Alexandre Barjansky

Serge Alexandre Barjansky (16 December 1883 – 1946) was a Russian virtuoso cellist.[1] Barjansky’s cello was an outstanding Stradivarius instrument which became known as the Barjansky Stradivarius. This instrument is now played by Julian Lloyd Webber.

Alexandre Barjansky
A rare picture of Barjansky
Background information
Birth nameSerge Alexandre Barjansky
Genresclassical
Occupation(s)cellist
Instrumentscello

Life

He was born in Odessa, in a wealthy Russian-Jewish family, the son of composer Adolf Barjansky (Odessa, 1851 - Odessa, 1900). Alexandre's father, who studied piano with Carl Reinecke and Salomon Judassohn, was a composer classical music for piano and strings in the Romantic tradition.

Alexandre Barjansky's siblings were Melitta Barjansky (1888–1959), and Mikhail Barjansky (1880–1932).[2][3]

While following his doctorate in mathematics, Alexandre studied the cello at the Royal Conservatory of Music of Leipzig with Julius Klengel (1859-1933), famous cellist of the Leipzig Gewandhaus Orchestra.[1] He first appeared in London on 28 June 1909 at the St.James' Hall. In 1911 he performed three concertos in one evening with the London Symphony Orchestra and in the 1912-13 season he played the Dvořak Concerto at The Queen’s Hall London with the London Symphony Orchestra conducted by Sir Edward Elgar.

Barjansky was the dedicatee of Ernest Bloch's Schelomo and gave the first performance of the Cello Concerto by Frederick Delius in Vienna in 1923. Barjansky was married to the sculpturess Catherine Barjansky and there is much biographical material concerning the Barjanskys in her autobiography ‘Portraits with Backgrounds’ (London/Geoffrey Bles 1948).[4]

In Delius As I Knew Him, Eric Fenby writes of Barjansky: "I was not prepared to find so unusual-looking a man. He was of medium height, pale and thin, but he had a striking head, with high forehead and a mass of long bushy hair. I perceived him to be an extremely likable fellow, and one of those rare musicians who give the impression of being musical." And Jelka Delius wrote: "He looks extraordinary when he plays, so ecstatic with a delicate, sensitive face and hair like an Italian primitive."

gollark: Anyway, apparently, if we add several tens of solar masses of hydrogen to the sun, it will *not* become red.
gollark: In that case, just surround half the sun in a giant mirror.
gollark: Oh, you want to *move* it, not *destroy* it?
gollark: They lose mass too fast to become red supergiants and still retain high temperature.
gollark: Extremely large stars (>40 solar masses) apparently don't become red giants!

References
  1. Emmanuelle Dijon, Joseph Lewinski (1998). Ernest Bloch (1880-1959): sa vie et sa pensée, Volume 1. Slatkine. p. 679.
  2. https://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=GP796&catNum=GP796&filetype=About%20this%20Recording&language=English
  3. https://grandpianorecords.com/Album/AlbumDetails/GP796
  4. Barjansky, Catherine (2005). Portraits with Backgrounds. Kessinger Publishing. p. 29. ISBN 1-4179-9814-8.
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