An Allegory of Truth and Time

An Allegory of Truth and Time is a 1584-1585 oil on canvas painting by Annibale Carracci, now on display in Hampton Court as part fo the Royal Collection.[1]

It is not mentioned in any of the 17th century biographical sources on Carracci's life and it is thought to have been in England by the early 18th century at the latest. The first definite reference to it dates to the mid 19th century, by which time it was in Queen Victoria's collection[2] and thought to be by an unknown artist. Roberto Longhi and Hermann Voss assigned it its present attribution in the early 20th century.

Its style is very close to that of the artist's work on the Lives of Jason and Medea frescoes at the Palazzo Fava in Bologna, produced around 1584 with his relations Agostino Carracci and Ludovico Carracci[3]. For this reason it is sometimes argued that the canvas was commissioned by that palazzo's owner, Filippo Fava[2]. Its style and composition are both close to a drawing for a Judgement of Paris (Fogg Art Museum), argued by some art historians to have been produced by Carracci as a preparatory for a lost or never-executed painting[4].

Iconography
Annibale Carracci (attributed to), Judgement of Paris, 1584-1585, Fogg Art Museum, Cambridge (Massachusetts).
Bolognino Zaltieri, Good Fortune and other allegorical figures. Illustration from Le immagini de i dei antichi by Vincenzo Cartari

Influences

One of the masterpieces of the painter's youth[2], it reflects his reaction Correggio's style, a reaction which marked his paintings immediately after entering the art scene[3]. Some argue that in this work that reaction is also filtered through the work of Federico Barocci[3].

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gollark: I finally got round to making my Discord bot's reminder function go to greater lengths to try and deliver reminders.

References
  1. "Explore the Royal Collection Online". www.rct.uk. Retrieved 2020-06-15.
  2. (in Italian) Daniele Benati, in Annibale Carracci, Catalogo della mostra Bologna e Roma 2006-2007, Milano, 2006, p. 164.
  3. Donald Posner, Annibale Carracci: A Study in the reform of Italian Painting around 1590, London, 1971, Vol. I, p. 29.
  4. Donald Posner, Annibale Carracci: A Study in the reform of Italian Painting around 1590, London, 1971, Vol. II., N. 19, pp. 10-11.
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