Antoine Vialon

Antoine Vialon (1814 – 4 March 1866) was a French draftsman and engraver who became music editor and composer of vocal music later in his life.[1] After playing music of other composers, he began writing and playing his own music with fatherly care. A meticulous artist with a large number of vocal works for one, two, three or four voices with or without accompaniment,[2] he left behind him a collection of musical pieces in numbered and standard notation, some of which won several medals in orpheonic competitions in many departments.[2] He was one of the first propagators of the Galin-Paris-Chevé system,[3] that he later abandoned in favor of a more practical point of view.[1] He was a steadfast and tireless artist who devoted his whole life to his art.

Works
  • Fanfare du charlatan
  • 3 duos concertans pour deux violons
  • Chœur bouffe, pour 3 ou 4 voix d'hommes, sans accompagnement instrumental
  • Danse pour tous, quadrille choral pour 3 ou 4 voix d'hommes, sans accompagnement instrumental
  • Souvenirs de l'Orphéon français
  • Harmonie el musique chorale en chiffres, œvres dramatiques de Jean-François Lesueur — Volume composé de 25 livraisons
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References
  1. Périodiques Musicales (1866). Le Guide Musical: Revue Internationale de la Musique Et de Theâtres Lyriques, Volumes 11-12 (in French). Brussels. p. 11. OCLC 1509855.
  2. Gazette musicale de Paris (1858). Gazette musicale de Paris, Volume 25 (in French). p. 140. OCLC 10231140.
  3. Almanach de la musique (1868). Almanach de la musique, 1866 [1ère année] 1867 et 1868 (in French). Paris. p. 12. OCLC 405113398.


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