Andy Akiho

Andy Akiho (born 7 February 1979,[1] Columbia, South Carolina) is an American musician and composer of contemporary classical music. A virtuoso percussionist based in New York City, his primary performance instrument is steel pans.[2] He took interest in becoming a percussionist when his older sister introduced him to a drum set at the age of 9.[3] Akiho first tried his hand at the steel pan when he became an undergraduate at the University of South Carolina. He began taking several trips to Trinidad after college to learn and play music. From there, he started writing pieces of his own.[3]

Andy Akiho
Born(1979-02-02)February 2, 1979
Columbia, South Carolina, U.S.
Occupationcomposer, musician
Years active1997–present
Websitewww.andyakiho.com

Education

Akiho is a graduate of the University of South Carolina with a B.M. in percussion performance, the Manhattan School of Music with a M.Mus. in contemporary performance, and the Yale School of Music with a second M.Mus. in composition.[4] He is currently pursuing a Ph.D. in composition at Princeton University.[2] While he was an undergraduate, he was also a member of the Carolina Crown Drum and Bugle Corps of Fort Mill, South Carolina and then of The Cadets Drum and Bugle Corps of Allentown, Pennsylvania.[5]

Career

Akiho has tried to learn everything he could with what was available to him at the time as a percussionist while at the University of South Carolina. He has played in a percussion ensemble as a classical percussionist, concert band, and in orchestras. Akiho had also joined a local West African percussion ensemble, Brazilian drumming ensembles, and steel bands.[6] He began to realize once he finished at South Carolina that he truly loved playing the pans the most and from there he traveled to Trinidad several times without knowing anyone or having any connections. He started by speaking to the locals telling them that he had really wanted to play the steel pan there. During his first visit, he had stayed in Trinidad for five weeks playing with a big band who called themselves the PCS Starlift Steel Orchestra which was led by Ray Holman. In the following year, he played with another steel orchestra called Phase II which was led by Len "Boogsie" Sharpe.[6]

Akiho's interest and confidence in going in the direction of music composition was influenced by him doing the Bang on a Can Summer Festivals in 2007 and 2008. Akiho has studied compositions with Julia Wolfe, David Lang (composer), and Michael Gordon (composer) and was greatly influenced by his teachers Christopher Theofanidis, Ezra Laderman, and Martin Bresnick at Yale School of Music.[6] Jacob Druckman’s “Come Round,” performed at the Manhattan School of Music played a huge role in influencing Akiho when he began composing.[6]

Akiho is involved in a stage production collaboration with The Industry's director, Yuval Sharon, who re-imagines Bertolt Brecht’s play “Life of Galileo” by taking part in composing the original music for. He found it challenging to collaborate with someone because he was used to doing abstract work to then working in a disciplined environment collaborating with someone who knew what they wanted. The project gave him the feeling that he was writing music for a movie, which in turn inspired him to want to do more of those kinds of collaborative work.[7]

Awards

Sources: [8][9]

Compositions

Akiho's early works were largely Caribbean-themed, folk and jazz based works for steel bands and steel pan players like himself. With increased experience and education, he has evolved into a composer of contemporary concert music.[10]

Sources: [11]

  • Phatamachickenlick (1997) for snare drum duet
  • Hip-Hopracy (2001) for 9 percussionists
  • Macqueripe (2002) for tenor steel pan
  • Omnipresent (2003) for tenor steel pan
  • Daidai Iro (Orange) (2005) for steel pan, cello, bass, and drums with toy piano & glockenspiel optional; also for solo tenor steel pan
  • Aka (Red) (2006) for steel pan, cello and/or double bass, drums, and optional violin
  • Momo Iro (Pink) (2006) for steel pan, guitar, bass, and drums; also for solo tenor steel pan
  • Murasaki (Purple) (2006) for steel pan, harp, cello, bass, and drums; also for solo tenor steel pan
  • Hadairo (Beige) (2007) for string quartet, harp, steel pan, bass, and drums; also for solo tenor steel pan
  • Karakurenai (Crimson) (2007/2011) flexible instrumentation for one or more players
  • I falleN TwO (2008) for steel pan and string quartet
  • the rAy's end| (2008) for trumpet, violin, and steel pan
  • Vick(i/y) (2008) for prepared piano
  • Ki-Iro (2009) for woodwinds, strings, harp, piano & 3 percussion
  • to wALk Or ruN in wEst harlem (2008) for flute, bass clarinet, violin, cello, vibraphone, and drums; also (2016) for 8 member percussion ensemble
  • 21 (2009) for cello (double loop pedal and kick drum) and steel pan (double tambourine) or marimba (double tambourine)
  • Alloy (2009) for steel pans band & metallic drum set
  • Amalgamation (2009) for saxophone quartet and digital playback
  • NO one To kNOW one (2010) for soprano, flute, clarinet (doubles bass clarinet), cello, piano, percussion, vibraphone and/or steel pan (vibes & pan play same score)
  • LIgNEouS 1 (2010) for marimba and string quartet
  • Erase (2011) for flute, clarinet (doubles bass clarinet), violin, cello, piano, percussion
  • Five Movements for Piano Trio (2011) for piano, violin, and cello
  • In/Exchange (2011) for steel pan and string quartet
  • LIgNEouS 3 (2011) for marimba and string quartet
  • Six Haikus (2011) for baritone voice, trumpet, trombone, and bass clarinet
  • Stop Speaking (2011) for snare drum and digital playback
  • -intuition ) (Expectation (2012) for trumpet and marimba
  • Oscillate (2012) for string orchestra, piano, and 3 percussion
  • Three Shades, Foreshadows (2012) for cello and digital playback
  • Bagatelle (2013) for solo piano
  • Transparency (2013) for solo piano
  • Two Bridges (2014) Three Movements for Harp Duo
  • Deciduous (2014) for violin and lead/tenor steel pan
  • LIgNEouS 2 (2014) for marimba and string quartet
  • String Quartet 1 "Mobile on a Stream Into the Now" (2012) for string quartet
  • Revolve (2013) for string quintet
  • Speaking Tree (2013) for brass quintet, string quintet, and percussion
  • Tarnished Mirrors (2013/2015) Concerto for ping pong, violin, percussion, & orchestra
  • Ricochet (2015)[12] Ping Pong Players (2), Solo Violin, Solo Percussion, Orchestra (2,2,2,2 | 2,2,2,1 | Timp, 2 Perc | Strings)
  • Pillar IV (2014) for percussion quartet
  • Two Bridges (2014) three movements for harp duo
  • Beneath Lighted Coffers (2015) Concerto for steel pan and orchestra
  • LIgNEouS 4 (2016) for marimba and string quartet
  • LIgNEouS 5 (2016) for marimba and string quartet
  • Prospects of a Misplaced Year (2017) for piano and string quartet
  • Lost on Chiaroscuro Street (2017) for clarinet, violin, cello, and piano
  • Cobalt Canvas (2018) for Flute, 2 Clarinets, Bassoon, Trumpet, Horn, Trombone, 1 Percussion Piano (2 players|4 hands), 3 Violins, 2 Violas, 2 Cellos, & Double Bass

Discography

NO one To kNOW one (Innova Recordings #801), 2011 – Performer and composer [13]

The War Below, 2018 - Composer[14]

Vicky Chow – AORTA (New Amsterdam Records) – Composer "Vick(i/y)"

Mariel Roberts – Nonextraneous Sounds (Innova Recordings #247) – Composer "Three Shades, Foreshadows"

RighteousGIRLS – Gathering Blue (Panoramic Recordings PAN03) – Composer "KARakurENAI"

Loadbang – Monodramas (Analog Arts AA1402) – Composer "Six Haikus"

Anthony de Mare – Liaisons: Re-Imagining Sondheim from the Piano (ECM Records 2470-72) – Arranger "Into the Woods"

Hong Kong Philharmonic Orchestra & Bright Sheng – Intimacy of Creativity - Five Year Retrospective (Naxos Records 8.573614-15) – Composer and performer "21 (Acoustic Version)"

Phillip O'Banion – Digital Divide (bcm&d Records 888295404686) – Composer "Stop Speaking"

Cover versions

An alumnus of two top Drum Corps International performing ensembles, Akiho is becoming a popular composer within the activity. In the summer of 2014, the Bluecoats performed to wALK Or ruN in wEst harlem. In 2016, it was performed by The Battalion while Golden Empire, Legends, and Oregon Crusaders played NO one To kNOW one. In 2017, the first corps he marched with, Carolina Crown, had NO one To kNOW one as a featured piece.[15]

gollark: The trouble is that you probably also need people to do, well, thinky stuff, which slaves can't really manage. If you want your slaves to be able to give you nice things like cars and smartphones.
gollark: Although if you want to maintain good current quality of life for *you* via slavery you'll need most of this infrastructure anyway.
gollark: Since nowhere has ALL the stuff you need you need a ton of transportation.
gollark: But then you have to locate factories in places with the right minerals.
gollark: 2% or 0.5% efficiency or something, but they conveniently store to chemical energy

References
  1. https://nyphil.org/~/media/pdfs/program-notes/1718/Andy-Akiho-Ricochet.pdf?la=en
  2. Joel Garten (November 26, 2013). "Artist Profile: Interview with Composer Andy Akiho". Huffington Post. Retrieved June 18, 2017.
  3. Katherine Hobson (January 16, 2013). "Music without Borders". Princeton Alumni Weekly. Retrieved November 11, 2018.
  4. "Andy Akiho - Composer". ymusic.digication.com. Retrieved June 18, 2017.
  5. Potter, Dan (commentator/host) (June 9, 2017). Spring training check-ins (Part III) ("Field Pass" podcast). Drum Corps International. Retrieved June 18, 2017.
  6. Scott Yoho (September 20, 2011). "Meet Finale Composition Contest Finalist Andy Akiho". CSO Sounds & Stories. Retrieved November 11, 2018.
  7. Frank J. Oteri (June 1, 2018). "From NEWMUSICBOX: "Andy Akiho – Inside the Instrument"". NewMusic USA. Retrieved November 11, 2018.
  8. "Andy Akiho Music/Bio". Aki Rhythm Press. Retrieved June 18, 2017.
  9. "Andy Akiho '11 MM wins ACO's Underwood Emerging Composer Commission". Yale University. September 10, 2014. Retrieved June 18, 2017.
  10. Andy Akiho (composer). ASCAP Audio Portrait: Andy Akiho (ASCAP Audio Portrait). American Society of Composers, Authors and Publishers. Retrieved June 18, 2017.
  11. "Andy Akiho Music/Music". Aki Rhythm Press. Retrieved June 18, 2017.
  12. "Watch Ping-Pong Make Its New York Philharmonic Debut". Retrieved 2018-09-10.
  13. "Andy Akiho Music/Recordings". Aki Rhythm Press. Retrieved June 18, 2017.
  14. "The War Below, by Andy Akiho". Andy Akiho. Retrieved 2018-09-10.
  15. "Composer Search Results Akiho, Andy". Maher & Associates, Inc./corpsreps.com. Retrieved July 17, 2017.
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