Anthony Brandt

Anthony K. Brandt (born 1961) is an American composer, academic, and writer. He is Professor of Composition and Theory at Rice University's Shepherd School of Music and the co-author with neuroscientist David Eagleman of the 2017 book The Runaway Species: How Human Creativity Remakes the World. As a composer, his works include two chamber operas, an oratorio, and orchestral, chamber, and vocal music.[1][2][3]

Anthony Brandt
Born1961 (1961)
New York City
Education
Occupation
  • composer
  • academic
  • writer
OrganizationRice University
RelativesBoris Kroyt (grandfather)

Life and career

Brandt was born and raised in New York City. His father, Nathan, was a history writer and an editor for American Heritage and Publishers Weekly. His mother, Yanna, was a television producer. His maternal grandfather, Boris Kroyt was a violinist (and later violist) who was a member of the Budapest String Quartet. Brandt began studying the violin at the age of seven and during his teenage years spent six summers at the Bowdoin International Music Festival where he had further training in the violin under Lewis Kaplan and took his first steps as a composer.[4][5]

Brandt received his B.A. from Harvard University in 1983. After his graduation he spent a year in Paris studying on a fellowship at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM). On his return, he enrolled in the California Institute of the Arts where he studied composition under Mel Powell and received his M.A. in 1987. He continued his composition studies with Earl Kim at Harvard, receiving his Ph.D. in 1994. His doctoral composition was Septet-a-Tete for flute, bass clarinet, two percussion, piano, violin, and cello. In 1994 he also received a Tanglewood fellowship. Brandt held visiting lectureships at Harvard, Tufts, and MIT before joining the faculty of Rice University's Shepherd School of Music in 1998 as an assistant professor. He has remained at Shepherd ever since, eventually rising to a full professorship and becoming the school's Chair of Composition and Theory.[4][6][7]

Among Brandt's compositions are two chamber operas, an oratorio, and orchestral, chamber, and vocal music. One of his early commissions was from the Koussevitzky Foundation to compose a new string quartet for the FLUX Quartet, an ensemble specializing in contemporary music. His first chamber opera, The Birth of Something with a libretto by Will Eno, premiered on 24 February 2006 at the Hobby Center for the Performing Arts in Houston. It was subsequently recorded on the Albany Records label along with Brandt's The Dragon and the Undying for soprano and string quartet set to a poem by Siegfried Sassoon (a commission from the Bowdoin International Music Festival to celebrate its 40th anniversary) and the song cycle Creeley Songs for soprano and piano set to poems by Robert Creeley. His oratorio Maternity with a libretto by neuroscientist David Eagleman was premiered in 2012 by the River Oaks Chamber Orchestra who had commissioned the work. Brandt is also the artistic director of Musiqa, non-profit organization dedicated to the performance of contemporary classical music, which he co-founded in 2002. In 2013, Musiqa was a recipient of the ASCAP Adventurous Programming Award.[8][5][9][10][11]

In addition to their collaboration on Maternity, David Eagleman and Brandt are the co-authors of the 2017 book The Runaway Species: How Human Creativity Remakes the World, described in Nature as "a lively exploration of the software our brains run in search of the mother lode of invention". Brandt is also a co-investigator in an NEA-funded research lab at Rice University which is "measuring the effects of music-making and music engagement on cognitive and social-emotional well-being." [12][13]

Brandt is married to the soprano and educator Karol Bennett. They met during his time as a Ph.D. student at Harvard. Both were performing a concert by the Griffin Music Ensemble, a Boston-based contemporary music ensemble of which Brandt was a founding member. The couple have three children.[5][14][15]

Recordings
gollark: Sleeping is boring and unpleasant.
gollark: Then you would be unable to division.
gollark: no.
gollark: BAN it for it is UNSAFE.
gollark: But just don't use it™™.

References
  1. s.n. (11 January 2018)."What makes humans inventive?". The Economist. Retrieved 26 September 2019 (registration required).
  2. Falk, Dan (27 February 2018). "The Slippery Search for Creativity". Los Angeles Review of Books. Retrieved 26 September 2019.
  3. Lias, Stephen (2011). "Anthony K. Brandt". Contemporary Art Music in Texas, p. 16. Austin State University Press. ISBN 1936205157
  4. Shumate, Penny Reid (2014). A Performance Guide to Anthony Brandt's Creeley Songs, pp. 12-14. Louisiana State University Doctoral Dissertations. Retrieved 26 September 2019.
  5. Dyer, Richard (2008). Liner notes: The Birth of Something. Albany Records. Retrieved 26 September 2019.
  6. Rice University, Shepherd School of Music. "Faculty: Anthony Brandt". Retrieved 26 September 2019.
  7. Harvard University Department of Music. "PhD Recipients and Dissertations 1956-present". Retrieved 26 September 2019.
  8. s.n. (11 December 2000) "Koussevitzky Commissions For 2000 Announced". Koussevitzky Foundation in the Library of Congress. Retrieved 26 September 2019.
  9. Knox, Lawrence Elizabeth (22 February 2019). "Music and film merge in Musiqa's ‘Reel Forces’". Houston Chronicle. Retrieved 26 September 2019.
  10. ASCAP (15 January 2013 ). "ASCAP Adventurous Programming Awards to be Presented at 2013 Chamber Music America Conference". Retrieved 26 September 2019.
  11. Luks, Joel (24 April 2012). "Mothers through the ages: Brandt and Eagleman world premiere honors survival & perseverance". Houston CultureMap. Retrieved 27 September 2019.
  12. Jones, Dan (2017). "Neuroscience: The mother lode of invention". Nature, Vol. 550, No. 7674, pp. 34–35. Retrieved 26 September 2019.
  13. National Endowment for the Arts (2019). "NEA Research Labs: The Arts, Health, and Social/Emotional Well-Being". Retrieved 27 September 2019.
  14. Beardslee, Bethany (2017). I Sang the Unsingable: My Life in Twentieth-Century Music, p. 361. Boydell & Brewer. ISBN 1580469000
  15. Rice University, Shepherd School of Music. "Faculty: Karol Bennett". Retrieved 26 September 2019.
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