Almaz Monasypov

Almaz Monasypov (Tatar: Almaz Zakir ulı Monasıypov, Russian: Алмаз Закирович Монасыпов, 1925-2008) was composer of Tatar origin. He was an Honored art worker of the RSFSR (1987), People's Artist of the Tatarstan Republic (2000), laureate of the State prize of the Republic of Tatarstan named after Gabdulla Tuqay (1991). He is one of the first Tatar composers re-embodied in modern music the ancient layers of the national tradition like baits (Tatar: бәет), munajats (Tatar: мөнәҗәт) and book singing (Tatar: китап көе). The Symphony-poem "Musa Jalil" (Symphony II), the vocal-symphonic poem "In the rhythms of Tuqay" (Tatar: Тукай аһәңнәре, Russian: В ритмах Тукая) are recognized as Tatar national musical classics.[1]

Almaz Monasypov
Background information
Born(1925-07-11)11 July 1925
Kazan, TASSR, USSR
Died22 July 2008(2008-07-22) (aged 83)
Moscow, Russia
Genresclassical, jazz, ethnic, pop music
Occupation(s)composer, conductor, cellist
Years active1953-2008

Life and career

Almaz Monasypov was born on July 11, 1925 in Kazan. The future composer's family often played music: his father loved to play the violin.[2] At the age of eleven, Almaz entered the Children's music school No. 1 in Kazan to learn to play the cello.[2][3] His teacher at the music school and then at the Kazan Music College was Ruvim Polyakov, who helped the young man to believe in his musical talent.

In 1943, turned 18, he was drafted into the army. The musician became a soldier in the Great Patriotic war. After the end of the war, Almaz Monasypov returned to his studies. He entered the Kazan state Conservatory, where he graduated in 1950 as a cellist in the class of Professor Alexander Brown.[4] Monasypov returned to the Conservatory in 1952 to study composition. In 1956, he graduated from the Kazan Conservatory for the second time in the class of Professor Albert Leman and received a diploma as a composer. In 1964, the composer completed a full course of post-graduate studies at the Conservatory in the specialty of Opera and symphony conducting in the class of Professor Isay Sherman.[4]

From 1959 to 1970 Almaz Monasypov worked as a conductor at the Tatar State Opera and Ballet House named after Mussa Jalil, from 1970 to 1973 he was the conductor of the Symphony orchestra of the Tatar State Philharmonic named after G. Tuqay.[4] From 1968 to 1973 and from 2000 to 2003 he taught at the Kazan Conservatory at the Department of composition.

Since 1972 the composer lived in Moscow but actively participated in the musical life of the Republic of Tatarstan, in the work of the Union of Composers of Tatarstan and in the education of young composers.[4][5] In 1991 the composer was awarded The State prize of the Republic of Tatarstan named after G. Tuqay. The music of Almaz Monasypov is often heard from the concert stage, on radio and television, recorded on records and CDs.[6]

Almaz Monasypov died on July 22, 2008 in Moscow and was buried at the Mitinsky cemetery, Moscow, Russia.

Music

The composer clearly showed himself in the genre of Symphony addressed to music-erudite listeners.[7]

Symphony-poem "Musa Jalil"

Dedicated to the famous Tatar poet-hero, The Symphony-poem "Musa Jalil" (also Second Symphony, 1971), brought great success to Almaz Monasypov. Vividly embodying images of courage and heroism, war and the enemy in the Symphony, the composer invites listeners to think about important issues of human life, to keep the memory of war heroes forever and to protect the world.[7]

Symphony III (1974)

In the Third Symphony (1974), the composer continues the philosophical theme of man's search for his place in the world, shows the complexity and necessity of resisting cruelty and violence. In the music of the Symphony, the SOS signal is interestingly encrypted. The rhythm of the SOS signal breaks through at the climax zones of the development of the theme, when the theme seems to start "screaming" for help.[7]

Symphony IV "Dastan"(1978)

The Fourth Symphony "Dastan" (1978) is an example of Tatar symphonic music, in which ancient layers of centuries-old Tatar culture "come to life". Almaz Monasypov always turned to the intonations and rhythms of ancient baits (Tatar: бәет) and munajats (Tatar: мөнәҗәт), including them in his instrumental and vocal compositions. The search for new means of displaying the spiritual world of Tatar culture has always been carried out by the composer in the context of modern trends in world professional music, taking into account new trends in the development of composing techniques.[8]

Other works

Being a master of serious music, Almaz Monasypov is at the same time widely known as the author of many popular songs and romances that are loved by listeners not only in Republic Tatarstan, but also far beyond its borders.[6] Monasypov's compositions are also performed by pop orchestras. For example, the Foxtrot "Hallar" ("Dreams") was included in the repertoire of famous jazz orchestra under Oleg Lundstrem. One of the most famous works was the vocal-symphonic poem "In the rhythms of Tuqay" written in 1975. It is interesting to combine the traditions of ancient munajats, modern pop songs and European vocal and symphonic music.[6] In 1990, "Musical offering to Salih Saidashev" was written for the Symphony orchestra, in which the author pays homage to the founder of Soviet Tatar professional music.

Works
  • "In the rhythms of Tuqay" (1974);
  • Symphonies I - IV (1963, 1968, 1974, 1978);
  • "Musical offering to Salih Saidashev" (1990);
  • "Kryashen melodies" (1998);
  • Incidental music for plays;
  • more than 300 songs and romances with Tatar and Russian lyrics;
  • chamber music:
    • Violin sonata (1954)
  • pieces for instruments solo

Articles
  • Монасыпов, А. Неразрывная связь: [воспоминания композитора о годах учебы в консерватории] // Казань. – 2005 – No. 5 – С. 18–19.
  • Монасыпов, А. Как создать элиту. Оценки и прогнозы. Век ушедший и наступивший век. XX-XXI. // Казань. – 2001 – No. 2 – С. 71.
  • Монасыпов, А. Неангажированный оптимист: [беседа с композитором накануне его юбилея] / Беседовала Т. Алмазова. // Республика Татарстан. – 2001 – 20 января.

Sources
  • Алмазова, А. (1986). Нигмедзянов, М. (ed.). Алмаз Монасыйпов // Композиторы и музыковеды Советского Татарстана (in Russian). Kazan. pp. 102–105.
  • Дулат-Алеев, В. (2007). Татарская музыкальная литература. Казань: Казанская государственная консерватория. pp. 311–328. ISBN 5-85401-082-8.
  • Shamsutdinova, Masguda. "В ритмах Тукая". Masguda I. Shamsutdinova's site (in Russian). Retrieved 2020-07-18.
  • Маврина, Ирина (1998-04-03). "Композитор Алмаз Монасыйпов: "Кайчак рус көйләре язсам да, мин татар композиторы"". World congress of the Tatars (in Tatar). Retrieved 2020-07-18.
  • "Моң патшасы Алмаз Монасыйповның тууына 90 ел". Сәхнә: мәдәният һәм сәнгать журналы (in Tatar). 2016-08-31.
gollark: (y/n/m/n/a/h)
gollark: Deploy apiogrammaticohazards?
gollark: My laptop has 8GB of RAM, you don't really *need* to deallocate anything.
gollark: Thus, reject garbage collector, return to osmarksmalloc.
gollark: I'm sure you thought that I thought that you were sure that I was sure that I'd like to think that you'd like to think that I'd like you to think that you'd like me to think that you'd like me to think so.

References
  1. Дулат-Алеев 2007, p. 311.
  2. Алмазова 1986, p. 102.
  3. Алмазова 1986, p. 103.
  4. "Моң патшасы Алмаз Монасыйповның тууына 90 ел". Сәхнә: мәдәният һәм сәнгать журналы (in Tatar). 2016-08-31.
  5. Shamsutdinova, Masguda. "В ритмах Тукая". Masguda I. Shamsutdinova's site (in Russian). Retrieved 2020-07-18.
  6. Дулат-Алеев 2007, p. 315.
  7. Дулат-Алеев 2007, p. 313.
  8. Дулат-Алеев 2007, p. 314.
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