Auriol Smith

Auriol Smith is an English actress and theatre director. She was a founder member and associate director of the Orange Tree Theatre in Richmond, London. She co-founded the theatre in 1971 with her husband Sam Walters, who became the United Kingdom's longest-serving artistic director.[1] Walters and Smith stepped down from their posts at the Orange Tree Theatre in June 2014.[2]

Auriol Smith
Auriol Smith in 2010
Spouse(s)Sam Walters

Early years

Whilst taking a degree in drama at Bristol University she became President of the Green Room Society at the newly founded university Drama Department.[3] This was followed by a year in America as a Fulbright Scholar, before making her professional debut at the Hampstead Theatre Club in January 1960 in Harold Pinter's first play The Room (which she had originally played in a converted squash-court for the Bristol Drama Department in May 1957).[4]

Orange Tree Theatre

After extensive experience in repertory theatres and a year in Jamaica setting up a drama school and theatre, she and her husband Sam Walters co-founded the Orange Tree Theatre in Richmond, London in 1971, where she played many classic and modern parts. "We enjoyed doing small-scale productions in Jamaica, and hoped that eventually we'd run that kind of theatre in England. Then, when we returned in 1971, we decided that now was the time and Richmond (where we lived) was the place." (Auriol Smith in conversation with Marsha Hanlon for the Orange Tree Appeal brochure, 1991).

Performances

In the old theatre:

The new theatre opened in February 1991. Her Orange Tree performance credits there included:

Directing

From 1991 to 2014 she also regularly directed at the Orange Tree. Her credits included:

Other acting and directing work

During 1990, as part of a busy year, she played Lady Wishfort in The Way of the World at the Royal Exchange Manchester (deputising for Sylvia Syms who was indisposed), and toured North America for the ACTER company in The Winter's Tale playing opposite Paul Shelley as Leontes. She also appeared in Christine Edzard's film The Fool.

In the West End for producer Bill Kenwright, Smith directed Dead Guilty by Richard Harris (Apollo 1995) starring Hayley Mills and Jenny Seagrove; and Michael Redgrave's The Aspern Papers (Wyndham's 1996) with Hannah Gordon. She also directed a Japanese version of Dead Guilty in Japan.

At the Theatre Royal Windsor directed Shadow of a Doubt and Canaries Sometimes Sing. At the Northampton Theatre Royal she directed Arthur Miller's Broken Glass, David Mamet's Oleanna and James Robson's Mail Order Bride; while at the Stephen Joseph Theatre in Scarborough she first directed Love Me Slender.

Television and audio

She worked extensively on radio including Pinter's 1960 radio version of his sixty-minute play The Room for the BBC Third Programme. For ten years she presented Listen with Mother on BBC Radio 4 and was a long-serving member of the Radio Drama Company. Her BBC radio credits include Alan Bennett's Forty Years On, the role of a tipsy summer partygoer in Ellen Dryden's romantic comedy Forgetting Rosalind (a FirstWrites production for the BBC), and East of the Sun by Carey Harrison.

For Naxos, Smith recorded the roles of Alice in Henry V with Samuel West, and the Duchess of York in Richard III with Kenneth Branagh. She has also acted on television in Kavanagh QC, One Foot in the Grave, Peak Practice and Doctors, among others.

Honours

She and her husband Sam Walters received the Freedom of the London Borough of Richmond upon Thames in December 2014.[11]

Private life

Auriol Smith is the wife of Orange Tree co-founder and former artistic director Sam Walters, whom she met while doing pantomime at Rotherham in 1962.[12] They have two daughters: Dorcas Walters, who was principal dancer with Birmingham Royal Ballet and now works in arts administration, and Octavia Walters, formerly an actress, now a sports injury masseur.

gollark: "Oh yes, I will just go OUTSIDE the universe" - statements made by GTech™ exploration probe #15996-υ/4.
gollark: Where else would they go?
gollark: What? Of course they are in our universe.
gollark: Those aren't heaven and hell, silly.
gollark: > The temperature of Heaven can be rather accurately computed from available data. Our authority is Isaiah 30:26, “Moreover, the light of the Moon shall be as the light of the Sun and the light of the Sun shall be sevenfold, as the light of seven days.” Thus Heaven receives from the Moon as much radiation as we do from the Sun, and in addition seven times seven (49) times as much as the Earth does from the Sun, or fifty times in all. The light we receive from the Moon is one ten-thousandth of the light we receive from the Sun, so we can ignore that. With these data we can compute the temperature of Heaven. The radiation falling on Heaven will heat it to the point where the heat lost by radiation is just equal to the heat received by radiation, i.e., Heaven loses fifty times as much heat as the Earth by radiation. Using the Stefan-Boltzmann law for radiation, (H/E)^4 = 50, where E is the absolute temperature of the earth (-300K), gives H as 798K (525C). The exact temperature of Hell cannot be computed, but it must be less than 444.6C, the temperature at which brimstone or sulphur changes from a liquid to a gas. Revelations 21:8 says “But the fearful, and unbelieving … shall have their part in the lake which burneth with fire and brimstone.” A lake of molten brimstone means that its temperature must be at or below the boiling point, or 444.6C (Above this point it would be a vapor, not a lake.) We have, then, that Heaven, at 525C is hotter than Hell at 445C. – “Applied Optics”, vol. 11, A14, 1972

References
  1. Tim Masters (23 August 2011). "Sam Walters on the Orange Tree's 40 fruitful years". BBC News. Retrieved 10 July 2013.
  2. "Walters steps down at Orange Tree". BBC News. 4 July 2013. Retrieved 10 July 2013.
  3. Michael Billington (1996). The Life and Work of Harold Pinter. Faber. p. 66. ISBN 0-571-17103-6.
  4. "The Theatre Archive Project – interviews – Auriol Smith Page 1". Retrieved 29 November 2012.
  5. "The Stage / Reviews / The Woman Hater". Retrieved 29 November 2012.
  6. "The Stage / Reviews / Leaving". Retrieved 29 November 2012.
  7. "The Stage / Reviews / Chains". Retrieved 29 November 2012.
  8. "The Stage / Reviews / Mary Goes First". Retrieved 29 November 2012.
  9. "Theatre review: The Ring of Truth at Orange Tree, Richmond upon Thames". Retrieved 29 November 2012.
  10. Howard Loxton (2011). "Mary Broome: Allan Monkhouse, Orange Tree Theatre (2011)". British Theatre Guide. Retrieved 6 November 2014.
  11. Tom Ambrose (12 December 2014). "Orange Tree Theatre founders get freedom of Richmond". Richmond and Twickenham Times. Retrieved 31 December 2014.
  12. Richard Nye (January 2014). "Life in the Round". The Richmond Magazine.

Sources
  • Auriol Smith's Orange Tree Theatre programme CVs, 1991 and 2007
  • Michael Billington (1996) The Life and Work of Harold Pinter. Faber ISBN 0-571-17103-6
  • Theatre Record and its annual Indexes
  • Orange Tree Theatre website
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