Ana María Noé

Ana María Noé (1914 – 9 July 1970) was a Spanish actress.

Ana María Noé
Born1914 (1914)
Palma de Mallorca, Spain
Died9 July 1970(1970-07-09) (aged 55–56)
Madrid, Spain
OccupationActress

Biography

Ana María Noé began her artistic career in Barcelona[1] and began to gain prominence after the Spanish Civil War. By 1940 she had her own company with which she performed Lo increíble (1940),[2] El nido ajeno (1941),[3] and Vidas cruzadas (1942), all by Jacinto Benavente and Enric Guitart.[4]

In 1942 she premiered Time and the Conways by J. B. Priestley in Spain, at Teatro María Guerrero,[5] followed by Don Álvaro o la fuerza del sino with Alfonso Muñoz at the Teatro Español, Hay una mujer de diferencia (1944), and Las de Caín (1945). In the early 1950s she joined the company of the Teatro Español, under the direction of José Tamayo, and premiered great literary plays such as Dialogues of the Carmelites by Georges Bernanos (1954),[6] Six Characters in Search of an Author by Pirandello (1955), Proceso de Jesús by Diego Fabbri (1956), The Crucible by Arthur Miller (1956), The Diary of Anne Frank (1957), Requiem for a Nun by William Faulkner (1957), Don Juan Tenorio by José Zorrilla (1958), and Un soñador para un pueblo by Antonio Buero Vallejo (1958). In the early 1960s she left the Teatro Español, but maintained her theatrical activity with hits such as Long Day's Journey into Night by Eugene O'Neill (1960), La dama del alba by Alejandro Casona (1962), and La pechuga de la sardina by Lauro Olmo (1964).

She debuted in the cinema and acted in 20 films, some of them Spaghetti Westerns in the 1960s.[7] In that decade she also had a prominent presence on television, with appearances on shows such as Novela and Estudio 1.[8]

Filmography
Year Title Role Notes
1942Se ha perdido un cadáver
1961Los cuervosBerta
1961Pecado de amorBella
1962Kill and Be KilledDoña Ana
1962Mentirosa
1962Los culpablesDueña de la tienda de telas
1962Girl from La ManchaMujer enferma
1963La becerradaMadre Superiora
1963Vida de familiaAurelia
1964El espontáneoLa Madre
1965JandroRegina
1965El mundo sigueLina
1965I grandi condottieriMadre di Sansone / Mother of Samson
1965El castigadorSeñora Eugenia
1966Seven Guns for the MacGregorsMamie MacGregor
1966La dama del albaSirvienta
1967Fury of Johnny KidMother Monter
1967Up the MacGregors!Mamie Mac Gregor
1967O.K. ConneryLotte Krayendorf
1967Al ponerse el solCarmen Lara
1967La mujer de otro
1969SabataSharky's MotherUncredited
1969Los escondites
1970Matalo!Constance Benson
1971El diablo CojueloCelestina
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References
  1. "Ha fallecido Ana María Noé" [Ana María Noé Has Passed Away]. La Vanguardia (in Spanish). 10 July 1970. p. 4. Retrieved 29 June 2018.
  2. "Notas teatrales" [Theater Notes]. ABC (in Spanish). 1 December 1940. p. 17. Retrieved 29 June 2018.
  3. "Inauguración de la temporada en el Reina Victoria" [Inauguration of the Season at the Queen Victoria]. ABC (in Spanish). 13 September 1941. p. 14. Retrieved 29 June 2018.
  4. "Victoria: Despedida de Ana María Noé y Enrique Guitart" [Victoria: Farewell to Ana María Noé and Enrique Guitart]. ABC (in Spanish). 6 January 1942. p. 16. Retrieved 29 June 2018.
  5. "El magnífico éxito de 'La herida del tiempo'" [The Magnificent Success of 'Time and the Conways']. ABC (in Spanish). 10 December 1942. p. 16. Retrieved 29 June 2018.
  6. "'Diálogos de carmelitas' de Jorge Bernanos fue estrenada anoche en el Español con gran éxito" ['Dialogues of the Carmelites' by Georges Bernanos Premiered Last Night at the Español with Great Success]. ABC (in Spanish). 17 March 1954. p. 47. Retrieved 29 June 2018.
  7. Márquez Úbeda, José (1 January 1999). Almería, plató de cine [Almería, Film Set] (in Spanish). Instituto de Estudios Almerienses. pp. 63, 86, 229. ISBN 9788481081824. Retrieved 29 June 2018.
  8. Pérez Millán, Juan Antonio (1992). Pilar Miró: directora de cine [Pilar Miró: Film Director] (in Spanish). Semana Internacional de Cine. p. 313. Retrieved 29 June 2018 – via Google Books.
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