Andrew Morris (conductor)

Andrew Morris (born 18 December 1948) is a British conductor, organist, adjudicator and teacher based in Cambridge.

Biography

Andrew Morris was brought up on the Isle of Wight. He was a boy chorister of Westminster Abbey under Sir William McKie[1] and then gained a music scholarship to Bembridge School before entering the Royal Academy of Music in 1967, where he studied organ, piano and conducting. He then read for the MA and BMus degrees at the University of London before taking an MEd degree by research at Pembroke College, Cambridge, where he was also Schoolmaster Fellow Commoner. He is a Fellow of Trinity College London, was elected an Associate of the Royal Academy of Music by the Governing Body of the Royal Academy of Music in 1988 and given the honorary award of ARSCM by the Royal School of Church Music in 2019 for his work in church music, choral music and music education.

Career

In 1971 Andrew Morris succeeded Brian Brockless as Organist and Director of Music at the Priory Church of St Bartholomew-the-Great, Smithfield, in the City of London. During his 8-year tenure at the Church he developed both the music within the liturgy and the concert programmes. The choir, under his direction, focused on the performance of sixteenth, early seventeenth and twentieth century music, making records with Abbey Records and broadcasting on BBC Radio 3 and ITV. He also directed the music for the annual Dedication Service of the Imperial Society of Knights Bachelor which took place at St Bartholomew-the-Great where the Knights Bachelor Chapel was then situated. While at St Bartholomew's he re-founded the New English Singers in 1974 and he conducted concerts with the group in and around London with various instrumental groups including the English Consort of Viols. His work with adult chamber choirs continued and, in 1985, he founded the New Bedford Singers which he conducted for 10 years in concerts in the home counties. At St Bartholomew-the-Great he directed several festivals, all of which were widely acclaimed in the national press both for the quality of the performances and the originality of the programmes. The Festival to celebrate the 850th Anniversary of the founding of St Bartholomew's Priory and Hospital in 1973 included performances by the London Bach Society under Paul Steinitz, the Schutz Choir of London under Roger Norrington, The Aeolian String Quartet and The King's Singers. The Queen's Silver Jubilee Festival in 1977, sponsored by The Stock Exchange, featured concerts by the New English Singers under Andrew Morris and the London Schubert Orchestra under Brian Brockless performing mostly twentieth century works.

The two International Festivals of Twentieth Century Music in 1978 and 1979 [2] which Morris directed in collaboration with the composer Paul Patterson contained performances by some of the UK's leading contemporary music ensembles and a concert of works by Krzysztof Penderecki conducted by the composer. There were 11 world premieres, 10 British premieres and 8 London premieres performed in the 1978 festival. In the 1979 festival, all the (then) Sequenzas of Luciano Berio were performed and, in addition, there were 8 world premieres, 10 British premieres and 4 London premieres. Andrew Morris conducted the London premieres of Judica Me, Opus 96 (Lennox Berkeley), The Leaden Echo and the Golden Echo (Elizabeth Maconchy) and Canticle of the Mother of God (John Tavener). In his festival organ recital, Andrew Morris gave the British premieres of Jubilate (Augustine Bloch), Hvar Litany (Miroslav Miletic) and Triphtogus I (Pal Karolyi) and the London premiere of Games (Paul Patterson), which had been commissioned by the 1977 St Albans International Organ Festival.

As an organ recitalist, Andrew Morris gave regular recitals at St Bartholomew-the-Great during his time there and, at various times, he has appeared as organist at venues such as the Royal Albert Hall, the Royal Festival Hall, St Paul's Cathedral, King's College, Cambridge, Hexham Abbey, Bedford School Chapel and most of the churches of the City of London.

In 1972 Andrew Morris was appointed Professor of Harmony and Piano at the London College of Music, where he remained until 1976. Also in 1972 he was appointed Director of Music at Christ's College, Finchley, where he taught until 1979.

In 1979 Andrew Morris became Director of Music at Bedford School where he remained for 32 years. During this time at Bedford, he developed the Music School into one of the largest school music departments in the UK and brought its music making to unprecedented heights.[3] He also presided over the building of an award-winning new Music School, designed by Eric Parry RA and opened in March 2006 by Sir Peter Maxwell Davies, Master of The Queen's Music. Under Andrew Morris's direction the School's First Orchestra played most of the Classical and Romantic concerto and symphonic repertoire as well as symphonies by Sibelius and Nielsen and new works by British composers such as Paul Patterson and the recipients of the Composer-in-Residence Scheme which Morris set up at Bedford School (with funds from the Maingot Trust), Alan Charlton, Paul Whitmarsh, Tim Watts and James Lark. With the School Choral Society, Morris conducted many of the major choral works including Bach's B minor Mass, the St John Passion, the St Matthew Passion, Handel's Israel in Egypt and Samson, the Verdi Requiem and Elgar's The Dream of Gerontius to name but a few. Under Morris's direction, the First Orchestra and Choral Society were featured in the BBC 'Youth Orchestras of the World' series in a new work by John Tavener. Andrew Morris also took the Chapel Choir, with whom he established a strong cathedral repertoire in the weekly Chapel services, to sing in many English cathedrals and churches, including St Paul's Cathedral and Westminster Abbey, and on tours to Madrid, including Madrid Cathedral, Venice,[4] which included a concert in the Basilica dei Frari and Mass on the Feast of the Assumption in the Basilica di San Marco, Paris, which included the Sunday morning Mass in Notre Dame and a concert in La Madeleine, and a concert in Chartres Cathedral as part of the Cathedral Festival. His notable pupils include the international conductor and violinist Andrew Manze, Royal Opera House timpanist and professor of timpani at the Royal College of Music Christopher Ridley, composer and choral director Philip Stopford, pianist and conductor William Vann, Paul and Barnaby Smith, CEO and music director respectively of Voces Cantabiles Music and Voces8, counter-tenor Matthew Venner and the former England cricket captain Sir Alastair Cook, CBE. At Bedford School Morris established a Visiting Fellows scheme, made up of advisers to the Music Department and to the Bedford boys, who included Sir Stephen Cleobury, CBE (then Director of Music at King's College, Cambridge), Andrew Manze (then Chief Conductor of the Helsingborg Symphony Orchestra and Associate Guest Conductor of the BBC Scottish Symphony Orchestra), Richard Egarr (Director of the Academy of Ancient Music), Paul Patterson (then Manson Professor of Composition at the Royal Academy of Music) and Roger Wright, CBE (then Controller of BBC Radio 3 and Director of the BBC Proms). While at Bedford, Andrew Morris was a Trustee of the St Albans Cathedral Music Trust.

Andrew Morris has been actively involved in the contemporary music scene throughout his career and was a member of the Executive Committee of the New Macnaghten Concerts from 1978 to 1984 and chairman from 1981 to 1984. He has been associated with the Park Lane Group since 1985 and has been a member of the Artistic Committee, the Committee of Management and the Advisory Council on which he currently sits. He was also a founding-trustee of Voces Cantabiles Music until 2016. In addition, he was a member of the Committee of the RAM Club at the Royal Academy of Music from 1998 to 2011 and served as President of the RAM Club from 2005 to 2006.

Andrew Morris has been engaged in music education at a national level throughout most of his career. From 1996 to 1997 he was President of the Music Masters' and Mistresses' Association (MMA), now called the Music Teachers' Association, which is the largest and the longest established association of professional music teachers in the UK. He served as a member of the MMA Committee from 1988 to 1998 and as Honorary Secretary from 1990 to 1995.[5] He founded and chaired the MMA Academic Sub-Committee from 1995 to 2000 and the MMA University Liaison Committee 2002 to 2007. In addition, he was a member of the Executive Committee of the Music Education Council from 1996 to 1999. He was an examiner for the Associated Board of the Royal Schools of Music from 1981 to 2019, examining throughout the UK, Hong Kong, Singapore and Malaysia. He currently supervises harmony, counterpoint, tonal and keyboard skills in the University of Cambridge and is a Visiting Professor at Trinity Laban Conservatoire of Music and Dance in Greenwich. In 2011 he was commissioned by the Bernarr Rainbow Trust to co-author and edit an update of Rainbow's Music and the English Public School.[6] The new book Music in Independent Schools[7] is the last of the Rainbow books on historic texts to be revised and Morris contributed several chapters to this book.

He was Master of the Worshipful Company of Musicians 2015 to 2016 and now serves on the Court of the Company as a Past Master. He was formerly Chairman of the Musicians' Company Concerts Committee and is a former President of the Company's Livery Club. He is a Trustee and the Cambridge Treasurer of the Pembroke College Cambridge Settlement, Pembroke House, in Walworth, South London, and takes a special interest in the work there of the Pembroke Academy of Music. In 2014 Andrew Morris succeeded Simon Lindley as Chairman of the Friends of the Musicians' Chapel, a body which acts as custodian to the Musicians' Chapel and the Musicians' Book of Remembrance contained within the Chapel at the Church of St Sepulchre-without-Newgate, now known as Holy Sepulchre, in the City of London. He has been involved in the recent initiative to establish an annual Friends of the Musicians' Chapel Ensemble-in-Residence scheme at the Church for young musicians and is currently chairing the committee whose aim is to restore the historic organ at Holy Sepulchre on which Sir Henry Wood learnt to play as a boy and whose ashes are buried in the Musicians' Chapel.

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gollark: 🦀board
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References
  1. Hollis, Howard. The Best of Both Worlds – A life of Sir William McKie. Sir William McKie Memorial Trust,1991
  2. The Sunday Times, 1978, Aprahamian, Felix, "Concert Reviews"
  3. De-la-Noy, Michael. Bedford School: A History, 1552–2002. Bedford School,1999
  4. Mastersinger Magazine of the Association of Choral Directors, 2010, Edited by Emma Disley
  5. Ensemble The journal of the Music Masters' and Mistresses' Association, May 1996
  6. 6. Rainbow, Bernarr et al, Music and the English Public School, Boethius Press 1990
  7. 7, Rainbow, Bernarr; Morris, Andrew et al, ed Morris, Andrew, Music in Independent Schools The Boydell Press 2014
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