Albert Edelfelt

Albert Gustaf Aristides Edelfelt (21 July 1854 – 18 August 1905) was a Finnish painter noted for his naturalistic style and Realist approach to art.[1] He lived in the Grand Duchy of Finland and made Finnish culture visible abroad, before Finland gained full independence.[2]

Albert Edelfelt
Albert Edelfelt in 1905
Born
Albert Gustaf Aristides Edelfelt

(1854-07-21)21 July 1854
Porvoo, Grand Duchy of Finland
Died18 August 1905(1905-08-18) (aged 51)
Porvoo, Grand Duchy of Finland
NationalityFinnish
EducationMember Academy of Arts (1881)
Full Member Academy of Arts (1895)
Alma materÉcole Nationale des Beaux-Arts
Known forPainting
MovementRealism
Spouse(s)Baroness Ellan de la Chapelle

Biography

Edelfelt was born 1854 in Porvoo, son of Swedish-speaking Finns Carl Albert Edelfelt (1818–1869), an architect, and Alexandra Edelfelt, née Brandt (1833–1901).[3] His father died when he was still young, and his mother had to raise him and his younger siblings alone compounded by financial difficulties. He was very close with his mother throughout his life.[4]

  • Carl Albert Edelfelt, 1883, posthumous painting of his father
  • Alexandra Edelfelt, 1883, his mother
  • Old Woman with a Splint Basket, 1882, the Edelfelts' trusted maid and Albert's old nanny Fredrika Snygg (fi)

He began his formal studies of art in 1869 at the Drawing School of the Finnish Art Society and continued as a student of Adolf von Becker (1871–73). He studied history painting at the Antwerp Academy of Art (1873–74) before becoming a pupil of Jean-Léon Gérôme at the École Nationale des Beaux-Arts in Paris (1874–78). He sent his mother hundreds of letters when he was away.[4] In Paris, he shared a studio with the American Julian Alden Weir, who introduced him to John Singer Sargent. Later he studied at Saint Petersburg (1881–82). He had romantic relationships with numerous women, including Antonia Bonjean and Virginie in Paris.[2][4] He married Baroness Anna Elise "Ellan" de la Chapelle in 1888, and the same year they had one child, Erik.[4] They had known each other since childhood, but their marriage didn't have a lot of warmth.[5] The death of his mother in 1901 affected him greatly.[4] He died abruptly from heart failure in 1905, shocking many, and his funeral was attended by a great number of people.[5] Erik also died not long afterwards in 1910.[5][6]

  • Self-Portrait, 1874
  • Sophie Manzey, 1880, Edelfelt's fiancée for a short while
  • The Parisienne (Virginie), 1883
  • Self-Portrait, c. 1887–90
  • The Artist's Son Erik in a Pram, 1889
  • Portrait of the Artist's Wife Ellan Edelfelt, 1896 (fi)
  • Self-Portrait, 1904
  • Erik Edelfelt in Sickbed, 1905

Career
Conveying a Child's Coffin, 1879, which also has a similar 1880 sister work called Going to the Christening (fi)
Boys Playing on the Shore, 1884, in a 2013 vote held by Nordic Moneta voted as Finland's most significant painting[7] (fi)
Women Outside the Church at Ruokolahti, 1887 (fi)

Paris, history painting and portraiture

Edelfelt was one of the first Finnish artists to achieve international fame. He enjoyed considerable success in Paris, including a gold medal at the Paris Universal Exposition of 1889. He focused on history painting in the beginning of his career.[2] He also painted portraits of many famous people, including Louis Pasteur, Aino Ackté, and the Russian imperial family.[2]

Realism

In Finland, he was one of the founders of the Realist art movement. He influenced several younger Finnish painters and helped fellow Finnish artists such as Akseli Gallen-Kallela and Gunnar Berndtson to make their breakthrough in Paris. Among his students was Léon Bakst. The painting of Louis Pasteur won him the Legion of Honour in 1886 at the exhibition at the Paris Salon.[8]

  • Good Friends (Portrait of the Artist's Sister Berta Edelfelt), 1881
  • At Sea, 1883
  • The Boys’ Workhouse, Helsinki, 1885
  • The Luxembourg Gardens, Paris, 1887 (fi)
  • The Milk Girl, 1889 (fi)
  • From the Port of Copenhagen II, 1890
  • Laundresses, 1893

En Plein Air

Edelfelt spent time in Antwerp and Paris, where he learned the practice of En Plein Air. He had come to a liking of En Plein Air because it was noticeable that illustrating contemporary reality rather than historical scenes were becoming popular during that time period. He took on a focus towards naturalism and his paintings gave a direct reflection of the Finnish countryside and lifestyle.[9]

  • Summer Life in the Islets, 1880
  • Under the Birches, 1881
  • Divine Service in the Uusimaa Archipelago, 1881
  • Summer, 1883
  • Woman and Parasol, 1886
  • Garden from Haikko, 1887
  • At the Gate (Village of Porras), 1889 (fi)
  • Kaukola Ridge at Sunset, 1889–90 (fi)

Espagnolisme, Runeberg and religious art

In April and May of 1881, Edelfelt spent five weeks in Spain where he learned many new aspects of art and studied the phenomenon called espagnolisme, which is the impact that Spanish influences had on France starting from the 1830s. In Spain, Edelfelt also gained a deeper grasp of Gypsy culture and Orientalism which had always interested him. His most important picture from Granada is Gitana Dancing I, a genre portrait of a dancing Gypsy girl.[10]

Edelfelt admired the poet Johan Ludvig Runeberg, who was a friend of the family. The company of Runeberg had a lasting impact on Edelfelt, who from time to time turned to scenes from Finnish history in his paintings. Edelfelt went on to illustrate Runeberg's epic poem The Tales of Ensign Stål.[11]

Edelfelt also later dabbled in religious painting, and in his 1890 Christ and Mary Magdalene he set a biblical scene in the Finnish landscape, influenced by Kanteletar.[12][13]

  • Gitana Dancing I, 1881
  • March of the Pori Regiment, 1892 (fi)
  • Christ and Mary Magdalene, 1890 (fi)
  • Virgin Mary in the Rose Garden, 1898
  • Jesus Washing the Feet of his Disciples, 1898
  • The Revelation of The Angels to The Shepherds, 1899

Pasteur
Pasteur's Portrait, 1885

Edelfelt's history also includes his involvement and friendship with renowned French biologist, microbiologist, and chemist, Louis Pasteur. One of Edelfelt's most important paintings is his portrait of Pasteur. Edelfelt's letters to his mother, only recently discovered and written in Swedish, reveals evidence of Edelfelt's knowledge and work with Pasteur, stating Pasteur's working habits and traits of personality.[14]

This 1885 portrait of Louis Pasteur is the most reproduced image of the scientist himself. It is the most popular portrait because it is unlike the many other typical portraits of Pasteur; where he is sitting plainly. This specific portrait paints him engaging with his environment and using the modern-day tools of his time. Pasteur actively involved himself, working with Edelfelt, in the creation of this painting. This portrait painted by Edelfelt impacted Pasteur's career as it painted his reputation towards the public positively. Depicting Pasteur in the midst of his works brought out aspects of himself and his work that the public would not see otherwise.[14][15]

Legacy
Sculptor Ville Vallgren setting a wreath by his statue of Edelfelt in 1930

Albert Edelfelt is considered one of the most notable artists of the Golden Age of Finnish Art.[16] A museum under his name operates in Porvoo.[17][18] He was selected as the main motif on a Finnish commemorative coin celebrating the 150th anniversary of his birth, the €100 Albert Edelfelt and painting commemorative coin, minted in 2004. The reverse shows an embossed face of the artist.[19]

Other notable works
Inauguration of the Academy of Turku
  • Inauguration of the Academy of Turku Part 1, 1904
  • Inauguration of the Academy of Turku Part 2, 1904
  • Inauguration of the Academy of Turku Part 3, 1904
Other notable works
  • Aleksis Kivi, 1873, almost certainly by Edelfelt
  • Mikael Agricola, 19th century
  • Burned Village, 1879 (fi)
  • Red-Haired Model and a Japanese Fan, 1879
  • Reading Parisienne, 1880, Virginie as the model (fi)
  • Chez L'Artiste (Les Gravures), 1881
  • Girl from Toledo (Dolores), 1881
  • In the Garden, 1882
  • At the Piano, 1884
  • Portrait of the Artist's Sister Berta Edelfelt, 1884
  • Summer Evening at Hammar's Repair Yard, 1885
  • The Nursery, 1885
  • Shipbuilders, 1886
  • Girl Knitting a Sock, 1886
  • Boys Swimming in the Porvoo River, 1886
  • Young Woman Holding a Parasol, 1887
  • Wild Strawberries, 1890
  • Solveig II, 1893
  • Larin Paraske, 1893
  • J.L. Runeberg, 1893
  • Sorrow, Variation of the Illustration for the Poem at the Fair of Vernamo, 1894
  • In the Outer Archipelago, 1898
  • Portrait of Nicholas II, horseback, 1898
  • The Nyländska Jaktklubben Harbour in Helsinki, 1899 (fi)
  • Portrait of Ida Aalberg, 1902
  • The First Snow, 1902–1903
gollark: Oh, probably, but this I can actually understand.
gollark: I have ended up writing this slightly ridiculous query: `SELECT * FROM pages WHERE updated = (SELECT MAX (updated) FROM pages WHERE name = ${req.params.name}) AND name = ${req.params.name}`(no SQL injection there, I use `sql-template-strings`)
gollark: <@178948413851697152> You were correct to suggest Postgres, it's great!
gollark: Can you do that?
gollark: Ah. It converts them to strings, because of course arrays can have string keys.

See also

References
  1. "Albert Edelfelt". artrenewal.org. Retrieved April 2, 2015.
  2. Reitala, Aimo (1997). "Edelfelt, Albert (1854 - 1905)". 100 Faces from Finland – a Biographical Kaleidoscope. Biographical Centre of the Finnish Literature Society. Retrieved 4 February 2017.
  3. Stavén, Amanda (19 April 2013). "Albert Edelfelt maalasi kansaa, valoa ja historiaa". Yle. Retrieved 16 May 2020.
  4. Sommar, Heidi (22 July 2016). "Albert Edelfeltin elämän tärkein nainen oli äiti". Yle. Retrieved 16 May 2020.
  5. Aimo, Reitala. "Edelfelt, Albert (1854 - 1905)". National Biography of Finland. Translated by Fletcher Roderick. Retrieved 8 May 2020.
  6. Reitala, Aimo (15 March 2015). "Edelfelt, Albert (1854 - 1905)". Kansallisbiografia (in Finnish). Retrieved 12 May 2020.
  7. Blencowe, Annette (5 February 2013). "Albert Edelfeltin Leikkiviä poikia rannalla äänestettiin Suomen merkittävimmäksi maalaukseksi". Retrieved 8 July 2020.
  8. "Louis Pasteur Albert Edelfelt". musee-orsay.fr. Retrieved April 2, 2015.
  9. Utti, Otto (November 2004). "Albert Edelfelt, master of plein air". finland.fi. Retrieved August 2, 2020.
  10. Lundstrom, Marie-Sophie (2006). "A Romantic in Spain: The Finnish Nineteenth-Century Painter Albert Edelfelt's Andalusian Dream". Journal of Intercultural Studies. 27:3, 331-348: 331–348. doi:10.1080/07256860600779311.
  11. Konttinen, Riitta (26 October 1997). "Tuore tutkimus tulkitsee Edelfeltin kuvitusta Runebergin tekstin 1890-lukulaisena historiankirjoituksena Kahden kansanosan Vänrikki Stool". Helsingin Sanomat. Retrieved 2 August 2020.
  12. Nuortio, Antti (14 April 2014). "Maria Magdaleenan perintö elää". Kirkko ja kaupunki. Retrieved 2 August 2020.
  13. "Albert Edelfeltin jäljillä". Yle. 1953. Retrieved 2 August 2020.
  14. Weisberg, R.E., & Hansen, B. (2015). "Collaboration of Art and Science in Albert Edelfelt's Portrait of Louis Pasteur: The Making of an Enduring Medical Icon". Bulletin of the History of Medicine. 89 (1): 59–91. doi:10.1353/bhm.2015.000.
  15. "Louis Pasteur Albert Edelfelt". musee-orsay.fr. Retrieved April 2, 2015.
  16. Gustafsson, Miia (6 February 2020). "Albert Edelfeltin kadonneina pidetyt taulut vihdoin esillä Suomessa – toinen löytyi rullana ullakolta Puolasta". Yle. Retrieved 2 August 2020.
  17. Wahlström, Marko (28 May 2019). "Villa Albert rakentuu vauhdilla – Ateljeemuseon kävijämäärä tuplaantuu uudisosan myötä, museolle kulkee Edelfelt-linja". Itäväylä. Retrieved 2 August 2020.
  18. "Kävijälle". Albert Edelfeltin Ateljee. Retrieved 2 August 2020.
  19. "-Painters I should have known about". articlesandtexticles.co.uk. Archived from the original on April 2, 2015. Retrieved April 2, 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.