Alfred Thompson (librettist)

Alfred Thompson (pseudonym: Thompson E. Jones,[1] 7 October 1831 – 31 August 1895)[2] was a British musical theatre librettist, set designer, costume designer, theatre manager, journalist and artist, contributing to Punch and Vanity Fair (signed "Ἀτη").

Biography

Thompson was born in London. He was educated at Rugby and Brighton. He matriculated at Trinity College, Cambridge, in 1850 and graduated B.A. in 1855. He served as a cavalry officer in the 6th Dragoons from 1855 until he sold his commission in 1857; he started as cornet and rose to captain. In 1854 he sold his first drawing to Diogenes and in 1856–1858 sold numerous drawings to Punch.[3] He studied art in Munich with private lessons from Karl von Piloty and in Paris under Thomas Couture. In 1867 at the behest of Arthur à Beckett, Thompson joined the literary staff of The Tomahawk.[4]

From February to December 1868, Thompson and Leopold David Lewis edited a monthly review The Mask,[5] which failed. In the 1860s Thompson became successful as a librettist, set designer and costume designer for the British musical theatre in London. For the English stage he designed over five thousand costumes.[6] During the 1870s in Manchester he was managing director of the Theatre Royal and the Prince's Theatre. In May 1883 as a journalist he represented the Daily News at the coronation of Tsar Alexader III. In the latter part of his career Thompson moved to Manhattan and became successful as a librettist for New York City musicals similar to those he had worked on in London and Manchester.

Libretti
  • The Lion's Mouth. London. 1867.
  • Columbus, or The Original Pitch in a Merry Key. Gaiety Theatre, London. 1869.[7]
  • Aladdin II, or an Old Lamp in a New Light. London. 1870.
  • Cinderella, the Younger. London. 1871.[8]
  • Belladonna, or The Little Beauty and the Great Beast. Prince's Theatre, Manchester. 1878.[9]
  • Pepita, or the Girl with the Glass Eyes. Union Square Theatre, NYC. 1886.[10]
  • The Arabian Nights, or Aladdin's Wonderful Lamp. NYC. 1887.
  • The Crystal Slipper, or Prince Prettywitz and Little Cinderella. Star Theatre, NYC. 1888.[11][12]
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See also

References
  1. Room, Adrian (2010). "Thérésa • Thompson". Dictionary of Pseudonyms (5th ed.). MacFarland & Co. p. 473.
  2. "Thompson, Alfred (THM849A)". A Cambridge Alumni Database. University of Cambridge.
  3. Spielmann, M. H. (1895). "Alfred Thompson". A history of "Punch". Cassell & Co. p. 500.
  4. À Beckett, Arthur William (1903). The à Becketts of "Punch". pp. 158–159.
  5. The Mask ("a humorous and fantastic review") – Hathitrust Digital Library
  6. "Alfred Thompson". The Biograph and Review. New Series.—Part I. I: 414–417. January 1882.
  7. Adams, William Davenport (1904). "Columbus, Christopher". A Dictionary of the Drama. J. B. Lippincott Company. p. 314.
  8. Hollingshead, John (1898). "Les Deux Arlequins/The Two Harlequins/Cinderella, the Younger". Gaiety Chronicles. London: Archibald Constable & Co. pp. 198–199.
  9. "Belladonna, or The Little Beauty and the Great Beast". A Dictionary of the Drama. 1904. p. 139.
  10. "UNION-SQUARE THEATRE". NY Times. 17 March 1886.
  11. "Crystal Slipper (The); or, Prince Prettywitz and Little Cinderella". A Dictionary of the Drama. 1904. p. 359.
  12. Franceschina, James (2003). Harry B. Smith: A Biography. Taylor & Francis. p. 38.
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