As It Is in Heaven (play)

As It Is In Heaven is a play by playwright/actor/director Arlene Hutton. It premiered at 78th Street Theater Lab,[1] followed by performances at the Edinburgh Fringe Festival and at the Off-Broadway Arclight Theatre in New York City, where it ran from January 11 to February 5, 2002. The title comes from the Shaker song "The Saviour's Universal Prayer (Our Father Who Art in Heaven)", a Shaker rendition of the Lord's Prayer.[2] The play is published by Dramatists Play Service, Inc.[3]

As It Is In Heaven
Written byArlene Hutton
Characters9 Female
Date premiered2001
Original languageEnglish
Setting1830s Shaker Community

Background

Attending the Edinburgh Fringe Festival in 1995, where her first plays were produced, Hutton saw a play about Scottish female farm workers that intrigued her and inspired her to seek an American equivalent to its characters.[4] Hutton wrote the play after visiting the Pleasant Hill Shaker Village in Harrodsburg, Kentucky, a restored community that the Shakers occupied for more than a century.[4] For her play about a pre-Civil War Shaker community in which several young women claim to see celestial visions, she did three years of research.[4] One of the startling discoveries she made was that the Kentucky community whose history she was studying had contained several distant relatives of hers, with the same surname.[4]

A work with an all-female cast, As It Is in Heaven was first performed at the Edinburgh Fringe Festival in 2001.[4][5] A production was scheduled to open at off-Broadway’s 78th Street Theatre Lab in New York City on September 13 of that year. Two days prior, the September 11 attacks occurred, and on that night, the cast members responded by rehearsing the Shaker hymns performed in the play. The production later opened as planned.[4] In 2008, the play was performed in Shakertown, in Pleasant Hill, Kentucky, the place that had first inspired it,[6] and it was revived in New York in 2011.[7]

Song list

The songs used were (as requested by the author) to be sung a cappella.

YearType of musicSong TitleAuthor(s)Shaker Village origin
1829SongI Never Did BelieveBetsy BatesNew Lebanon, New York
1835SongCome Life, Shaker LifeIssachar BatesNew Lebanon, New York
1838SongMy Carnal Life I Will Lay DownSouth Union, Kentucky
1838SongCome Dance And Sing Around The RingNew Lebanon, New York
1840sSongI Will Bow And Be SimpleMary HazardNew Lebanon, New York
1840sSongWho Will Bow And Bend Like A WillowEnfield, New Hampshire
1840sHymnO Sisters Ain't You HappyClarissa JacobsNew Lebanon, New York
1845HymnO Father Who Art In HeavenNew Lebanon, New York
1847SongHop Up And Jump UpShirley, Massachusetts
1848Song 'Tis The Gift To Be SimpleJoseph Brackett Jr.Alfred, Maine
1852HymnGlory Unto God We'll SingEnfield, New Hampshire
1864SongCome To ZionPaulina BatesNew Lebanon, New York
1869SongWelcome, Welcome Precious Gospel KindredEnfield, New Hampshire
1870SongCome The Fest Is ReadyCanterbury, New Hampshire
1870sHymnIf Ye Love Not Each Other (More Love)Canterbury, New Hampshire

Critical reception

The work has been well-received by critics. Calling Hutton "one of the most richly humane voices in contemporary theater,"[8] F. Kathleen Foley of Los Angeles Times described As It Is in Heaven as “amusing, intellectually stimulating and moving – a beautifully crafted piece that will endure.”[4][8] The critic of The Village Voice, Alexis Soloski, noted that "the scenes of the women working and living together are wonderful for their very Shaker-like qualities: simplicity, unpretentiousness, attention to detail," although Soloski claims that the playwright "weaves in a dramatic arc that never seems as finely worked as the rest of the play."[1] Anita Gates in The New York Times, reviewing the New York revival, described As It Is in Heaven as a "modest, strangely moving one-act," which "is also an unexpected patchwork of high and low cultural influences," including The Age of Innocence, The Crucible and even The Book of Mormon.[7]

American Theatre Web said that "Hutton... once again looks into a slice of Americana... while showing that even a 'utopian' existence such as the Shakers' was not without complications... Hutton asks some universal questions about the nature of community and belief that are timeless and also prove to be good fodder for storytelling on stage... As It Is in Heaven contains a story that deserves to be told."[3] A review on TheaterMania.com stated that "What Hutton does that is so fascinating is to show us people who appear to be the very picture of goodness and brings out their eccentricities and frailties. [She] is excellent at drawing comedy from the situation... to its satisfying and inspiring conclusion".[3][9]

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References

  1. Soloski, Alexis (September 18, 2001). "No Sex, but Lots of Nice Furniture". The Village Voice. Retrieved 17 October 2019.
  2. "As It Is In Heaven (Play by Arlene Hutton)". www.americanmusicpreservation.com. Retrieved 25 December 2017.
  3. "As It is in Heaven". www.dramatists.com. Retrieved 17 October 2019.
  4. Lacher, Irene (April 2, 2003). "Shakers and angels: From unusual material, a playwright sought simplicity and larger truths". Los Angeles Times. Retrieved 19 September 2018.
  5. Maupin, Elizabeth (April 28, 2006). "'Accidental playwright' returns to area with 'See Rock City'". Orlando Sentinel. Retrieved 17 October 2019.
  6. Copley, Rich (May 25, 2008). "Play Back". Lexgo. Retrieved 19 September 2018.
  7. Gates, Anita (May 29, 2011). "A Striking, Gentle Portrait of a Shaker Community". The New York Times. Retrieved 17 October 2019.
  8. Foley, F. Kathleen (February 28, 2003). "A blissful respite from the usual stage business". Los Angeles Times. Retrieved 17 October 2019.
  9. Pierce, Brooke (27 September 2001). "As It Is In Heaven". theatermania.com. TheaterMania. Retrieved 17 October 2019.
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