Artur Guttmann
Artur Guttmann (27 August 1891 in Vienna – 3 September 1945 in Hollywood, California) was an Austrian-Jewish[1] film score composer.
Selected filmography
- The Son of the Sheik (1926)
- Maytime (1926)
- The Bordellos of Algiers (1927)
- Men Before Marriage (1927)
- The Csardas Princess (1927)
- Fabulous Lola (1927)
- The Trial of Donald Westhof (1927)
- The Old Fritz (1928)
- Herkules Maier (1928)
- Guilty (1928)
- Love and Thieves (1928)
- The Girl from the Revue (1928)
- Looping the Loop (1928)
- Scandal in Baden-Baden (1929)
- The Man with the Frog (1929)
- My Heart is a Jazz Band (1929)
- The Burning Heart (1929)
- Marriage (1929)
- Foolishness of His Love (1929)
- Autobus Number Two (1929)
- Phantoms of Happiness (1930)
- Echo of a Dream (1930)
- Love Songs (1930)
- Rendezvous (1930)
- Love in the Ring (1930)
- The Waltz King (1930)
- The Prosecutor Hallers (1930)
- The Other (1930)
- My Wife's Teacher (1930)
- Without Meyer, No Celebration is Complete (1931)
- Danton (1931)
- Grock (1931)
- Salto Mortale (1931)
- Terror of the Garrison (1931)
- Duty Is Duty (1931)
- The True Jacob (1931)
- My Cousin from Warsaw (1931)
- A Waltz by Strauss (1931)
- Road to Rio (1931)
- No Money Needed (1932)
- The Ringer (1932)
- Scampolo (1932)
- Fräulein Lilli (1936)
- I Take This Woman (1940)
- Hangmen Also Die! (1943)
Bibliography
- Prawer, S.S. Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933. Berghahn Books, 2007.
gollark: Mekanism's got cool 5x processing which is at least complex to set up in some ways.
gollark: Not really.
gollark: The NuclearCraft chemical processing may be annoying, but at least I have to think about the process and not just plonk down a single block.
gollark: Moving a bit beyond that, and applying to the previous version too, the way it just provides simple oneblock solutions to everything, *and then no more complex better ones*.
gollark: - useless first tiers- microcrafting requiring random components- requires being in overworld for grains of infinity^ my main criticisms of EIO 5.
References
- Siegbert Salomon Prawer, Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933, Berghahn Books (2007), p. 213
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