Attic style

In classical architecture, the term attic refers to a story or low wall above the cornice of a classical façade. The decoration of the topmost part of a building was particularly important in ancient Greek architecture and this came to be seen as typifying the Attica style, the earliest example known being that of the monument of Thrasyllus in Athens.[1]

Attic

It was largely employed in Ancient Rome, where their triumphal arches utilized it for inscriptions or for bas-relief sculpture. It was used also to increase the height of enclosure walls such as those of the Forum of Nerva. By the Italian revivalists it was utilized as a complete storey, pierced with windows, as found in Andrea Palladio's work in Vicenza and in Greenwich Hospital, London. One well-known large attic surmounts the entablature of St. Peter's Basilica, which measures 12 metres (39 ft) in height.[1]

This usage became current in the 17th century from the use of Attica style pilasters as adornments on the top story's façade. By the 18th century this meaning had been transferred to the space behind the wall of the highest story (i.e., directly under the roof), producing the modern meaning of the word "attic".

References
  1.  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Attic". Encyclopædia Britannica. 2 (11th ed.). Cambridge University Press. p. 882x`.


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