Alexander Ferenczy
Alexander Ferenczy (1895–1931) was a Hungarian art director.[1]
Alexander Ferenczy | |
|---|---|
| Born | 16 January 1895 |
| Died | 1 March 1931 (aged 36) |
| Occupation | Art director |
| Years active | 1922-1931 (film) |
Selected filmography
- Samson and Delilah (1922)
- The Portrait (1923)
- Fadette (1926)
- Attorney for the Heart (1927)
- The Gypsy Baron (1927)
- Modern Pirates (1928)
- Escape from Hell (1928)
- Casanova's Legacy (1928)
- My Sister and I (1929)
- Checkmate (1931)
- Alarm at Midnight (1931)
gollark: That still doesn't fix the data apparently being bad and open-submission.
gollark: And you shouldn't just go for the worst-case scenario (conveniently one making your preferred point best) when assuming things; you should find the most realistic one, and/or provide a range.
gollark: The US government has frequently been useless and incompetent at pandemic handling (halting the J&J vaccine and initially claiming masks didn't work are the two obvious things I can think of), but that doesn't mean that everything they say is wrong, or that belief in things that the government says is necessarily just because the government says it.
gollark: And apparently it's generally much more useful for seeing what might be an effect rather than collecting data on frequency of things.
gollark: The data was probably somewhat more useful before it suddenly became embroiled in ridiculous political issues.
References
- Tabori p.70
Bibliography
- Tabori, Paul. Alexander Korda. Living Books, 1966.
External links
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