Avenging Angel (album)

Avenging Angel is a solo piano album by American jazz pianist and composer Craig Taborn recorded in July 2010 and released on the ECM label.[6]

Avenging Angel
Studio album by Craig Taborn
Released	May 13, 2011
Recorded	July 2010
Studio	Auditorio Radiotelevisione Svizzera, Lugano, Switzerland
Genre	Jazz
Length	67:01
Label	ECM ECM 2207
Producer	Manfred Eicher
Craig Taborn chronology
Junk Magic (2004) Avenging Angel (2011) Chants (2012)

Professional ratings

Review scores
Source	Rating
AllAboutJazz	[1]
AllMusic	[2]
FreeJazzBlog	[3]
The Guardian	[4]
Pop Matters	[5]

Background

Taborn had been speaking to producer Manfred Eicher about recording his trio, but coordinating the schedules of everyone required was proving difficult. A week after Taborn had completed a solo piano tour of Europe, Eicher suggested that he record a solo album; Taborn "was ready at that point: shedding for hours a day, just practicing and playing exercises to prepare". For a week before the recording, he had been teaching children jazz in Switzerland; then, after a solo concert, Taborn remembers, "I was driven to Lugano, arriving at like 2 a.m. I was tired the next day going into the studio".[7] Once there, he was determined to record something individual, instead of sounding similar to other solo jazz piano projects.[8]

Recording and music

The album was recorded in a Radiotelevisione svizzera studio in Lugano, Switzerland.[9] The piano was a Steinway concert grand model D.[9] Asked how much of the album was improvised, Taborn replied that, "I would say 90 percent. A couple of the more rhythmic, long-cycle things were preconceptualized."[10] Although two days were available in which to record, a total of 33 or 34 pieces for possible inclusion were recorded on the first day, and on the second Taborn told producer Manfred Eicher, "I think we're good, let's just start listening."[10] The only pre-existing composition on the album is "Over the Water", which featured on Taborn's first album as leader, Craig Taborn Trio.[11]

Taborn's comment on solo piano performance, including for this album, was that "I'm really listening intensely to these very subtle nuances of the sound in the piano. I'm even hearing the three different strings on each note, how they resonate and how the beats work. I wanted to find a way to document that, which can be tricky."[8]

"The Broad Day King" features an ostinato with single-note phrases under it and lots of sustain and space between ideas. "Glossolalia" is more aggressive: rapid three-octave runs and bass poundings are used. In "This Voice Says So", he plays just 20 notes in the opening minute, including a three-note phrase that is repeated six times. In "Gift Horse/Over the Water", Taborn uses right-hand chords played in different places within each repetition of the 10 notes that are used in each unit of two bars.[12]

Reception

The Los Angeles Times hailed the uniqueness of the record as "unlike any other of its kind. Often hushed and spacious where many musicians will opt for a maximalist approach, Avenging Angel specializes in building a contemplative atmosphere all its own."[13] The AllMusic review by Thom Jurek awarded the album 4 stars, stating "Avenging Angel is not an intellectual exercise, it is a major contribution to the actual language of the piano as an improvisational instrument: its 13 pieces feel like a suite: seamless, economical, original, and visionary."[2]

Slate jazz critic Seth Colter Walls nominated the album as a new classic, writing, "Avenging Angel doesn't just seem like an 'album of the year' candidate, but something destined to have one of those 'crown' icons next to its four-star rating in the 30th Penguin Guide to Jazz, however many years from now."[14] The album was placed 30th in Down Beat's Critics Poll jazz album of the year list in 2012.[15] In 2012 the album was also nominated by the Jazz Journalists Association for their award Record of the Year.[16] In 2017, The New York Times' Adam Shatz commented that "'Avenging Angel' is now seen as a benchmark of solo jazz piano".[17]

Track listing

All compositions by Craig Taborn

1. "The Broad Day King" – 6:16
2. "Glossolalia" – 2:44
3. "Diamond Turning Dream" – 4:17
4. "Avenging Angel" – 6:56
5. "This Voice Says So" – 9:43
6. "Neverland" – 4:28
7. "True Life Near" – 4:29
8. "Gift Horse/Over the Water" – 7:37
9. "A Difficult Thing Said Simply" – 4:35
10. "Spirit Hard Knock" – 4:37
11. "Neither-Nor" – 3:18
12. "Forgetful" – 7:58
13. "This Is How You Disappear" – 5:03

Personnel

• Craig Taborn – piano

References

1. Kelman, John AllAboutJazz review
2. Jurek, Thom "Avenging Angel: Review". AllMusic. Accessed November 15, 2011.
3. Dostert, Troy FreeJazzBlog review
4. Fordham, John The Guardian review
5. Cober-Lake, Justin PopMatters review
6. "Craig Taborn Avenging Angel" ECM. Archived 2011-11-27 at the Wayback Machine accessed November 15, 2011.
7. Whitehead, Kevin (April 22, 2013) "Interview: Craig Taborn" Archived April 26, 2013, at the Wayback Machine. eMusic.
8. Doerschuk, Bob (August 2011) "Craig Taborn: Illuminating Ideas" Down Beat, p. 42.
9. "Craig Taborn Avenging Angel: Project" Archived 2013-02-23 at the Wayback Machine. ECM. Accessed January 11, 2013.
10. "New York jazz pianist Craig Taborn talks to Chicago's Rob Clearfield" (September 8, 2011) Chicago Reader.
11. Adler, David R. (August 9, 2011) "Craig Taborn: Alone, at Last" JazzTimes.
12. Greenlee, Steve (July 24, 2011) "Craig Taborn: Avenging Angel" JazzTimes.
13. LaTimes review Accessed November 28, 2015.
14. Walls, Seth Colter (November 7, 2011) "The New Classics: The Most Enduring Books, Shows, Movies, and Ideas Since 2000". Slate.
15. "60th annual critics poll: jazz album of the year" (August 2012) Down Beat, p. 30.
16. "Jazz Awards 2012: Nominees & Winners". Jazz Journalists Association. Accessed May 7, 2013.
17. Shatz, Adam (June 22, 2017). "The Ethereal Genius of Craig Taborn". The New York Times. Retrieved June 26, 2017.