Arvo Iho

Arvo Iho (born 21 June 1949) is an Estonian film director, cinematographer, actor and photographer, who has worked in the areas of documentary and drama.[1]

Arvo Iho
Born (1949-06-21) 21 June 1949
Rakvere, Estonia
OccupationFilm director, cinematographer
Years active1970s–present

Career

Born in Rakvere, Iho worked as a photographer and assistant for Tallinnfilm before studying cinematography at the Gerasimov Institute of Cinematography.[1] Iho acted as assistant director to Andrei Tarkovsky on the 1979 film Stalker.[1][2] He went on to work as a cameraman for Tallinnfilm in the 1980s.[1]

In 1985, Iho co-directed the feature film Games for School–Age Children with Leida Laius, also acting as director of cinematography, and in 1987 made his solo directorial debut with The Birdwatcher, about the relationship between a poacher and an ornithologist.[1][3][4] He followed this with Only for the Insane (1990).[1] In 2001 he made The Heart of the Bear, based on the Nikolai Baturin novel, and in 2006 made Gooseberries.[1]

As a photographer, Iho has exhibited nationally and internationally.[1][2][5]

As of 2017, Iho was a professor at Tallinn University's Baltic Film and Media School.[2]

Filmography as director
  • Mitme Kandiga Õun (Skulptor Ülo Õun) (1984)
  • 29 Minutes with Ülo Õun (1984)
  • Games for School-Age Children (1985)
  • Tülitaja (1986)
  • The Birdwatcher (1987)
  • Milarepa Laulud (1989)
  • For Crazies Only (1990)
  • Sireniki Kroonika (1991)
  • Impeeriumi Lapsed (1993)
  • Jaanipäev Ingerimaal (1995)
  • The Heart of the Bear (2001)
  • Marina Kuvaitseva and the Lonely Women (2004)
  • Children of the Singing Revolution (2004)

Awards
gollark: Meanwhile, my bunker- has a forcefield entirely protecting it- has no hidden cable ducts or places to hide- ... probably can be teleported into, I haven't made any defense against that- does not really have one ultra-vulnerable point- can craft many components of itself
gollark: - There are invulnerable forcefields on some bits, but you can just dig around them- There are endless hidden cable ducts and Contingency Theta tunnels in it, so people can sneak through- You can teleport in basically everywhere- If someone gets into the control room with its unlabelled button panel, they can deploy lava, disable the generators, enable forcefields and whatnot, and there's no password or anything- There's no equipment in it which lets it replace damaged bits
gollark: Er, still is.
gollark: Anyway, the long and short of it is that your bunker was really ineffective as a bunker.
gollark: Oh, and the PotatOS for OpenComputers installation on the main computer makes it more weird-mess-ish.

References
  1. Rollberg, Peter (2016) Historical Dictionary of Russian and Soviet Cinema, Rowman & Littlefield Publishers; Second edition, ISBN 978-1442268418, pp. 307–308
  2. Parbat, Kalyan (2017) "Arvo Iho: The man who took Russian filmmaker Andrei Tarkovsky to the 'Zone'", The Economic Times, 4 October 2017. Retrieved 12 January 2019
  3. Mazierska, Ewa; Kristensen, Lars; Naripea, Eva (2013) Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours on Screen, I.B. Tauris, ISBN 978-1780763019, p. 310
  4. Horton, Andrew & Brashinsky, Michael (1992) The Zero Hour: Glasnost and Soviet Cinema in Transition, Princeton University Press, ISBN 978-0691019208, p. 237
  5. "Moskva kinomajas eksponeeritakse Arvo Iho fotosid Tarkovskist", Postimees, 13 April 2017. Retrieved 12 January 2019
  6. Paavle, Silja (2012) Arvo Iho: "Filmi "Naerata ometi!" jõhkrus oli päriselt olemas."", Õhtuleht, 10 September 2012. Retrieved 12 January 2018
  7. "The Birdwatcher", Sky UK. Retrieved 12 January 2019
  8. "The Birdwatcher", Karlovy Vary International Film Festival. Retrieved 12 January 2019
  9. "The Bird Watcher", efis.ee. Retrieved 12 January 2019
  10. "795 Eesti Vabariigi väärikat." Õhtuleht, 2 February 2001. Retrieved 12 January 2019.
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