Anabel Shaw
Anabel Shaw (1921–2010) was an American film actress.[1] Active during the 1940s and 1950s in a mixture of lead and supporting roles, she then made a few appearances on television.
Anabel Shaw | |
|---|---|
| Born | June 24, 1921 |
| Died | April 16, 2010 (aged 88) Santa Barbara, California, United States |
| Occupation | actress |
| Years active | 1944-1971 (film and TV) |
She is the mother of the archaeologist Anabel Ford.
Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1944 | Here Come the Waves | Isabel | |
| 1945 | The Horn Blows at Midnight | Telephone Operator | Uncredited |
| 1946 | Shock | Mrs. Janet Stewart | |
| 1946 | Strange Triangle | Betty Wilson | |
| 1946 | One More Tomorrow | Secretary | Uncredited |
| 1946 | Home Sweet Homicide | Polly Walker | |
| 1947 | Killer at Large | Anne Arnold | |
| 1947 | Mother Wore Tights | Alice Flemmerhammer | |
| 1947 | Bulldog Drummond Strikes Back | Ellen Curtiss #2 | |
| 1947 | High Tide | Dana Jones | |
| 1947 | Dangerous Years | Connie Burns | |
| 1947 | Secret Beyond the Door | Intellectual Sub-Deb | |
| 1948 | In This Corner | Sally Rivers | |
| 1949 | City Across the River | Mrs. Jean Albert | |
| 1949 | Hold That Baby! | Laura Andrews | |
| 1950 | Gun Crazy | Ruby Tare Flagler | |
| 1955 | Six Bridges to Cross | Virginia Stewart | Uncredited |
| 1955 | To Hell and Back | Helen | |
| 1955 | At Gunpoint | Mrs. Ann Clark | Uncredited |
| 1971 | The Mephisto Waltz | Nurse | Uncredited, (final film role) |
gollark: That sounds like one of those "requires general intelligence" problems.
gollark: Some of the particularly !!FUN!! ones are in probability and uncertainty, which humans are especially awful at.
gollark: ddg! wikipedia list of cognitive biases
gollark: Possibly. But in general, by sneaking a thing into the category via technicalities or quoting the definition and saying "see, it obviously fits" or something like that, you can make people treat it like a central member of the category.
gollark: This is something called the "noncentral fallacy", where because a thing is an *edge-case example* of a category, you taint it with all the connotations of everything else in the category.
References
- Keaney p.384
Bibliography
- Keaney, Michael F. Film Noir Guide: 745 Films of the Classic Era, 1940-1959. McFarland, 2003.
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