Aimé Bazin
Aimé Bazin (1904-1984) was a French art director.[1] He was educated at the École nationale supérieure des Beaux-Arts before entering the film industry. He worked on more than forty productions during his career.
Aimé Bazin | |
|---|---|
| Born | 2 July 1904 |
| Died | October 5, 1984 (aged 80) |
| Occupation | Art director |
| Years active | 1933-1956 (film) |
Selected filmography
- The Red Robe (1933)
- The Uncle from Peking (1934)
- Crime and Punishment (1935)
- Second Bureau (1935)
- The Silent Battle (1937)
- Fort Dolorès (1939)
gollark: The obvious* solution is to liquid-cool the insides of the dies with accursed microfluidics things.
gollark: But the silicon itself isn't very conductive, as far as I know. Improving transfer between the dies will help, but not fix it entirely.
gollark: It's not very thermally conductive though, right? So the underlying die might get warm.
gollark: Apparently Rembrandt is also monolithic? I don't know what you're referring to.
gollark: Yes, Cezanne is apparently monolithic.
References
- Andrew p.162
Bibliography
- Andrews, Dudley. Mists of Regret: Culture and Sensibility in Classic French Film. Princeton University Press, 1995.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.