Advancing Women Artists Foundation

Advancing Women Artists Foundation (AWA) is an American not-for-profit organization (501(c)3),[1] with headquarters in Indianapolis, Indiana, and Florence, Italy. AWA is committed to identifying and restoring artwork by Florence's female artists in the city’s museums, churches, and storehouses.[2] The foundation achieves its mission through sponsoring restoration of artwork, and promoting research on female artists. As of 2018, AWA has restored 61 paintings and sculptures from the 15th century to the 19th century.[3][4] It supports the creation of educational materials and events, including books, television documentaries, seminars, and conferences.[5]

Advancing Women Artists Foundation
American Not-for-profit Organization
IndustryArt
Founded2009
FounderJane Fortune 
Headquarters
Indianapolis, USA and Florence, Italy
Websiteadvancingwomenartists.org

Goals

In addition to restoration, research, and exhibition, the ultimate goal of AWA is to provide art by women an exhibition space of its own in Florence with satellite spaces established worldwide, where paintings and sculptures can be exhibited and eventually return to Florence permanently.[5]

Creation and governance

In 2003, author and philanthropist Dr. Jane Fortune founded The Florence Committee of the National Museum for Women in the Arts,[2][6] an Italian not-for-profit association in Florence. In 2009, Fortune created a new organization, the Advancing Women Artists Foundation, its American non-profit sister organization, which allowed for more opportunities for American involvement.[5][7]

AWA is supported by private contributors and institutions that are dedicated to safeguarding and promoting works by women artists, particularly in Florence, Italy. The Board of Trustees holds fiduciary responsibility for its organizational activities and financial well-being. AWA is supported by an International Advisory Council and assisted by an honorary Florentine Council of Advisors composed of museum directors, art historians, restorers, city officials, and art experts who advise the Foundation on its restorations, publications, and awareness-raising projects.[5]

AWA's honors program

Advancing Women Artists supports an ongoing annual awards program honoring museum directors in Florence, women restorers, patronesses of the arts and contemporary artists for their outstanding contributions to the culture of Florence. The awards are designed to give recognition to women within the Fine Arts sector by commending their commitment to enhancing Florence and its artistic heritage.[5]

Partial list of restorations
  • Suor Plautilla Nelli (1524-1588):
    • Lamentation with Saints, San Marco Museum. (The Florence Committee.)
    • Saint Catherine in Prayer, Last Supper Museum of Andrea del Sarto.
    • Saint Dominic Receives the Rosary, Last Supper Museum of Andrea del Sarto.
    • Saint Catherine Receives the Stigmata, Last Supper Museum of Andrea del Sarto.
    • Last Supper Santa Maria Novella Museum in Florence
  • Artemisia Gentileschi
    • David and Bathsheba, The Palatine Gallery, Royal Apartments. (The Florence Committee.)
  • Félicie de Fauveau:
    • Burial monument to Louise de Favreau, Basilica of Santa Croce.
    • Burial monument to Madame Anne de la Pierre, Church of Santa Maria del Carmine.
  • Irene Parenti Duclos:
    • Copy of Andrea del Sarto's Madonna de Sacco, Accademia Gallery.[5]
  • Violante Ferroni:
    • The Saint visits plague victims and The Saint gives bread to the poor, Church of San Giovanni di Dio.[8]

Books and publications
  • Invisible Women: Forgotten Artists of Florence by Jane Fortune
  • Art by Women in Florence: A Guide through Five Hundred Years by Jane Fortune and Linda Falcone
  • Orate Pro Pictora by Jane Fortune
  • DVD - Artemisia The Restoration
  • DVD - Nelli The Lamentation
  • DVD - Félicie De Fauveau A French Sculptor in Florence During the Grand Tour
  • DVD - Invisible Women (won Emmy Award in 2013)[9]
  • Santa Croce in Pink
gollark: They must have so many weird special cases everywhere for slightly broken software or hardware.
gollark: I've read a bit about it, and it's probably 80% insanity given the amount of stuff they do to maintain backward compatibility.
gollark: Yes, they could probably just put basically anything in there and it would be hard to do anything about it.
gollark: No, I mean it would be hard to do in the various open source OSes.
gollark: > Maybe you've never thought about this, but if there are 100 devs working for free you'd only need to hire 50 devs to compromise all their code.That's, um, still quite a lot given the large amounts of developers involved, and code review exists, and this kind of conspiracy could *never* stay secret for very long, and if you have an obvious backdoor obvious people are fairly likely to look at it and notice.

References
  1. "Advancing Women Artists Inc". Retrieved 24 January 2014.
  2. "Advancing Women Artists".
  3. Solly, Meilan. "Legacy of Jane Fortune, Champion of Forgotten Women Artists, Lives on in New Initiative". Smithsonian. Retrieved 2019-03-06.
  4. "The Woman Who Dedicated Her Life to Uncovering the Female Artists of the Italian Renaissance". Hyperallergic. 2018-07-19. Retrieved 2019-03-06.
  5. "Advancing Women Artists Foundation". Archived from the original on 1 February 2014. Retrieved 24 January 2014.
  6. "The Jane Fortune Research Program on Women Artists in the Age of the Medici". Archived from the original on 23 November 2012. Retrieved 1 February 2014.
  7. "Jane Fortune: Biography". Retrieved 24 January 2014.
  8. "Newly discovered paintings by Violante Ferroni". Advancing Women Artists. Retrieved 2019-09-24.
  9. "Invisible Women wins the Emmy". Retrieved 24 January 2014.
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