Amelia and Michael

Amelia and Michael is a 2007 British drama short film directed by Daniel Cormack, starring Anthony Head and Natasha Powell and executive produced by Richard Johns.

Amelia and Michael
Directed byDaniel Cormack
Produced byDaniel Cormack
Matt Gunner
Written byStephen Betts
StarringAnthony Head
Natasha Powell
Music byNick Loe
CinematographyMerritt Gold
Edited byGareth Davies
Production
company
Actaeon Films
Fortune Films
Distributed byNetwork Ireland Television
Release date
  • 24 August 2007 (2007-08-24) (Montréal World Film Festival)
Running time
11 minutes
CountryUnited Kingdom
LanguageEnglish

In 2010, Amelia and Michael was selected for preservation by the British Film Institute's National Archive[1] and was archived by the British Universities Film and Video Council as part of their Television and Radio Index for Learning and Teaching (TRILT).[2] In 2012, the film was acquired by the British Library's Moving Image Collection.[3][4]

Plot

Amelia (Natasha Powell) and Michael (Anthony Head), a smartly dressed middle aged couple, sit in silence in the back of a chauffeur-driven sedan as it pulls up at the lights beside a motorcycle. Arriving outside a restaurant, Amelia kisses Michael goodbye and walks towards the entrance. When the sedan is out of sight, Amelia removes her wedding ring and hails a cab to an alternative destination. Back in his office, Michael is interrupted by his colleague Francis (Julian Lee) in the middle of booking an anniversary meal and hotel room for Friday. On Friday morning, Michael leaves for a business trip to Milan, giving Amelia some flowers before he departs. Once he has gone, Amelia travels to the hospital bedside of an incapacitated young man on whose table is a photo of Amelia and the man astride a motorcycle. Meeting with a consultant afterwards she signs consent forms for his care. Meanwhile, Michael is not in Milan, but at the restaurant he booked the previous day where he meets a call-girl who he later sleeps with in his hotel room. Restlessly trying to sleep after she leaves, he is interrupted by a phone call from Francis, who has discovered his whereabouts in order to urgently discuss 'the Thompson case'. Michael returns home the next morning and exchanges pleasantries with Amelia whilst opening his post, before taking a bath. While tidying away the opened mail, Amelia discovers Michael's unused passport in a kitchen drawer, but before she can confront him, she receives a phone call from the hospital. Dashing to the bedside of the incapacitated man, she arrives too late; discovering the man has died and the nurses are changing the sheets in preparation for the next patient. Returning home that evening, she bursts into tears. Michael – who has discovered his passport out on the kitchen table and believes he has been caught out – assumes she is upset at his infidelity. He apologises and embraces Amelia, who does not reveal the true cause of her upset. In the final scene, Amelia and Michael sit in silence in the sedan as a motorcycle pulls up beside them at the lights.

Cast

Anthony Head agreed to appear in the film despite the fact that he "didn't know [the producers] from Adam"[5] and even waived his fee, telling Hotdog that "the script was really nice and basically it was one of those deals where you can do something helpful for somebody...if I can help somebody – and usually the problem is time – then why not?...So you know if I can give them my time I'm going learn as much from them as they are from me."[6][7] The film was shot concurrently with Head's appearance as Jeff Golding in Simon Gray's Otherwise Engaged at the Criterion Theatre in London's West End with Head commenting that "[Amelia and Michael] was incredibly professionally put together, they were a really good crew and they got me in and out as quickly as they could, which was perfect."[7]

Production
Daniel Cormack (left) directing Anthony Head on location in London in Amelia and Michael. Photo: Marianne I. van Abbe

The film went into production while its director Daniel Cormack was working at the box office of the Electric Cinema[8] and was receiving hardship funding from the Cinema and Television Benevolent Fund.[9][10][11][12] Having received an initial allocation of funds from Hammersmith and Fulham's media support agency Focus West,[13] Daniel Cormack went on to gain funding from his boss at the Electric Cinema, and Soho House founder, Nick Jones[14] among others.

The film was shot on a relatively low budget and saved money by making extensive use of product placement, securing free goods and services from Jaguar Cars, BUPA, the Royal Park Hotel, Margaret Howell and the West Cornwall Pasty Company.[15] As a result, it was the subject of a case study at the Encounters Film Festival during the panel discussion Brands and Filmmakers: "in essence [Daniel Cormack] just smiled sweetly, asked for favors as he went along, and got them" although using genuine expensive brands ran into problems "when he found himself pondering the use of real diamonds rather than fakes" before realising that the "hundreds of thousands of pounds worth" of jewellery would have to be insured and that costume jewellery would easily suffice.[16][17] Nonetheless, as Anthony Head noted: "Amelia and Michael was a learning curve for director and producers and by the time we finished they had made really good use of the facilities they managed to blag. I love it when something feels that vibrant and that close to the root of things, when it hasn't got a lot of money thrown at it, and it's edgy."[6][7]

Both Anthony Head and Daniel Cormack remarked on how supportive the crew were of their debut director during filming. Head commented: "once he got into the groove and realised how supportive his crew were, he got into it and he was great, really good."[6][7] Cormack later told the BECTU journal Stage, Screen and Radio: "I made the film as a total novice whose only experience of film production was from reading books and whose only qualification to be a director was a love of film. Luckily I had a very talented and experienced crew around me and Amelia and Michael was a great success".[18][19]

Though shot in 2005,[20] post-production was not completed until 2007. An unfinished version was shortlisted for the Akira Kurosawa Memorial Short Film Competition in 2006.[13]

Release

Festivals

In addition to a short theatrical run before the feature presentations at the Broadway Theatre,[21] Amelia and Michael screened on the festival circuit from its world premiere at the A-list Montréal World Film Festival in 2007 through to 2010.

Edition Festival Programme Title Venue Date Time Country Première Status
31st Montréal World Film Festival Focus on World Cinema Quartier Latin Cineplex,
Theater 14		 24 August 2007 (2007-08-24)
24 August 2007 (2007-08-24)
28 August 2007 (2007-08-28)		 14:30
21:20
11:10		 Canada World[22][23]
11th LA Shorts Fest Programme 67 AMC Burbank Town Center 6,
Theater 2		 12 September 2007 (2007-09-12) 15:00 USA USA[24][25]
15th Raindance Film Festival The Romantics Cineworld Shaftesbury Avenue,
Screen 4		 4 October 2007 (2007-10-04) 16:30 UK UK[26]
8th X'08 International Disability Film Festival Director's Showcase: Daniel Cormack BFI Southbank,
Studio		 15 February 2008 (2008-02-15) 15:50 UK [27][28][29]
2nd Shooting People Split Focus at the British Film Institute Split Focus: Daniel Cormack / Kara Miller BFI Southbank,
Studio		 10 March 2008 (2008-03-10) 18:00 UK [30]
14th Bradford Film Festival Prior to the feature presentation of Sleuth National Media Museum,
Pictureville Cinema		 13 March 2008 (2008-03-13) 10:30 UK [31]
6th Wood Green International Short Film Festival Drama Session Two Cineworld Wood Green,
Screen 3		 19 April 2008 (2008-04-19) 18:45 UK [32]
5th The End of the Pier International Film Festival Short Drama Competition: Director's Nominations Regis Centre,
Alexandra Theatre		 26 April 2008 (2008-04-26) 19:30 UK [33]
8th Nickel Independent Film Festival Film Screening LSPU Hall,
Theatre		 28 June 2008 (2008-06-28) 19:30 Canada [34]
6th Super Shorts International Film Festival Short Film Screenings: Official Selection Odeon Covent Garden,
Screen 2		 5 July 2008 (2008-07-05) 17:00 UK [35]
13th One Reel Film Festival Love and Marriage SIFF Cinema, Nesholm Family Lecture Hall, Marion Oliver McCaw Hall, Seattle Center 31 August 2008 (2008-08-31) 16:30 USA [36]
13th Portobello Film Festival London Filmmakers Convention – Day 2 Paradise Bar,
Private Dining Room		 3 September 2008 (2008-09-03) 18:00 UK [37]
4th Berwick Film and Media Arts Festival International Shorts The Maltings Theatre & Cinema 29 November 2008 (2008-11-29) 17:00 UK [38]
7th Notting Hill Film Festival Shorts Seven / Shorts Ten Odeon Kensington,
Screen 2		 10 July 2009 (2009-07-10)
11 July 2009 (2009-07-11)
12 July 2009 (2009-07-12)
13 July 2009 (2009-07-13)
15 July 2009 (2009-07-15)
16 July 2009 (2009-07-16)		 19:30
20:00
20:30
20:00
12:30
14:00		 UK [39]
3rd Limelight Film & Arts Awards Best Visual category Troxy,
Main Auditorium		 8 July 2010 (2010-07-08) 18:30 UK [40]

Broadcast

In 2010, Amelia and Michael was broadcast on Channel 4 as part of "a series of short original films produced by a variety of talented writers and directors";[41] the first time in over 8 years that Channel 4 had acquired and broadcast independent short films.[42]

Reception

Critical response

Reviews focused on the acting, production values and pacing of the film, as well as its ambiguous ending. Jeff Shannon of The Seattle Times commented on the "fine acting and first rate production values."[43] Hotdog remarked that "this short is beautifully shot, gently taking its time to unfold, and the presence of actors like stage and screen veteran Head really raises the bar a notch", concluding that "despite the sombre subject matter, there's a strange comfort to be found in the final minute of the film" and that "on this evidence, Cormack is a young director to watch."[44] Paul Strange called the film "a delight" and "intriguing" and made it a drama 'Pick of the Day' on DigiGuide stating: "Nicely observed by director Daniel Cormack, both Powell and Head are super here, and the drama leaves you wanting a lot more, which is terrific. Highly recommended."[45] Expanding on the theme of ambiguity and the indeterminate ending, Abigail Lelliot of Time Out London observed that "Anthony Head packs an emotional punch in this pacey drama" and that in spite of "some slightly cliched compositions...the direction succinctly navigates the twists of the plot to a gratifyingly ambiguous conclusion."[46] In addition to noting the "great performances", "beautiful photography" and "real sense of cinema", Shooting People's Ben Blaine picked up on the film's European sensibility, reflecting that "it felt very European, like one of those films in which Daniel Auteuil and Juliette Binoche fall in love and break up, one of those films that somehow, as a rule, we can't do in this country. With this well cast, well acted, well made film Daniel Cormack seems therefore to be breaking all the rules without breaking sweat or showing off."[47]

Judi Dench, who supported the production of the film, described it as "beautiful" and said that its director was "destined for great things."[5][20]

Accolades

Amelia and Michael has a rating of 7.9 out of 10 from IMDb's top 1,000 voters.[48]

Rank Award Awarding Body Nominee Year
Winner Tiscali Short Film Award Raindance Film Festival Daniel Cormack 2007[49][50]
Winner Emerging Filmmaker Award Nickel Independent Film Festival Daniel Cormack 2008[51]
Winner Wessex Heartbeat Award for Best Screenplay The End of the Pier International Film Festival Stephen Betts 2008[33]
Nominated Best Visual Award Limelight Film & Arts Awards Daniel Cormack 2010[40]
Shortlisted Akira Kurosawa Memorial Short Film Competition Akira Kurosawa Foundation Daniel Cormack 2006[13]
Shortlisted Best British Short Film British Independent Film Awards Daniel Cormack 2007[52]
gollark: Meaning?
gollark: @Terrariola what would the RTOS even do which you can't otherwise?
gollark: Luca_S: I mean, you can try it.
gollark: *Terrariola writes `print "Hello World!`"*
gollark: Anyway. This means "please do all the work for a project I didn't think about and which wouldn't work and which I don't understand", coming from Terrariola.

See also

References
  1. "Amelia and Michael (2007)". BFI – Film & TV Database. Archived from the original on 10 January 2011.
  2. "Amelia and Michael". British Universities Film and Video Council.
  3. "The British Library Sound & Moving Image catalogue". British Library.
  4. "Amelia and Michael". British Library.
  5. "Director's film debut wins Dame Judi's stamp of approval". Your Local Guardian / Cara Lee.
  6. "Anthony Head Interview Hotdog Issue 83 p120" (PDF). Actaeon Films / Hotdog. Archived from the original (PDF) on 3 September 2011. Retrieved 17 April 2011.
  7. Catherine Bray (24 December 2006). Extras Going Underground – The Home of Indies, Shorts and Maverick Moviemaking: Use Your Head, Hotdog, Christmas 2006, Issue 83, p. 118, ISSN 1470-9260. SMD Publishing Ltd
  8. "Broadcast Hot Shots 2008: Daniel Cormack". YouTube / BroadcastnowTV.
  9. "CTBF -Cinema & Television Benevolent Fund: Talent Corner Main". Cinema & Television Benevolent Fund.
  10. "Cinema & Television Benevolent Fund Spring 2006 p7" (PDF). Actaeon Films / CTBF. Archived from the original (PDF) on 3 September 2011. Retrieved 15 October 2018.
  11. "CTBF Casino Royale Royal Film Performance Brochure 14th November 2006 Issue 60 p11" (PDF). Actaeon Films / CTBF. Archived from the original (PDF) on 3 September 2011. Retrieved 17 April 2011.
  12. "The Cinema and Television Benevolent Fund Trustees' Report and Group Financial Statements (p. 11)" (PDF). Charity Commission / CTBF.
  13. "New funding for local film-makers". London Borough of Hammersmith & Fulham. Archived from the original on 18 March 2012. Retrieved 1 April 2011.
  14. "Good timing Channel 4". Deb Khan – Creative Inspiration. Archived from the original on 11 June 2011. Retrieved 1 April 2011.
  15. "Brands and Filmmakers: Shall We Dance (44:25)". DShed / Encounters Short Film Festival. Archived from the original on 20 July 2011. Retrieved 1 April 2011.
  16. "Always Plenty of Brass to Go Around". Critic's Notebook / Tim Hayes.
  17. "Brands and Filmmakers: Shall We Dance (52:25)". DShed / Encounters Short Film Festival. Archived from the original on 20 July 2011. Retrieved 1 April 2011.
  18. Daniel Cormack (May 2007). A Different Perspective, Stage, Screen and Radio: The Journal of the Broadcasting Entertainment Cinematograph & Theatre Union, May 2007, p. 16, ISSN 0969-6652
  19. "A Different Perspective" (PDF). Actaeon Films / BECTU / Daniel Cormack. Archived from the original (PDF) on 3 September 2011. Retrieved 15 October 2018.
  20. "In with a Reel Chance". This is Local London.
  21. "Actaeon Films Oscar Hopes". Your Local Guardian / Kerry Ann Eustice.
  22. "Amelia and Michael". Montréal World Film Festival. Archived from the original on 3 August 2012.
  23. "Montreal Film Festival Premiere". Soho Films.
  24. "Programme 67". LA Shorts Fest. Archived from the original on 21 July 2011. Retrieved 1 April 2011.
  25. "LA Short Film Festival". Soho Films.
  26. "Amelia and Michael". Raindance Film Festival. Archived from the original on 23 July 2011. Retrieved 1 April 2011.
  27. "Director's Showcase: Daniel Cormack". Film London.
  28. "Director's Showcase: Daniel Cormack". Remote Goat. Archived from the original on 11 March 2012.
  29. "Film Preview". The Guardian. London. 9 February 2008.
  30. "Split Focus #2". Shooting People.
  31. "Amelia and Michael". Bradford International Film Festival – National Media Museum. 17 November 2008. Archived from the original on 17 November 2008.
  32. "Wood Green International Short Film Festival". Script First.
  33. "2008 Winners and Awards". End of the Pier International Film Festival. Archived from the original on 17 January 2011.
  34. "2008 Schedule". Nickel Film Festival. 13 June 2008. Archived from the original on 13 June 2008.
  35. "Schedule". Super Shorts International Film Festival. 30 June 2008. Archived from the original on 30 June 2008.
  36. "Amelia and Michael". Seattle International Film Festival. Archived from the original on 13 August 2012. Retrieved 1 April 2011.
  37. "London Filmmakers Convention". Portobello Film Festival.
  38. "Berwick-Upon-Tweed Film and Media Arts Festival". Short Film Central.
  39. "Amelia and Michael". Notting Hill Film Festival. Archived from the original on 23 August 2011. Retrieved 1 April 2011.
  40. "Limelight Film & Arts Awards". Spotlight UK. Archived from the original on 20 August 2011. Retrieved 1 April 2011.
  41. "Short Film Season 2010". Channel 4.
  42. "Channel 4 Orders Network Ireland Television Shorts". Irish Film & Television Network.
  43. Shannon, Jeff (27 August 2008). "Don't make short shrift of the potential gems at 1-Reel Film Festival". The Seattle Times.
  44. Greg Hilditch (24 December 2006). Extras Going Underground – The Home of Indies, Shorts and Maverick Moviemaking: Amelia and Michael Review, Hotdog, Christmas 2006, Issue 83, p. 120, ISSN 1470-9260. SMD Publishing Ltd
  45. "Amelia and Michael". UK TV Guide. Archived from the original on 19 July 2012.
  46. Abigail Lelliot (13 February 2008). Daniel Cormack: Director's Showcase, Time Out (London), Issue 1956, p. 101, ISSN 1479-7054. Time Out Group Ltd
  47. "The Mountain of Submissions". Shooting People.
  48. "Amelia and Michael (2007) - User ratings". IMDb.
  49. "Festival Awards". Raindance Film Festival. Archived from the original on 23 July 2011. Retrieved 1 April 2011.
  50. "Success at the Raindance Film Festival". Soho Films.
  51. "2008 Tokens of Recognition". Nickel Film Festival. 13 October 2008. Archived from the original on 13 October 2008.
  52. "British Independent Film Awards". Festival Focus. Archived from the original on 30 December 2010. Retrieved 1 April 2011.
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