Aziza Jalal

Aziza Jalal (Arabic: عزيزة جلال, Aziza Jalal; born 15 December 1958)[2] is a Moroccan Arabic pop singer.

Aziza Jalal
عزيزة جلال
Aziza Jalal
Background information
Birth nameAziza Jalal
Born (1958-12-15) 15 December 1958
Meknès, Morocco
GenresClassical Arabic, Egyptian pop.
Occupation(s)Singer, record producer
Years active1975 - 1985 – Return 2019 - present [1]
LabelsMazzika
Alam El Phan
Sout El-Hob Record Label
Sawt El Phan

Career

Aziza Jalal is an iconic Arabic singer from Morocco, she currently lives in Saudi Arabia and is a Saudi national.[3] Before fame and marriage, the singer dedicated her life to the study of music. Young Aziza Jalal studied music in Meknes before participating in a singing competition called Mawahib (Talents) supervised by renowned Moroccan singer Abdelnabi Al Jirari in 1975. During the competition, the singer performed songs of well-known Egyptian and international Arab icons, such us Shadia and Ismahan.[4] In a singing career that lasted from 1975-1985, Aziza Jalal became a popular classical singers across the Arab world before deciding to give up the artistic scene for a life of piety with a Saudi husband. She was known to be King Hassan II of Morocco's favourite singer, and often appeared on Moroccan television and at state occasions singing nationalistic, pan-Arab, and Islamic-themed material.[5]

The singer had made a name for herself as one of the top Arab singers in the 70s and 80s. Not too little to late, her vocals have made headlines again as she astonished the world by singing a few verses from her song during the television show. Jalal’s song “Mestaniyak” was covered by Lebanese singer Nancy Ajram, one of the most popular Arab artists. The song’s lyrics come from the repertoire of the great Egyptian musician Mohamed Abdelouahab. The composer of the song was renowned musician Baligh Hamdi.

Aziza Jalal, however, had several other famous songs, including Min Hakek T’atebny (You have the right to blame me,) and Houa El Hob Le’baa (Love is a Game.)

Jalal’s early songs achieved commercial success in the UAE and in Egypt, and with the help of songwriter and poet Abdel Wahab Mohammed and artist Sayed Makkawi, among others, she quickly became a household name in the entire Arab world.

Arabic pop singer Aziza Jalal attending a wedding event

Retired at 26

In 1985, Aziza Jalal chose to leave the stage. Aziza Jalal married a Saudi businessman Ali bin Butti al-Ghamdi who gave her the right to decide whether or not she wants to retire. She didn't think much into it and decided to leave. She stated that wasn't a decision she regrets.[6] The proposal suddenly ended her career in the music industry, leaving her fans disappointed, knowing that she could have added even more hits to her already impressive list of songs.

Arabic pop singer Aziza Jalal performing at Winter at Tantora - one of the most anticipated events in Saudi Arabia [7]

Returned to stage 2019

May 22, 2019 marked a surprise for the Arab World.[8] It was the day that Moroccans and fans across the Arab world had the chance to meet again with the prominent Moroccan arabic singer, Aziza Jalal, who was out of the spotlight for 34 years. The singer made her first appearance since 1985 on a television show aired by MBC television channel. The TV show is called “Likaa mina sifr” or “meeting from scratch.”

In the show, the singer also wowed audiences across the world when she performed her legendary song “Mestanyak,” translated as “I am waiting for you” in English, with the same passion and maybe a little bit more.

The interview with Aziza Jalal was also posted by the television show on Youtube. The interview generated more than 1 million views and thousand of comments.

After a 34-year hiatus, Jalal returned to the stage on Thursday 26 December 2019 at Winter at Tantora.[9] Jalal's much anticipated performance started at 10 p.m.[10] Aziza Jalal, who has kept a low profile for more than 30 years, rekindled emotions as generations were enchanted by her voice and songs.[11] She thanked her fans “for coming to see me after a long hiatus. I’ve never been away from you, you have always been in my heart. I’m back today because of your love for me. I decided to come back to participate in these joyful events in our country.” [12]

During the concert,[13] Aziza Jalal performed “Love is not a game” composed by Muhammad Al-Mouji and written by Mamoun Al-Shinawai, and "Waiting for you (Mestaniyak) which the audience enjoyed immensely. She also performed many of her classics. Her message to the youth was: “Hear us out because we are the past, and the past needs the present and the future, hear us out so that we hear you out.”.[14]

Discography

Studio albums

Songالأغاني
Halakti Ayouni Hna W Hnakحلقت عيوني هنا وهناك
Ahila Al Maghrebعاهل المغرب
Batala Al Qodssبطل القدس
Ya Laylo Toulياليـل طول
Al Aido Adaالعيد عاد
Annouro Mawsoloالنور موصول
Yorani Liarchikaيغن لعرشك
Min Koli Dakit Albمن كل دقة قلب
Sayidi Ya Sid Sadatiسيدي ياسيد ساداتي
Gazayil Follahغزيل فله
Ya Shoueياشوق هزني هوى الشوق
Ella Aweel Matkabilnaإلا أول ماتقابلنا
Howa El Hobi Liabaهو الحب لعبه
Waltakaynaوالتقينا
Zayi Mantaزي مانت
Minak Wi Eleekمنك واليك
Mestaniyak [15]مستنياك
Min Haak Tiatibniمن حقك تعاتبني
Haramti El Hobحرمت الحب عليه
Rouhi Feekروحي فيك
Azzamzamiyaقصيدة الزمزمية
Mawlayمولاي
Ghali Ya Hassanغال ياحسن
Inta Omriإنت عمري
Arouh Liminأروح لمين
Al Atlalالأطلال
Layali El Onssليالي الأنس
Youmi El Massiraِمِن يِنسى يوم المسيرة
Official song of the Pan Arab Games 19851985 الأغنية الرسمية لإفتتاح الألعاب العربية
Man Anaمن أنا؟
gollark: The UK has "TV detector vans", but they have not actually been able to detect TVs listening to things since ye olden CRT ages.
gollark: That's not my alt.
gollark: It is not* transmitting steganographic bee neuron data.
gollark: Like the osmarks.net internet radio thing™ which continuously reads out "digits of pi".
gollark: Yes it is. This is why Macron is actually just Lisp.

References

Further reading

  • Pop Culture in North Africa and the Middle East: Entertainment and Society around the World, by Andrew Hammond, Series: Entertainment and Society around the World, 2017 - 319 pages. ISBN 1440833834, 978-1440833830
  • الرماد والموسيقى: حفريات في ذاكرة غنائية عربية, واصل، أحمد, دار الفرابي، 2009 - ISBN 9953713340, 9789953713342-
  • Alif bāʼ, Volume 10, by Karīm Irāqī, Publisher, Dār al-Jamāhīr lil-Ṣiḥāfah, 1977, Indiana University - Digitized on 16 July 2010
  • Iraqi Maqam voices of women: an analytical study of the critical technical experience of Iraqi women in singing Almqami, by Hussein Azami, by Hussein Azami, AIRP, 2005 - 316 pages. ISBN 9953366772, 9789953366777
  • Songs and stories, by Karīm Irāqī, by Karīm Irāqī, Company Whites of Arts and Letters, Volume 1, Aghānī wa-ḥikāyātuhā, Karīm ʻIrāqī -
  • La condition de la femme au Maroc, by Abderrazak Moulay Rchid, Volume 33 of Collection de la Faculté des sciences juridiques, économiques et sociales: Série de langue française Issue 33 of Collection: Série de langue française, Jamiʻat Muḥammad V. Kullīyat al-Huqūq wa-al-ʻUlūm al-Iqtisādiyah wa-al-Siyāsiyah, Editions de la Faculté des sciences juridiques, économiques, et sociales de Rabat, 1985 - . (in French)
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