Ana Mariscal
Ana María Arroyo Mariscal (31 July 1923 – 28 March 1995) better known as Ana Mariscal was a classic Spanish film actress, director, screenwriter and film producer. She also acted in Argentinean films. She was involved in well over 50 films between 1940 and 1968, frequently starring in films she also wrote and directed. She is iconic to 1940s and 50s Spanish cinema. Her brother Luis Arroyo (1915–1956) was also an actor and film director.
Ana Mariscal | |
---|---|
Mariscal in 1945 | |
Born | Ana María Arroyo Mariscal July 31, 1923 |
Died | March 28, 1995 71) Madrid, Spain | (aged
Years active | 1940–1968 |
Spouse(s) | Valentín Javier (m.1954) |
Early Career and Education
Mariscal was born in Madrid in 1923 to a middle-class family. Her father owned a furniture store and a theater that would provide Mariscal much of her early exposure to acting. While occasionally appearing in theater productions with her brother, Mariscal intended to go to university to study mathematics. She decided to pursue acting after being incidentally cast in her first film role.[1][2]
Career
Ana Mariscal began her career after accompanying her actor brother Luis Arroyo to an audition for El Ultimo Husar. Almost by chance, she was noticed by the director Luis Marquina and cast in the film. This would start a prolific career in acting and directing.[3]
Over the next decade, Mariscal would star in over twenty films, becoming a household name in Spain. A few notable films from this time include The Queen's Flower Girl, Raza, A Shadow at the Window, and The Princess of the Ursines. After a decade of typecast roles,[4] Mariscal would start her own production company called BOSCO and begin writing and directing her own works.[5] She made her directorial debut with Segundo Lopez, a film she also wrote and starred in. It was a critically well-received comedy with Italian Neo-realist influences. She would later direct her esteemed work They fired with their lives that deals with the Spanish Civil War; an event Mariscal herself lived through during her childhood.[6]
In her later career she would shift between film, television, and theater pursuits, still using her production company to fund her projects. During this period she would direct or be involved with Occidente y sabotaje, El Camino, and The Other Woman. She would soon begin teaching classes at the IIEC (Institute of Investigations and Cinematographic Experiences) while still balancing acting and directing jobs. She would eventually recede from the world of film making and dedicate her time entirely to the study of literature.[7]
Just a few months before her death, She would receive the Gold Medal for Merit in the Fine Arts in 1995.[8] She is buried in the Cementerio de la Almudena[9]
Filmography
Year | Film | Actress | Director | Producer | Writer |
---|---|---|---|---|---|
1940 | El último húsar | Yes | No | No | No |
1940 | Amore di ussaro | Yes | No | No | No |
1940 | The Queen's Flower GIrl | Yes | No | No | No |
1942 | Raza | Yes | No | No | No |
1942 | ¡Qué contenta estoy! | Yes | No | No | No |
1942 | Siempre mujeres | Yes | No | No | No |
1942 | Vidas cruzadas | Yes | No | No | No |
1943 | Cuarenta y ocho horas | Yes | No | No | No |
1944 | Cabeza de hierro | Yes | No | No | No |
1945 | A Shadow at the Window | Yes | No | No | No |
1945 | ¡Culpable! | Yes | No | No | No |
1945 | Viento de siglos | Yes | No | No | No |
1945 | El obstáculo | Yes | No | No | No |
1947 | Dulcinea | Yes | No | No | No |
1947 | Noche sin cielo | Yes | No | No | No |
1947 | The Princess of the Ursines | Yes | No | No | No |
1948 | The Drummer of Bruch | Yes | No | No | No |
1948 | Amanhã Como Hoje | Yes | No | No | No |
1948 | La próxima vez que vivamos | Yes | No | No | No |
1948 | La vida encadenada | Yes | No | No | No |
1949 | Aquellas palabras | Yes | No | No | No |
1949 | Pacto de silencio | Yes | No | No | No |
1949 | Doce horas de vida | Yes | No | No | No |
1949 | A Man on the Road | Yes | No | No | No |
1950 | Woman to Woman | Yes | No | No | No |
1950 | La fuente enterrada | Yes | No | No | No |
1951 | The Great Galeoto | Yes | No | No | No |
1953 | Segundo López, aventurero urbano | Yes | Yes | Yes | Yes |
1953 | Jeromín | Yes | No | No | No |
1953 | Vértigo | Yes | No | No | No |
1954 | Morena Clara | Yes | No | No | No |
1954 | En carne viva | Yes | No | No | No |
1955 | Un día perdido | Yes | No | No | No |
1955 | Baccara | Yes | No | No | No |
1955 | De noche también se duerme | Yes | No | No | No |
1956 | Los maridos de mamá | Yes | No | No | No |
1956 | Enigma de mujer | Yes | No | No | No |
1958 | The Violet Seller | Yes | No | No | No |
1958 | Hay que bañar al nene | Yes | No | No | No |
1958 | Patio andaluz | Yes | No | No | No |
1958 | Carlota | Yes | No | No | No |
1959 | Juego de niños | Yes | No | Yes | No |
1959 | They Fired with Their Lives | Yes | Yes | Yes | Yes |
1959 | The Magistrate | Yes | No | No | No |
1960 | The Football Lottery | Yes | Yes | No | No |
1961 | Hola, muchacho | Yes | Yes | No | No |
1962 | Feria en Sevilla | Yes | Yes | No | No |
1962 | Queen of the Chantecler | Yes | No | No | No |
1962 | Occidente y sabotaje | Yes | Yes | No | Yes |
1963 | El Camino | No | Yes | Yes | Yes |
1964 | The Other Woman | Yes | No | No | No |
1966 | Los duendes de Andalucia | No | Yes | Yes | Yes |
1966 | Vestida de novia | Yes | Yes | No | No |
1968 | El paseíllo | Yes | Yes | No | Yes |
1987 | El polizón del Ulises | Yes | No | No | No |
Awards
Year | Award | Category | Film |
---|---|---|---|
1945 | CEC Medal | Best Leading Actress | A Shadow at the Window |
1949 | CEC Medal | Best Leading Actress | A Man on the Road |
1950 | CEC Medal | Best Leading Actress | Woman to Woman |
1994 | Gold Medal for Merits in Fine Arts | N/A | N/A |
Further reading
- Victoria, Fonseca, [2002]. Ana Mariscal : una cineasta pionera. [Madrid]: EGEDA. ISBN 8492015268. OCLC 432886850.
References
- Siehlohr, Ulrike (2000-03-01). Heroines Without Heroes: Reconstructing Female and National Identities in European Cinema, 1945-1951. A&C Black. ISBN 9780304702503.
- Martin-Márquez, Susan; Martin-Marquez, Assistant Professor in the Department of Spanish and Portuguese Susan (1999). Feminist Discourse and Spanish Cinema: Sight Unseen. Oxford University Press. ISBN 9780198159797.
- "CVC. Rinconete. Cine y televisión. Ana Mariscal: una mujer marcada, por José Ignacio Pernas". cvc.cervantes.es (in Spanish). Retrieved 2018-11-16.
- País, Ediciones El (2003-04-17). "Reportaje | Una pionera del cine español". El País (in Spanish). ISSN 1134-6582. Retrieved 2018-11-16.
- Nelmes, Jill; Selbo, Jule (2015-09-29). Women Screenwriters: An International Guide. Springer. ISBN 9781137312372.
- "Filmotech.com - Revista de Cine - ReportajesYO TAMBIÉN QUIERO SER DIRECTOR . De delante a detrás de la cámara". www.filmotech.com. Retrieved 2018-11-16.
- "CVC. Rinconete. Cine y televisión. Ana Mariscal: una mujer marcada, por José Ignacio Pernas". cvc.cervantes.es (in Spanish). Retrieved 2018-11-16.
- https://www.boe.es/boe/dias/1995/01/04/pdfs/A00273-00273.pdf
- "Ana Mariscal (1923 - 1995)".
External links
- Ana Mariscal on IMDb