Asta Gröting

Asta Gröting (born in Herford, Germany 1961) is a contemporary artist. She works in a variety of media like sculpture, performance, and video. In her work, Gröting “is conceptually and emotionally asking questions of the social body by taking something away from it and allowing this absence to do the talking.”[1]

Biography

Asta Gröting studied sculpture at the Düsseldorf Academy of Arts, graduating in 1986.[2] Her work has been shown in solo exhibitions at KINDL - Centre for Contemporary Art Berlin, the Kunstraum Dornbirn, the Neuer Berliner Kunstverein, the LENTOS Art Museum in Linz, and the Henry Moore Sculpture Institute, among others. She has also participated in international group exhibitions at venues including the Maas Museum in Sydney, the German Hygiene Museum in Dresden, the Hartware Medienkunstverein Dortmund, and the 22nd Bienal de São Paulo. She is currently a professor at the Braunschweig University of Art.

Gröting's earlier work focused on sculpture, before she also turned to video and performance, starting 1993.[3] Gröting's works often present ordinary, familiar elements, where the viewer's attention is drawn towards their material transformation, caused by the exaggeration of the familiar. In Gröting’s work there is a focus on what is not visible, like the inner voice, the space between lovers having sex, the digestive system, or the inside of holes made by bullets, and the ways in which the invisible can be brought to the surface. As such, she allows absence to do the talking. In these explorations a sense of realism is at work that pays attention to what is not considered to be beautiful, or to what is seen as damaged or even damaging. It develops works that convert psychological and emotional perspectives to the complex relationships of people into clear forms. Often they are presented in work groups or series.[4]

Series (selection)

Berlin Fassaden (2016-) consists of a series of negative imprints made out of silicone that are monumental in size.[5] They track the traces of the bullet holes made during war in facades that have not yet been renovated. For Gröting the casts function as photographic long exposures that depict the story from the moment of the bullets’ impact to the present time, taking along dust, dirt, and even graffiti. “I want to look from inside these destroyed walls and facades into the world,” Gröting says, “as if I could see my own face staring back at me.”[6]

Touch is an ongoing series, which the artist started in 2015. Gröting invited a number of friends to sit for a portrait. The portrait consists of the artist tracing the contours of their face with her hands. It recalls the gestures of sculpting, reading the face’s expression. Although it’s a touching of a surface, it’s at the same time also a most intimate conversation.[7]

In The Traveling Carriage of Goethe the Mercedes of Adenauer and My Smart (2011) Gröting made full-scale casts of the undersides of three vehicles from three different centuries. The rubber molds visualize a sculptural history of movement. Motion is also the topic of Gröting’s video Parken, in which from a bird’s eye view we see several cars competing for a parking space.[8]

Space Between Lovers (2008-) is the materialization of a physical intimate moment. Two actors were covered in silicone while they were having sex. In this way, the in-between, the inner space was visualized sculpturally. Both intimacy and distance define also Space Between a Family (2010-2015), which consists of life-size casts of members of Gröting’s family made over the course of several years. “It is not hard to imagine that these introspective figures possess internal organs,” the British author Deborah Levy writes, “but they are uncanny too, mournful grey ghosts of substance who seem to be emerging from both a war and a womb.”[9]

From the early nineties onwards, Gröting took beside sculpture an interest in immaterial media like performance and video. For The Inner Voice (1993-2004) Gröting explored ventriloquism as a performative instrument to research the soul and its inner workings.[10] A series of videos came about depicting conversations between a dummy created by the artist and ventriloquists from all over the world. In their own native language they performed dialogues written by Gröting, Deborah Levy, and Tim Etchells. On several occasions Gröting worked together with the Native American ventriloquist Buddy Big Mountain.[11]

Solo Exhibitions (Selection)
  • 2017: Berlin Fassaden, Teil I, KINDL – Zentrum für Zeitgenössische Kunst, Berlin, Germany
  • 2017: (Im)mutable, Asta Gröting – Sean Snyder, HBK Galerie, Braunschweig, Germany
  • 2017: Die Geschichte der Werkzeuge ist das aufgeschlagene Buch der menschlichen Psychologie, Kunstraum Dornbirn, Austria
  • 2016: Touch, Galerie Carlier | Gebauer, Berlin, Germany
  • 2015: Asta Gröting, Galerie Carlier | Gebauer, Berlin, Germany
  • 2014: Asta Gröting, Arbeiten aus der Sammlung der Landesbank Baden-Württemberg und der Sammlung Grässlin, ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Germany
  • 2010: Parallel Performances, Asta Gröting, Maria Eichhorn, Arter, Istanbul, Turkey
  • 2010: Asta Gröting, Neuer Berliner Kunstverein, Berlin, Germany
  • 2010: Asta Gröting, Lentos, Linz, Austria
  • 2009: Asta Gröting Sculpture: 1987-2008 Henry Moore Sculpture Institute, Leeds, UK
  • 2006: The Inner Voice, MARTa, Herford, UK

Group Exhibitions (Selection)
  • 2017: This is a Voice, Maas Museum, Sydney, Australia
  • 2017: Das Gesicht. Eine Spurensuche, Deutsches Hygiene Museum Dresden, Germany
  • 2017: Das Auto in der Kunst seit 100 Jahren, Kunsthalle Emden, Germany
  • 2016: Touring Exhibition: The Withdrawal of the Red Army, Northern Norway Art Museum, Tromsø, Norway 07.11.2015 – 24.01.2016
  • 2016: This is a voice, Wellcome Collection, London, UK 14.04.–31.07.2016
  • 2015: Blicke ! Körper ! Sensationen ! Das Dresdner Wachskabinett und die Kunst, Deutsches Hygiene Museum, Dresden, Germany
  • 2015: All the World’s a Stage, Works from the Goetz Collection, Fundación Banco Santander, Madrid, Spain
  • 2015: Terrapolis, Whitechapel Gallery & NEON Foundation, École Français, Athens, Greece, curated by Iwona Blazwick
  • 2015: His Master’s Voice: Von Stimme und Sprache, La Panacée, Centre de Culture Contemporaine, Montpellier, France
  • 2014: Reines Wasser, Lentos, Linz, Austria
  • 2014: International Biennial of Contemporary Art of Cartagena de Indias, Colombia
  • 2014: Liebe, Wilhelm-Hack-Museum, Ludwigshafen, Germany
  • 2013: Iskele 2. The Unanswered Question, Tanas, Berlin, Germany
  • 2013: Bad Girls, FRAC Lorraine, Metz, France
  • 2013: His Master’s Voice, Hartware MedienKunstVerein – HMKV, Dortmund, Germany
  • 2012: Atelier + Küche, Marta Herford, Germany
  • 2011: Maria Eichhorn & Asta Gröting, Kunsthal 44 Møen, Askeby, Denmark
  • 2011: The Inner Voice/ I AM BIG, Nomadic Nights, Fondation Cartier pour l’art contemporain, Paris, France
  • 2010: Starter, Arter, Vehbi Koç Foundation contemporary art collection, Istanbul, Turkey

Awards
  • 1996: Preis der Bayrischen Landesbank International S.A.
  • 1994: Otto-Dix-Preis, Gera
  • 1991: Förderpreis für Bildende Kunst des Landes Nordrhein-Westfalen
  • 1990: A.&W. Grohmann Fellowship, Baden-Baden
  • 1989: Schmidt-Rotluff-Fellowship
  • 1988: Stiftung Kunstfonds

Public collections (selection)

Verein der Freunde der Nationalgalerie for the Collection Nationalgalerie Berlin, Berlin / Arnold Forde, Los Angeles, USACarol Schwartz, Denver, USA / Collection Helga de Alvear, Madrid, Spain / evn sammlung, Maria Enzersdorf, Austria / Fonds Régional d'Art Contemporain (FRAC), Limoges, France / Fundació la Caixa, Barcelona, Spain / Hypo - Bank, Munich / Institut für Auslandsbeziehungen (ifa), Stuttgart / Jerome Stern, New York, USA / Koç Foundation, Istanbul, Turkey / Landesbank Baden- Württemberg, Stuttgart / MARTa Herford, Herford / Museum Ludwig, Cologne / Saint Louis Art Museum, Saint Louis, USA / Sammlung Block, Berlin / Sammlung Deutsche Bank, Frankfurt a.M. / Sammlung Goetz, Munich / Sammlung Grässlin, St. Georgen / Sammlung Schwenk, Haigerloch / Staatsgalerie Stuttgart / Stedelijk Museum voor Actuele Kunst (SMAK), Gent, Belgium / Valdemar Gerdin, Stockholm, Sweden/ Von der Heydt-Museum, Wuppertal

Bibliography
  • Asta Gröting, Berlin Fassaden, ed. Andreas Fiedler, exhibition catalogue KINDL - Centre for Contemporary Art, Berlin, September 10 - December 3, 2017 ISBN 978-3-95679-356-1
  • Asta Gröting, Die Geschichte der Werkzeuge ist das aufgeschlagene Buch der menschlichen Psychologie, exhibition catalogue Kunstraum Dornbirn, Austria, March 17 - May 14, 2017 ISBN 978-3-903153-88-2
  • Asta Gröting, exhibition catalogue, eds. Marius Babias and Stella Rollig, Neuer Berliner Kunstverein - n.b.k. Berlin and Lentos Kunstmuseum Linz, Köln 2010 ISBN 978-3-86560-786-7
  • Asta Gröting. Sculpture: 1987-2008, exhibition catalogue Henry Moore Sculpture Institute, 8 February - 26 April 2009, Leeds 2009
  • Asta Gröting. The Inner Voice, eds. Jan Hoet and Christoph Keller, Revolver, Archiv für Aktuelle Kunst, Frankfurt am Main 2004 (English and German) ISBN 3-86588-003-7
gollark: Bee you.
gollark: I could say the same to you.
gollark: No, not you, shut up utterly.
gollark: --tel dial MatsWidenBacon
gollark: Oh dear.

References
  1. Deborah Levy,"Going Going Gone", press text Archived 2014-09-06 at the Wayback Machine for the exhibition Asta Gröting, carlier | gebauer, Berlin January 18 - March 1, 2014
  2. Babias, Marius. "Asta Gröting". Neuer Berliner Kunstverein. Retrieved 1 February 2014.
  3. Inselmann, Andrea. "Façade Projection: Asta Gröting". Johnson Museum of Art. Retrieved 1 February 2014.
  4. Stella Rollig, "What is your standpoint? What can be known? Asta Gröting's sculpture and video", in: Asta Gröting, exhibition catalogue, eds. Marius Babias and Stella Rollig, Neuer Berliner Kunstverein - n.b.k. Berlin and Lentos Kunstmuseum Linz ,Köln 2010, S. 19-25.
  5. Birgit Rieger, Die Narben der Stadt. Ausstellung über Berlins Fassaden, Tagesspiegel, Nov. 13, 2017. See also the radio interview with the artist for rbb Archived 2017-11-19 at the Wayback Machine
  6. Press text for the exhibition in KINDL - Centre for Contemporary Art, Berlin, 2017
  7. Birgit Rieger, "Hautarbeit. Neue Filme von Asta Gröting", in: Tagesspiegel, February 2, 2016
  8. Kerstin Stakemeier, press text for the exhibition "Asta Gröting The travelling carriage of Goethe the Mercedes of Adenauer and my smart", March 3 - April 14, 2012, carlier | gebauer, Berlin.
  9. Lentos Kunstmuseum TV, 2010
  10. Stella Rollig, "Searching through the Domains of the Human", in: Asta Gröting. The Inner Voice, eds. Jan Hoet and Christoph Keller, translated into English by Tradukas, Revolver, Archiv für Aktuelle Kunst, Frankfurt am Main 2004
  11. Asta Gröting on "The inner Voice" in Museum MARTa, Herford, 2006
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