Asian American Theater Company

The Asian American Theater Company (AATC) is a non-profit theatre performance company based in San Francisco. Its stated mission is "To connect people to Asian American culture through theatre".

Mel Escueda's "Honeybucket" play in San Francisco, California 1978

Background

The Asian American Theater Company was established in 1973 by playwright Frank Chin to develop and present original works of theatre about Americans of Asian and Pacific Islander descent. AATC is credited as a progenitor of the Asian-American theater movement alongside East West Players and Pan Asian Repertory Theatre.[1]

In addition to being a producing company, AATC is a workshop where Asian Pacific Islander writers, actors and directors can explore ideas and create works that carry with them the AATC's purpose, which is to explore who Asian Pacific Islander Americans are as a people and as a community.

For many years the Asian American Theater Company was housed in The Asian American Theater Center located near the corner of Arguello and Clement Streets in San Francisco's ethnically diverse Richmond district. The Theater Center suffered much damage from the 1989 Loma Prieta earthquake, but was able to re-open its doors a year later. The costly repairs however created a heavy economic burden and in 1996 the Asian American Theater Company moved its administrative offices to Japantown, and produced its plays in various theater venues throughout the city such as the Off-Market Theater and the Thick House. Today the administrative offices reside in San Francisco's Potrero Hill neighborhood at 1695 18th Street.

"Honeybucket" is set in Vietnam in 1965 and 1967 and San Francisco in 1973.

Programs

The company's main stage productions are new plays and revivals of classics by Asian Pacific Islander American playwrights, directed, performed and designed by local talent. Most scripts will have been developed at AATC and each will be presented at various venues around the Bay Area with full-production run.

Under its emerging artists project, young actors, many of whom are making their acting debut, perform plays by new playwrights or revivals of classics by established artists. Many of the actors and writers taking part in the Emerging Artists Project have participated in the Training Program.

The group hosts staged readings, where scripts under development are directed, rehearsed and presented, followed by discussion and critique. Readings are free or a nominal donation is requested. Scripts from women and under-represented Asian Pacific Islander groups are especially welcome.

A training program consisting of two semesters a year of courses in acting, scene study, voice and movement and playwright's workshops, conducted by professional artists, offered at low cost.

Alumni

Many well known Asian American actors and playwrights have been associated with AATC productions in the past. Notable alumni:

Actors

Playwrights
gollark: Ah, the nonaggression principle.
gollark: Right to recreational orbital weaponry.
gollark: Right to reasonably optimised bees.
gollark: Right to free communication of non-infohazardous material.
gollark: Only if they're good rights.

See also
  • Asian American theatre

References
  1. Houston, Velina Hasu. "Currents: Out of the Margins: A National Theatre Conference in Los Angeles Galvanizes Asian-American Forces." American Theatre 10 2006: 132–7
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