Ahi Karunaharan

Ahi Karunaharan is writer, director, actor and producer of Sri Lankan descent from Aotearoa / New Zealand.

Background and Education

Ahi Karunaharan was born in the United Kingdom and raised in Sri Lanka and New Zealand. His family is from Sri Lanka,[1][2] they moved to the Wellington suburb of Newlands in New Zealand in 1990.[3][4] He is a graduate from Victoria University of Wellington and Toi Whakaari: New Zealand Drama School.

Career

Karunaharan is a theatre-maker. He acts, writes, directs and produces. He founded the theatre company Agaram Productions, which curated and produced the first ever South Asian Writers Festival, Karunaharan is the Artistic Director of Agaram Productions. He has worked as an associate producer for Tawata Productions,[1][5] and been a member of Prayas Theatre since 2011, a South Asian theatre and cultural group based in Auckland.[6]

Other theatre organisations Karunaharan has worked with include Tara Arts, Belvoir St Theatre, Sydney Festival, Adelaide Festival and Silo Theatre.[5]

Karunaharan talks about the importance of writing and identity:

"We moved here to New Zealand because of the Civil War that broke out in my home country. Our libraries back home were burnt down and much of our literature gone forever. Since moving here, I have always believed that writing was important, it was important for our national identity as we were denied ours."[3]

His writing credits include The Mourning After, Anchorite, Swabhoomi: Borrowed Earth and Tea which premiered at the Auckland Arts Festival 2018 winning best Overall Production at the Auckland Theatre Awards.[5]

Karunaharan has mentored for the Proudly Asian Theatre's Fresh Off the Page series and the Film Commission's New Asian Writers initiative, working with emerging artists.[4] In 2019 he took part in Satellites, a series of public events and encounters showcasing contemporary Asian artists in Auckland.[7] For Satellites he created Kollywood Extra, an immersive event at Sandringham Reserve.[8]

My Heart Goes Thadak Thadak was commissioned by Silo Theatre and premiered in 2019. It was written over two years by Karunaharan, and celebrates the communal spirit and ritual of making art in India.[9] He also directed and it is described as an immersive experience and received positive reviews.[10] "The script is light and brilliantly performed, with the fourth wall being broken quite a few times! "[11]

When asked in an interview to give advice to his younger self some of the things he said are: "Know your artistic whakapapa. Don’t try to please everyone. Know what you’re saying, who you’re saying it to and what you want them to feel."[12]

Influences

Aki Karunaharan has named the writer Briar Grace-Smith and her play Purapurawhetu starring Nancy Brunning as an influence. Also Apirana Taylor's Whaea Kairau: Mother Hundred Eater which he saw at Otago Museum, and actors Taungaroa Emile and Jarod Rawiri who he had seen in The Prophet by Hone Kouka.[3] Other influences include the 1975 Indian action-adventure Sholay, the music of groups like The Beatles and psychedelic Indian trance.[2]

Credits

Writing

The Mourning After - The first full-length Sri Lankan play in New Zealand, about life in Sri Lanka after the 2004 Boxing Day tsunami.[13][4]

Anchorite[5]

Light Vs Dark: The Adventures of Rama[14]

Melodic Maladies[5]

Swabhoomi: Borrowed Earth and Tea[14]

Tea (2018) - Auckland Arts Festival. A play written, produced and designed in Auckland with an entirely South Asian cast of local actors about a tea plantation in Sri Lanka.[15]

My Heart Goes Thadak Thadak. Silo Theatre – a play set in 1970s Bombay, and a collision of East and West, with themes of representation, modernity and tradition.[4]

Directing

A Fine Balance for Prayas Theatre and Auckland Theatre Company (ATC). Based on a book by Parsi writer Rohinton Mistry.

Should Woulda Coulda for Auckland Theatre Company. Here and Now Youth Festival.

Samaroh – The Great Indian Carnival for Auckland Arts Festival

Swabhoomi: Borrowed Earth, for Prayas Theatre – tells the story of Indian settlement in New Zealand[16]

My Heart Goes Thadak Thadak, Silo Theatre

Thali for Auckland Fringe Festival[17]

Rudali-The Mourner for Prayas Theatre[17]

Northern Glow for Basement Theatre[17]

First Word Problems for Basement Theatre[17]

Smoky Quartz Does Turkish for Basement Theatre[17]

Kollywood Extra for Satellites[17]

Light Vs Dark: The Adventures of Rama for ATC at Auckland Live[17][5]

Acting

The Mourning After - Karunaharan's solo show

2011 Kingdom of Cards Prayas Theatre

2019 Counting and Cracking Belvoir St Theatre's, Sydney Arts Festival

Appearances

2020 Auckland Writers Festival, Schools Programme. Featured writer.[18]

2020 Dark Magic. Auckland Arts Festival. Panelist.[19]

Awards

2018 Bruce Mason Playwriting Award – winner[13]

2018 Best Overall Production – Auckland Theatre Awards, Swabhoomi: Borrowed Earth and Tea (playwright) Auckland Arts

First World Problems, "a kaleidoscopic representation of form and content that speaks to us now in Aotearoa through a South Asian lens”. Basement Theatre, 17–21 July, Book here.

gollark: Oh dear. I have WOEFULLY misunderstood this algorithm.
gollark: Anyway, C# can be compiled for clients too!
gollark: nginx is:- optimal- flawless- the best
gollark: https://dl.airtable.com/.attachments/24c36f4eda9a1a2261e540e5c90eab44/aeecfdf0/iwFmZf3.png
gollark: Weird.

References
  1. "Ahi Karunaharan – Tea". Radio New Zealand. 4 November 2017. Retrieved 4 May 2020.
  2. "'Tea was like a love letter to my country'". Radio New Zealand. 29 May 2019. Retrieved 4 May 2020.
  3. "AHI KARUNAHARAN". Tawata Productions. 20 April 2020. Retrieved 4 May 2020.
  4. Teng, Jean (19 November 2019). "Ahi Karunaharan talks community, cultural responsibility and new play My Heart Goes Thadak Thadak". Metro. Retrieved 4 May 2020.
  5. "Ahi Karunaharan". Auckland Theatre Company. Retrieved 4 May 2020.
  6. "Ahi Karunaharan – Member since 2011". Prayas – A South Asian theatre company in New Zealand. Retrieved 4 May 2020.
  7. "Satellites 2019". Satellites. Retrieved 4 May 2020.
  8. Brooks, Sam (4 May 2019). "Satellites: Putting the spotlight on Auckland's Asian artists, in the burbs". The Spinoff. Retrieved 4 May 2020.
  9. "World Premiere Play Takes Audiences Behind The Scenes of a 70's Spaghetti Western". The 13th Floor. 22 October 2019. Retrieved 4 May 2020.
  10. "My Heart Goes Thadak Thadak". Q Theatre. Retrieved 4 May 2020.
  11. Hales, Mike (29 November 2019). "My Heart Goes Thadak Thadak -Theatre review". keeping up with NZ. Retrieved 4 May 2020.
  12. "The Gospel of Ahi Karunaharan: Advice to my 22-Year-Old Self". The Big Idea. 9 July 2018. Retrieved 4 May 2020.
  13. "Ahilan Karunaharan wins the 2018 Bruce Mason Playwriting Award". The Big Idea. 26 November 2018. Retrieved 4 May 2020.
  14. "Ahi Karunaharan". Playmarket New Zealand. Retrieved 4 May 2020.
  15. "Arts Festival: Tea a time to reflect on the stories Auckland can now tell". NZ Herald. 19 February 2017. Retrieved 4 May 2020.
  16. "Pantograph Punch – Loose Canons: Ahi Karunaharan". Pantograph Punch. Retrieved 4 May 2020.
  17. "Ahi Karunaharan | LOST". Creative Mornings. 2 December 2019. Retrieved 4 May 2020.
  18. "Programme". Auckland Writers Festival. Retrieved 4 May 2020.
  19. "The Curry House Kid". www.aucklandfestival.co.nz. Retrieved 4 May 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.