennessee: BPI Communications. March 21, 1997. p. 3. Retrieved July 3, 2020.
  2. "The New Album Gallery" (PDF). Radio & Records. No. 1197. Los Angeles, California: Radio & Records. May 16, 1997. p. 55. Retrieved July 3, 2020.
  3. "Newsline..." (PDF). Billboard. Vol. 109 no. 5. New York City, New York: BPI Communications. February 1, 1997. p. 42. Retrieved July 3, 2020.
  4. Patterson, Jim (October 12, 1997). "Mysterious rhinestone cowboy back with new CD". The Town Talk. p. 49. Retrieved July 3, 2020.
  5. "Production Notes" (PDF). Billboard. Vol. 109 no. 48. New York City, New York: BPI Communications. November 29, 1997. p. 75. Retrieved July 3, 2020.
  6. Seigal, Buddy (September 5, 1997). "Waking Up Western Swing: Asleep at the Wheel Is a Driving Force Behind Refueling the Style". Los Angeles Times. Retrieved July 3, 2020.
  7. Ruhlmann, William. "Back to the Future Now: Live at Arizona Charlie's - Asleep at the Wheel: Songs, Reviews, Credits". AllMusic. Retrieved July 3, 2020.
  8. "Albums: Country" (PDF). Billboard. Vol. 109 no. 24. New York City, New York: BPI Communications. June 14, 1997. p. 73. Retrieved July 3, 2020.
  9. Sharpe, Jerry (June 29, 1997). ""Back to the Future Now," Asleep at the Wheel (Lucky Dog-Epic)". Pittsburgh Post-Gazette. p. 77. Retrieved July 3, 2020.
  10. Hauenstein, George. "Asleep at the Wheel - Live". Country Standard Time. Retrieved July 4, 2020.
  11. Hall, Steve (June 15, 1997). "Asleep at the Wheel "Back to the Future Now: Live at Arizona Charlie's, Las Vegas," Sony Music". Indianapolis Star. p. 158. Retrieved July 3, 2020.
  12. "Ray Benson". Grammy Awards. Retrieved July 5, 2020.
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