Anne Leilehua Lanzilotti

Anne Leilehua Lanzilotti is a Kanaka Maoli composer, performer, and scholar of contemporary classical music. She is the curator of music at The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC).[1] Lanzilotti is the creator of Shaken Not Stuttered, a free online resource demonstrating extended techniques for strings.

Anne Leilehua Lanzilotti
BornNovember 5, 1983 (1983-11-05) (age 36)
OccupationMusician
Websiteannelanzilotti.com

Early life and education

Lanzilotti grew up in Honolulu, Hawaiʻi. She began her violin studies with Hiroko Primrose, renowned pedagogue and protégé of Shinichi Suzuki. In addition to western classical music, Lanzilotti studied Hawaiian language, culture, and dance at Hālau Hula O Maiki. Lanzilotti attended Punahou School and Beijing Normal University Middle School No. 2 (School Year Abroad), and then continued her education at Oberlin College Conservatory of Music, Yale School of Music, and Manhattan School of Music.[2] She was a fellowship violist in both the New World Symphony[3] and the Rundfunk-Sinfonieorchester Berlin.

Professional life

Lanzilotti is known as a performer for her collaborations with living composers such as Dai Fujikura,[4] Ted Hearne,[5] Andrew Norman,[6] Caroline Shaw,[7] Anna Thorvaldsdottir,[8] Jagoda Szmytka, Scott Wollschleger,[9] and Nina C. Young.[10] Lanzilotti created Shaken Not Stuttered as an extension of these collaborations. In addition to her work as a soloist, she has performed as a guest with Alarm Will Sound, Ensemble Éschappé, Ensemble Interface, Ensemble Signal, International Contemporary Ensemble, and with bands such as DeVotchKa, and She & Him.[11] Lanzilotti performed in the Björk Vulnicura Live tour in New York City, and appears on the album of the same name.

Lanzilotti is also co-founder and artistic consultant for Kalikolehua – El Sistema Hawaiʻi.[12] She was previously on the faculty at New York University, University of Northern Colorado, Casalmaggiore International Music Festival,[13] Point CounterPoint[14] and Wintergreen Performing Arts.[15]

As an Andrew Norman scholar, Lanzilotti has written for Neue Zeitschrift für Musik, London Symphony Orchestra,[16] and has spoken at conferences internationally[17] on Norman's use of architecture and visual art as musical inspiration. Her doctoral dissertation is also on the topic of music and architecture in Norman's string trio, The Companion Guide to Rome.[18]

In her role as Curator of Music at EMPAC, she has invited artists such as Maria Chavez[19], Lesley Flanigan[20], Heartbeat Opera[21], Sarah Hennies[22], and Ken Ueno[23]. At EMPAC, she is one of the center's three curators, alongside Vic Brooks, senior curator of time-based visual art, and Ashley Ferro-Murray, curator of theater and dance.[24]

Music

Lanzilotti's compositions are characterized by the frequent use of field recordings and extended techniques for strings. Lanzilotti creates soundscapes that invite the audience to engage with sound and listen carefully to the subtleties of resonance. She was the winner of the first Periapsis Emerging Artist Residency,[25] and has been commissioned by The Noguchi Museum several times to write musical works.[26] Lanzilotti was a guest composer at Thailand International Composers Festival in 2018. [Switch~ Ensemble] received a MAP Fund grant[27] for the development and performance of her new work hānau ka ua.

Her album in manus tuas (New Focus Recordings, 2019), was featured in Bandcamp's The Best Contemporary Classical Albums of 2019[28] and The Boston Globe Top 10 Classical Albums of 2019.[29] Other albums including Lanzilotti's music are her debut EP Wanderweg and experimental LP The Akari Sessions.

Selected discography

Selected compositions
  • with eyes the color of time for string orchestra (2020), commissioned by the String Orchestra of Brooklyn[47]
  • find (2019) for viola and electronics, commissioned by Kieran Welch
  • beyond the accident of time for percussion and voices (2019), commissioned by The Noguchi Museum, premiered June 13, 2019[48]
  • the space in which to see for French horn, violin, viola, and cello (2019), commissioned by Johanna Lundy for the Borderlands Ensemble[49]
  • of moments for baritone and baroque violin (2018) commissioned by Jesse Blumberg and Johanna Novom
  • to you (the architects are most courageous) for two violins, viola, cello, and piano (2018)[50]
  • Postcards II: Akari for viola, voice, harp, and fixed media (2018) Commissioned by The Noguchi Museum, premiered April 6, 2018[51]
  • gray for viola and percussion (2017)[25][52]
  • birth, death, for obsidian sound sculptures, strings, and voice (2017).[53] Commissioned by The Noguchi Museum
  • Casalmaggiore for viola(s) and electronics (2016)
  • leap year for viola(s) and electronics (2016)
  • with their I you your fuse for double bass (2016)

Selected publications

Written:

  • "Music is Everywhere Steeped in Time," The 20/19 Project Monograph (Studio Will Dutta, 2019)[54]
  • "A Trip to the Moon" (London Symphony Orchestra, 2017)[16]
  • "Anna Thorvaldsdottir: A Part of Nature" (Music & Literature, 2017)[8]
  • "Architektur der Gesellschaft: Der US-Amerikanische Komponist Andrew Norman" (Neue Zeitschrift für Musik, 2017)[6]
  • "'Cut to a Different World': Andrew Norman" (Music & Literature, 2016)[55]
  • "Andrew Norman's The Companion Guide to Rome: Influence of Architecture and Visual Art on Composition" (DMA Diss, Manhattan School of Music, 2016)[18]

Editions of musical scores:

  • Sonnets by Andrew Norman, edited by Lanzilotti – viola & piano[56]
  • "Josephine (the Singer)" by Martin Bresnick, edited by Lanzilotti – solo viola[57]
gollark: Never sleep. Just study computer engineering. Fill your room with computer engineering posters. Fill the house with half-disassembled computers or whatever.
gollark: Never talk about anything but computer engineering.
gollark: Talk about how you're so excited and happy about doing computer engineering, *constantly*.
gollark: Try reverse psychology.
gollark: Really should be more careful with that.

References
  1. "EMPAC welcomes Anne Leilehua Lanzilotti as new Curator of Music | Experimental Media and Performing Arts Center (EMPAC)". empac.rpi.edu. Retrieved 2019-04-30.
  2. "Anne Lanzilotti: Assistant Professor of Viola". University of Northern Colorado, College of Performing and Visual Arts. Retrieved October 27, 2017.
  3. "Alumni". www.nws.edu. Retrieved 2019-07-28.
  4. "Dai Fujikura: Works for Viola | Music in New York". Time Out New York. Retrieved 2019-07-28.
  5. Ross, Alex (2015-12-15). "Notable Performances and Recordings of 2015". The New Yorker. ISSN 0028-792X. Retrieved 2017-10-27.
  6. "Neue Zeitschrift für Musik 2017/02". englisch. Retrieved 2019-07-28.
  7. "Anne Leilehua Lanzilotti: in manus tuas | Catalogue". New Focus Recordings. Retrieved 2019-07-07.
  8. "Anna Thorvaldsdottir: A Part of Nature". Music & Literature. Retrieved 2017-10-27.
  9. Ross, Alex (2017-12-11). "Notable Performances and Recordings of 2017". The New Yorker. ISSN 0028-792X. Retrieved 2017-12-21.
  10. Allen, David (2018-05-10). "6 Classical Music Concerts to See in N.Y.C. This Weekend". The New York Times. ISSN 0362-4331. Retrieved 2019-07-28.
  11. She & Him on Letterman – "Never Wanted Your Love" on YouTube
  12. "Bio – Anne". kalikolehua.com. Retrieved 2017-10-27.
  13. "Casalmaggiore Festival".
  14. "Music Faculty". Point CounterPoint. 2016-09-21. Retrieved 2019-07-13.
  15. "MusicalAmerica Wintergreen Concert Listing". www.musicalamerica.com. Retrieved 2019-07-13.
  16. Lanzilotti, Anne (Summer 2017). "A Trip to the Moon" (PDF). London Symphony Orchestra.
  17. "program". continuum2016. 2016-02-09. Retrieved 2017-10-27.
  18. "Andrew Norman's The Companion Guide to Rome: Influence of architecture and visual art on composition – ProQuest". ProQuest 1847569458. Cite journal requires |journal= (help)
  19. "Untitled Commission—Maria Chávez". EMPAC—Experimental Media and Performing Arts Center. Retrieved 2020-05-02.
  20. "Residue—Lesley Flanigan". EMPAC—Experimental Media and Performing Arts Center. Retrieved 2020-05-02.
  21. "HEARTBEAT OPERA Shares LADY M Online | Experimental Media and Performing Arts Center (EMPAC)". empac.rpi.edu. Retrieved 2020-05-02.
  22. "Falsetto—Sarah Hennies". EMPAC—Experimental Media and Performing Arts Center. Retrieved 2020-05-02.
  23. "Ken Ueno—". EMPAC—Experimental Media and Performing Arts Center. Retrieved 2020-05-02.
  24. "Staff | Experimental Media and Performing Arts Center (EMPAC)". empac.rpi.edu. Retrieved 2019-12-20.
  25. "Calendar". Periapsis Music and Dance. Retrieved 2017-10-27.
  26. "Artists at Noguchi | Musical Performance: Sounds of Akari | The Noguchi Museum". www.noguchi.org. Retrieved 2019-04-30.
  27. "2020 MAP Fund Finalists". MAP Fund. Retrieved 2020-06-30.
  28. "The Best Contemporary Classical Albums of 2019". Bandcamp Daily. 2019-12-17. Retrieved 2020-01-02.
  29. "Zoe Madonna and Jeremy Eichler's Top 10 classical albums of 2019 – The Boston Globe". www.bostonglobe.com. Retrieved 2020-01-02.
  30. "Terrain, by Jacob Cooper". Jacob Cooper. Retrieved 2020-06-30.
  31. "New Amsterdam Records - Albums". New Amsterdam Records. Retrieved 2020-06-30.
  32. "Ted Hearne: Hazy Heart Pump | Catalogue". New Focus Recordings. Retrieved 2019-12-20.
  33. "anatomy theater". Cantaloupe Music. 2019-10-05. Retrieved 2019-12-20.
  34. "Nightafternight playlist". Alex Ross: The Rest Is Noise. Retrieved 2019-08-18.
  35. "The Best Contemporary Classical Albums of 2019". Bandcamp Daily. 2019-12-17. Retrieved 2019-12-18.
  36. "Playlist (Live life out loud)". National Sawdust Log. Retrieved 2019-08-18.
  37. Wollschleger, Scott. "Soft Aberration".
  38. Fujikura, Dai. "Chance Monsoon". Sony Japan.
  39. "The Yes & – releases". Bandcamp.
  40. "Wanderweg, by Anne Lanzilotti". Anne Lanzilotti. Retrieved 2017-10-27.
  41. Hearne, Ted. "The Source".
  42. Osborne, Joan (October 27, 2017). "Love and Hate". AllMusic.
  43. Hickey, Sean. "Cursive". Naxos.
  44. "Leoš Janácek – Mša Glagolskaja (Missa Solemnis) & Taras Bulba". pentatonemusic. Retrieved 2017-10-27.
  45. "Richard Wagner – Parsifal". pentatonemusic. Retrieved 2017-10-27.
  46. "Richard Wagner – Der fliegende Holländer". pentatonemusic. Retrieved 2017-10-27.
  47. "[SUSPENDED] String Theories Festival: Works for String Orchestra by Caroline Shaw, Shelley Washington and Anne Leilehua Lanzilotti". Roulette. Retrieved 2020-05-02.
  48. "Artists at Noguchi | Changing and Unchanging Sound | The Noguchi Museum". www.noguchi.org. Retrieved 2019-07-13.
  49. "Borderlands Ensemble | Johanna Lundy, French Horn". www.tucsonhorn.com. Retrieved 2020-05-02.
  50. "to you". Anne Leilehua Lanzilotti. Retrieved 2019-04-30.
  51. "Artists at Noguchi | Musical Performance: Sounds of Akari | The Noguchi Museum". www.noguchi.org. Retrieved 2019-07-13.
  52. "Anne Leilehua Lanzilotti: in manus tuas | Catalogue". New Focus Recordings. Retrieved 2020-05-02.
  53. "The Rhythm Method String Quartet featuring Alice Teyssier | The Once and Future Maiden at The Noguchi Museum | The Noguchi Museum". www.noguchi.org. Retrieved 2017-10-27.
  54. Dutta, Will (May 2, 2020). "The 20/19 Project Digital Booklet" (PDF). Studio Will Dutta.
  55. ""Cut to a Different World": Andrew Norman". Music & Literature. Retrieved 2017-10-27.
  56. "PSNY: Andrew Norman – Sonnets". www.eamdc.com.
  57. "Josephine (the Singer)". www.carlfischer.com. Retrieved 2017-10-27.
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