Alexis O'Hara

Alexis O'Hara is a Canadian transdiciplinary performer,[1] born in Ottawa and currently living and working in Montreal.

Since 1997, she has been active in the Montreal cabaret and experimental music scenes. O'Hara ran the Montreal poetry slam for several years before switching her focus to vocal and electronic music and interactive performance projects. Subject to Change and The Sorrow Sponge, two projects in which audience participation and electronic clothing are elements,[2] have toured Canada, the United Kingdom, and Belgium. Her live and recorded work concerns itself with language, anthropomorphism, the human brain and heart, and social order.

In 2009, she began working on immersive, interactive sound installations. SQUEEEEQUE - The Improbable Igloo,[3] an igloo built entirely from recycled speakerboxes, was presented at numerous media art festivals in Europe and Canada. The work was the first acquisition to Basel's Haus der Elektronische Kunst's media art collection.[4][5]

Discography
  • In Abulia (2002) - Grenadine Records
  • Ellipsis (2010) - &records
  • Le Grand Silence (2015) self-released
gollark: It's "unlimited", but apparently they slow you down beyond 1TB.
gollark: I also could get 1TB of data for £17.50 a month, which is nice.
gollark: Well, as I said, here you typically get unlimited voice but limited data.
gollark: Imagine the amazing speeds.
gollark: My phone plan actually does give me unlimited *voice minutes* and *texts*, but not data. And what is voice and SMS if not somewhat weirdly formatted data?

References
  1. "Edgy Women has reached the brink | Montreal Gazette". February 25, 2016.
  2. "nomorepotlucks » Collaborating with the Accidental: Alexis O'Hara and the Art of Improvisation – Stephen Lawson". nomorepotlucks.org.
  3. "Blackwood & AGW Snag Exhibitions of the Year at OAAG Awards". Canadian Art.
  4. "Resonance and Rebellion: Alexis O'Hara | Herizons Magazine". www.herizons.ca.
  5. "HeK - Collection_single". www.hek.ch.



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