Alona Rodeh

Alona Rodeh is a visual artist. Her work spans a variety of media including sculpture, video, immersive installations using light and sound, photography, and publishing.[1]

Alona Rodeh
אלונה רודה
Alona Rodeh in Berlin, 2015
Born1979
Ben Ami, Israel
NationalityIsraeli, Romanian
EducationBezalel Academy of Arts and Design, Jerusalem
Known forVisual art
Partner(s)Rachid Moro
Websitealonarodeh.com

Biography

Born and raised in Israel, Rodeh received her BFA from the Bezalel Academy of Arts and Design, Jerusalem in 2003, and participated in the BFA exchange program of the Academy of Fine Arts, Vienna. She completed her MFA at the Tel Aviv campus of Bezalel in 2009, spending a semester at the Sculpture Department of the Royal College of Art, London.[2] Rodeh lives and works in Berlin.

Work

Expanding on sculpture, and applying her experience as a set designer for theater,[3] Rodeh has created large-scale, often room-spanning installations. She combines light, movement, and sound in a manner she describes as performance without performers,[1] delivering time-based experiences.[4]

Rodeh is known for her Safe and Sound Project where she explores histories of off-the-shelf reflective and fluorescent illumination technologies.[5][6][7]

Solo Exhibitions (selection)
  • Architecture of The Nights, Kunstpalais Erlangen, 2019[2][8]
  • DARK AGES 2020, Salzburger Kunstverein, 2019[6]
  • The Runner (LIVE), KOENIG2 by_robbygreif, Vienna, 2017[9]
  • Safe and Sound (Evolutions), Grimmuseum Berlin, 2015[7]
  • Safe and Sound I, Künstlerhaus Bethanien, Berlin, 2014[10]
  • Above and Beyond, CCA Tel Aviv, 2013[11]
  • The Resurrection of Dead Masters, Plug In Institute of Contemporary Art, Winnipeg, 2012[12]
  • The Etheric Body, Petach Tikva Museum of Art, 2011[10]

Group Exhibitions (selection)

Awards and Residencies (selection)

Rodeh was the recipient of the 2011 Young Artist Prize from the Israeli Ministry of Culture and Sport.[17] She also won various stipends from Stiftung Kunstfonds Bonn (2019), the Berlin Senate for Culture and Europe (2019, 2017), the Israel Lottery Council for Culture and Arts (2014, 2012), Artis (2013, 2010, 2008), Rabinovich Foundation (2013, 2012) Outset Israel (2013) and the Ostrovsky Family Fund (2013) and others. Fellowships included, among others, a six months residency at the Berlin Fire Brigade (in the frame of KUNSTrePUBLIK and ZK/U Artist Dis-Placement Residency),[3][2] and a year-long residency at Künstlerhaus Bethanien, Berlin.[10][7]

Rodeh is represented by Christine König Galerie, Vienna and Rosenfeld Gallery, Tel Aviv.

Books
  • Deiss, Amely; Kröger, Malte, eds. (2019). Safe & Sound: The Third Dimension, Kunstpalais Erlangen (in English and German). Kunstpalais Erlangen. ISBN 978-3-923899-51-7. With contributions by Deiss, Amely; Esteve, Pol; Hood, Raymond M.; Kealy, Séamus; Kroeger, Malte; Lam, William MC; Rodeh, Alona; and Wiggam, Marc.
  • Rodeh, Alona, ed. (2017). Fire: Safe & Sound (in English and German). ZK/U Press. ISBN 978-3-945659-07-6. With contributions by Karjevsky, Gilly; Schöder, Thore; McCleary, Kristen; Hensler, Bruce; and Meinhoff, Ulrike.
  • Rodeh, Alona, ed. (2015). Safe and Sound Delux Edition (in English and Hebrew). The Green Box. ISBN 978-965-7463-20-8. With contributions by Atwan, Shachar; Gallanti, Fabrizio; and Schwartz, Hillel.
  • Rodeh, Alona, ed. (2013). Above and Beyond (in English and Hebrew). CCA Tel Aviv. ISBN 978-965-7463-20-8. With contributions by Tamir, Chen; Rodeh, Alona; and Brand, Roy.
gollark: Or delete the `bin` directory (except `stack_trace`, it needs that) and hope it won't notice.
gollark: <@151391317740486657> Sandbox potatOS onto a RAID or something.
gollark: Hûï
gollark: <@235768051683950593>
gollark: The NSA hoards exploits and this is bad for everyone's security.

References
  1. Perlson, Hili (25 February 2019). "How Artist Alona Rodeh Reveals the Tyranny of Safety". Frieze Magazine. Retrieved 3 November 2019.
  2. Metz, Sylvia (Fall 2019). "In the Studio: Alona Rodeh". Collectors Agenda. Retrieved 3 November 2019.
  3. Werner, Anna-Lena (April 24, 2018). "Interview: Alona Rodeh". Artfridge. Retrieved 3 November 2019.
  4. Abrams, Amah-Rose (2015-11-25). "50 Most Exciting Artists in Europe Right Now". artnet News. Retrieved 2019-12-28.
  5. Kirshner, Sarai (1 February 2016). "Walking through the work of Alona Rodeh". AQNB. Retrieved 4 November 2019.
  6. Robert, Henry (12 March 2019). "Alona Rodeh | Light — Tool of Control or Counter-Culture Symbol?]". Happening Media. Retrieved 4 November 2019.
  7. Perlson, Hili (30 September 2015). "Nothing is Safe at Alona Rodeh's 'Safe and Sound' Exhibition in Berlin". Artnet News. Retrieved 4 November 2019.
  8. Perlson, Hili. "How Artist Alona Rodeh Reveals the Tyranny of Safety". Frieze. Retrieved 2020-01-08.
  9. O'Dwyer, Rebecca (Winter 2018). "Alona Rodeh at Christine König Galerie by Rebecca O'Dwyer". Spike Art Magazine. Retrieved 2020-01-08.
  10. Margani, Mario (2015). "Look at me, close your eyes, look at me. An interview with Alona Rodeh". DIGICULT. Retrieved 3 November 2019.
  11. Yahav, Galia (May 8, 2013). "אלונה רודה מציגה: דיסקו שכינה" (in Hebrew). Haaretz. Retrieved 3 November 2019.
  12. Enright, Robert and Walsh, Meeka (December 2012). "Alona Rodeh and the Art of Camouflage". Issue 124: Border Crossings. pp. 48–65. Retrieved 3 November 2019.CS1 maint: multiple names: authors list (link) CS1 maint: location (link)
  13. Bittner, Ralf (24 October 2019). "Bei neuer Ausstellung im Marta wird mit Licht und dessen Wirkung gearbeitet". Neue Westfälische.
  14. Rozental, Rotem (2 August 2013). "Showtime". Artforum. Retrieved 3 November 2019.
  15. Yonatan, Amir (20 August 2013). "הקיץ של אלונה". Timeout (in Hebrew). Retrieved 7 December 2019.
  16. Pitchon, Avi (12 August 2013). "היצירה שכל חובב מוסיקה חייב לעלות אליה לרגל" (in Hebrew). Ha'aretz. Retrieved 6 November 2019.
  17. Gurkevitz, Shani (20 June 2011). "הוכרזו שמות הזוכים בפרס משרד התרבות לאמן הצעיר". Walla (in Hebrew). Retrieved 7 December 2019.

Further reading
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