Alan Betrock

Alan Betrock (1950 – April 9, 2000) was an American music critic, publisher, editor, author and record producer.[1] Initially a music critic, Betrock founded the influential New York Rocker magazine in 1976 and the publishing house Shake Books in 1979. He has written and edited several books, including the critically acclaimed Girl Groups: The Story of a Sound. He produced Blondie's first demos in 1975 and launched the short-lived record label Shake Records. He has produced and/or released music by such artists as Marshall Crenshaw, Richard Hell and the Voidoids, the dB's and the Smithereens.[2]

Alan Betrock
Born1950
DiedApril 9, 2000 (aged 49)
New York City, U.S.
NationalityAmerican
OccupationMusic critic, publisher, editor, author, archivist, record producer, record label owner
Years active1971–2000

Early career

A native of Queens, New York City,[3] Betrock went to Newtown High School in Queens[4] and attended Queens College.[1] He founded the fanzine JAMZ as an undergrad in 1971,[5] which led to Rock Marketplace in 1973. The magazine united record collectors nationwide in the search for obscure releases[1] and included articles that established catalog numbers and release dates.[6] Betrock himself was a passionate record collector with encyclopedic musical knowledge[7] and a passion for obscure 1960s and 1970s garage rock singles.[3] He became fascinated with rock music during the rise of the British Invasion and frequently travelled to England in search for rare albums and singles.[2] "I'd hear a record on radio and try to seek it out, but it was very hard to find if it wasn't in the top 30," he said in a 1972 interview in The New York Times.[1] During this period Betrock also wrote for a number of music magazines, such as Phonograph Record, ZigZag and Hit Parader,[8] as well as local newspaper SoHo Weekly News.[9] From the mid-1970s onward, he compiled various compilation albums for labels such as Pye and Rhino, as well as writing liner notes.[10]

Later period

Not long after its December 1973 opening, Betrock found his way to gigs at CBGB in Manhattan's East Village. Witnessing the emergence of bands like Television, the Ramones and Talking Heads, he immersed himself completely in the new underground music scene.[6] In 1975, Betrock financed and produced a demo for the then-unknown Blondie,[3] whom he originally intended to manage. However, a combination of his other interests and lack of confidence in their musical abilities ended his involvement with the band. Betrock chose instead to manage another New York band, the Marbles.[11]

In February 1976,[3] Betrock launched the influential New York Rocker magazine, chronicling the rising punk rock scene and other musical trends in the late 1970s.[2] According to Andy Schwartz, New York Rocker's publisher and editor from 1978-1983, the magazine was a "visionary move, the product of Betrock’s realization that the music rising from a run-down Bowery bar deserved its own magazine - one with its own style of photography and graphic design, one that would blend a fan’s enthusiasm with an educated critical eye. Through the pages of New York Rocker, Alan Betrock defined the new rock and roll".[2]

A conceptualist, Betrock created board game centerfolds (“How to Become a New York Rock Star”) and imaginary 45 rpm picture sleeves for “singles we’d like to see.” The magazine also collaborated with fashion designer Anna Sui, photographers Steven Meisel and Roberta Bailey, and artist Duncan Hannah, among many others.[12] During this time he also worked as the East Coast editor for Bomp! magazine.[2] After 11 issues, Betrock left New York Rocker in late 1977.[12] "Alan was one of those people who plunged himself into something with tremendous enthusiasm and dedication, and when he was done with it, he was done," remembered Andy Schwartz.[6]

Meanwhile, he amassed a collection of miscellaneous American pop memorabilia.[12] The archives became the source for several books on American magazines and their history. Mostly published on his own Shake Books during the 1980s and 1990s, Betrock wrote and edited books on, among other things, teenage exploitation films, rock and scandal magazines, and the history of the pinup.[13][1][7] His 1982 book, Girl Groups: The Story of a Sound, which spawned a documentary film in 1983,[7][14] was lauded by the critic Robert Palmer in The New York Times as "everything a rock 'n' roll genre study should be."[1]

Music production

His short-lived Shake Records (1979-1981) was the first to release recordings by the dB's, the Cosmopolitans and Marshall Crenshaw. Later non-Shake Betrock productions included Richard Hell and the Voidoids’ Destiny Street (1982) and the Smithereens’ Beauty and Sadness EP (1983).[12]

In 1989, Betrock began working on a recording project with Ronnie Spector. A planned album never materialized, but five tracks were eventually released on the EP Something's Gonna Happen in 2003.[15]

Death

Betrock died of cancer at Calvary Hospital in the Bronx, New York City on April 9, 2000, aged 49.[1] He was diagnosed less than two months before his death. Lenny Kaye, longtime guitarist with Patti Smith, told MTV: "A good man, and a record/pop culture collector of the highest order. I always admired his thoroughness, in whatever field he touched."[7] In 2013, Marshall Crenshaw told Songfacts: "He launched my career, and I badly regret that he and I didn't do more stuff together. That was one of my bad blunders."[16]

Bibliography
  • Rock 'N' Roll Movie Posters (Shake Books, 1979)
  • Girl Groups: The Story of a Sound (Delilah Books, 1982) ISBN 0-933-32825-7
  • The I Was a Teenage Juvenile Delinquent Rock'N'Roll Horror Beach Party Movie Book: A Complete Guide to the Teen Exploitation Film, 1954-1969 (St. Martin's Press, 1986) ISBN 0-312-40293-7
  • The Personality Index to Hollywood Scandal Magazines, 1952-1966 (Shake Books, 1988) ISBN 0-962-68331-0
  • The Best of James Dean in the "Scandal Magazines" 1955-1958 (Shake Books, 1988)
  • Cult Exploitation Movie Posters, 1940-1973 (Shake Books, 1989)
  • The Tabloid Poster Book, 1959-'69 - The Wildest Wallpaper You've Ever Seen (Shake Books, 1989)
  • Unseen America: The Greatest Cult Exploitation Magazines, 1950-1966 (Shake Books, 1990) ISBN 0-962-68330-2
  • Hitsville: The 100 Greatest Rock 'n' Roll Magazines, 1954-1968 (Shake Books, 1991) ISBN 0-962-68332-9
  • From Exploitation to Sexploitation: Four Decades of Adult Film Posters, 1930s-1960s (Shake Books, 1992) ISBN 0-962-68333-7
  • Jayne Mansfield Vs. Mamie Van Doren: Battle of the Blondes: A Pictorial History (Shake Books, 1993) ISBN 0-962-68334-5
  • Pin-Up Mania: The Golden Age of Men's Magazines, 1950-1967 (Shake Books, 1993) ISBN 0-962-68335-3
  • The Illustrated Price Guide to Cult Magazines, 1945 to 1969: 25 Years of Exploitation (Shake Books, 1994) ISBN 0-962-68336-1
  • The Illustrated Price Guide to Scandal Magazines, 1952-1966 (Shake Books, 1994)
  • I Was a 1950's Pin-Up Model! From the Collection of Mark Rotenberg (Shake Books, 1995) ISBN 0-962-68337-X
  • Sleazy Business: A Pictorial History of Exploitation Tabloids (Shake Books, 1996) ISBN 0-962-68338-8
  • Bikinis & Lingerie: A Pictorial Guide to Pin-Up Magazines, 1945-1960 (Shake Books, 1998) ISBN 0-962-68339-6
  • Cult Magazine Checklist Guide: Issue by Issue Listings for the Most Collectible Cult Magazines, 1945-1973 (Shake Books, 2000) ISBN 1-893-59901-9

[17]

As producer

[18]

gollark: If you want to move off Facebook you'll probably worry about losing contact with 293848 people you don't have anywhere else, if you want to move off Skype you might just have something like 5 people in a group with you.
gollark: It mostly doesn't happen unless the existing stuff is also very bad. I suspect it's also easier for somewhat purpose-specific instant messaging than for general social network stuff because the group which has to move with you is smaller and you don't have to migrate giant friend lists or something.
gollark: Even if better services *do* exist, people generally don't move to something they don't have stuff/people they know on.
gollark: Generally it requires the existing service to be really bad before people start moving.
gollark: Yes, privacy-focused stuff often lacks features. But even if someone came up with "Facebook but significantly better somehow", network effects mean adoption would be very slow.

References
  1. Powers, Ann (15 April 2000). "Alan Betrock, 49, Pop Critic and Record Producer". New York Times. Retrieved 19 February 2019.
  2. Talevski, Nick (2010). "Rock Obituaries: Knocking On Heaven's Door". Omnibus Press. Retrieved 19 February 2019.
  3. Jarnow, Jesse (August 2012). "New York Rocker and the Invention of Indie Rock". Perfect Sound Forever. Retrieved 19 February 2019.
  4. Cost, Jud (14 November 2011). "Q&A With Andy Shernoff". Magnet. Retrieved 19 February 2019.
  5. Hermes, Will (2014). "Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever". Penguin UK. Retrieved 19 February 2019.
  6. Jarnow, Jesse (2012). "Big Day Coming: Yo La Tengo and the Rise of Indie Rock". Penguin. Retrieved 19 February 2019.
  7. Hiatt, Brian (13 April 2000). "Journalist And Onetime Blondie Producer Alan Betrock Dies". MTV News. Retrieved 19 February 2019.
  8. "Rock's Backpages Library - Alan Betrock". Rock's Backpages. Retrieved 19 February 2019.
  9. Porter, Dick; Needs, Kris (2012). Blondie: Parallel Lives. Omnibus Press. p. 74. ISBN 1780381298.
  10. Alan Betrock on Discogs - Acting, Literary & Spoken. Discogs.com. Retrieved on 19 February 2019.
  11. Porter, Dick; Needs, Kris (2012). Blondie: Parallel Lives. Omnibus Press. p. 75. ISBN 1780381298.
  12. Schwartz, Andy (18 April 2000). "Alan Betrock, 1950-2000". The Village Voice. Retrieved 19 February 2019.
  13. Jönsson, Peter (24 July 2017). "Alan Betrock: Girl Groups – The Story of a Sound". PopDiggers. Retrieved 19 February 2019.
  14. "Girl Groups: The Story of a Sound". IMDb.com. Retrieved 19 February 2019.
  15. Cohen, Mitchell (18 October 2017). "Why We Love Ronnie Spector". musicaficionado.com. Retrieved 19 February 2019.
  16. Grant, Jess (21 October 2013). "Songwriter Interviews". Songfacts.com. Retrieved 19 February 2019.
  17. Alan Betrock on WorldCat. WorldCat.org Retrieved on 19 February 2019.
  18. Alan Betrock on Discogs - Production. Discogs.com. Retrieved on 19 February 2019.
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