Adele Goodman Clark

Adele Goodman Clark (September 27, 1882 – June 4, 1983) was an American artist and suffragist.

"Adele Clark" redirects here. For the singer, see The Adele Clark Show.
Adele Goodman Clark
Clark in 1916
Born(1882-09-27)September 27, 1882
Montgomery, Alabama, U.S.
DiedJune 4, 1983(1983-06-04) (aged 100)
Richmond, Virginia, U.S.
EducationVirginia Randolph Ellett School
Alma materNew York School of Art
OccupationArtist, activist
Partner(s)Nora Houston
Parent(s)Robert and Estelle (née Goodman) Clark

Early life

Clark was born in 1882 in Montgomery, Alabama to Robert Clark, a railroad worker originally from Belfast, and Estelle Goodman Clark, a Jewish music teacher originally from New Orleans.[1]

The family lived in New Orleans, Louisiana and Pass Christian, Mississippi before moving to Richmond, Virginia in 1894. Clark attended the Virginia Randolph Ellett School and, at age 19, worked as a stenographer to fund art classes at the Art Club of Richmond.[2] In 1906, she went to the New York School of Art on a scholarship, studying under artists including Robert Henri, William Merritt Chase, and Kenneth Hayes Miller.[3][2]

Activism

Clark's activist career began in 1909, when she and 18 other women, including Nora Houston, Ellen Glasgow, Lila Meade Valentine, Kate Waller Barrett, and Mary Johnston,[4] founded the Equal Suffrage League of Virginia; she served as its secretary for one year, and also as a committee chair and head of the group's lobby in the Virginia General Assembly.[3] In 1910, she was a delegate to the National American Woman Suffrage Association convention in Washington, D.C.[5] Clark and Nora Houston would set up also set up their easels at the corner of Fifth and Broad Streets in downtown Richmond to share their "street corner sketches"—chalk drawings on rolls of paper that illustrated their oratory. "Lots of people made speeches, but we were the only ones sketching, and that really drew crowds," Clark once remembered.[6] During their chalk talks, Clark and Houston spoke about women's suffrage and handed out leaflets to people who approached.[1][7]

When the Art Club of Richmond dissolved in 1917, Clark and Houston opened a studio together. The professional space became known as the "Atelier," and its class offerings—including art history, painting, and drawing—fostered the talents of a new generation of artists, including the painter Theresa Pollak.[2] Two years later, Clark and Houston founded the Virginia Academy of Fine Arts and Handicrafts.[1] In the months before the 1920 elections, when there were threats and rumors of spurious challenges against black women voters, Clark and Houston invited black leaders to their studio to plan ways to confront the issue. They decided that the white suffragists would patrol polling locations in cars.[7][8] Clark and Houston continued to be involved in the interracial movement after this election.[8] They also participated in art-related activism, campaigning for the resurrection of the Academy of Sciences and Fine Arts, which opened in 1930 as the Richmond Academy of Arts and later became the Virginia Museum of Fine Arts.[3]

When women were given the vote in 1920, the Equal Suffrage League became the Virginia League of Women Voters, and Clark was its first chair before becoming president the next year.[3] She was its president from 1921 to 1925, and then again from 1929 to 1944.[4] Clark was elected to the board of the National League of Women Voters in 1924 as a regional director, and in 1925 she was elected Second Vice-President, a position she held until 1928. Also in 1928, Clark and Houston bought a house together on Chamberlayne Avenue in Richmond, which came to be known as "The Brattery."[1]

Government and educational positions

Clark also held positions in a number of government and educational bodies, including secretary of Governor E. Lee Trinkle's Commission on the Simplification of State and Local Government and of Governor Harry F. Byrd's Liberal Arts College for Women Commission,[3] and dean of women at the College of William and Mary.[4] During the New Deal, she was a field supervisor for the National Reemployment Service before becoming, in 1936, the director of the Virginia Arts Project in the Works Progress Administration.

She was on the Virginia Arts Commission from 1941 to 1964, having helped establish it in 1916.[3][9] Clark, who also put her campaign for women's suffrage into her artistic work,[10] commented that her art and her activism were related, saying, "I've always tried to combine my interest in art with my interest in government."[11]

Statue of Adele Clark included in the Virginia Women's Monument.

Personal life

She met fellow artist Nora Houston at the Art School of Richmond, where she had previously taken classes under Lillie Logan[12] and where she taught after returning to Virginia.[3] Houston became Clark's lesbian life partner until her death in 1942.[1] Soon after Nora Houston died in 1942, Clark's cousin Willoughby Ions, also an artist, moved in with Clark at the Chamberlayne Avenue house she had shared with Houston.[10]

Clark, an Episcopalian, converted to Roman Catholicism, Houston's religion, on November 21, 1942.[13] [14][1] Clark chaired the Richmond Diocesan Council of Catholic Women's Legislative Committee from 1949 to 1959.[3] She continued to be outspoken on political issues, opposing the Equal Rights Amendment in the belief that it was unnecessary.[4]

Clark died in a retirement community in Richmond, Virginia[15] on June 4, 1983, aged 100.[4]

gollark: Not tetrational time? Weak.
gollark: Hmm. I'm unsure of how to do the highlighting search terms in a document thing even if the full text is stored.
gollark: And it has a fuzzy matcher module which could be connected to the search bit if you had a custom tokeniser.
gollark: Its tokeniser does stemming a bit but that isn't true fuzzy searching.
gollark: Not fuzzy searching, no. It has all the bits you need but to use them you need either accursed hacks or use of irritating bits of the C API not exposed by wrappers.

References
  1. Kollatz, Harry (May 26, 2011). "An Artist's Creation". Richmond Magazine.
  2. "Adele Clark :". The Johnson Collection, LLC. Retrieved 2020-03-18.
  3. "Biographical/Historical Information". A Guide to the Adele Goodman Clark Papers. Virginia Commonwealth University.
  4. "Adèle Clark (1882–1983)". Encyclopedia Virginia. Virginia Foundation for the Humanities.
  5. "Oral History Interview with Adele Clark, February 28, 1964". Oral Histories of the American South. The University of North Carolina at Chapel Hill.
  6. Hyde, Jo (September 16, 1956). "Personality Profile: Miss Adele Clark". Richmond Times-Dispatch. p. 25.
  7. Tyler-McGraw, Marie (1994). At the falls: Richmond, Virginia and its people. University of North Carolina Press. pp. 236, 243.
  8. Lebsock, Suzanne (1993). "Woman Suffrage and White Supremacy: A Case Study". In Hewitt, Nancy A.; Lebsock, Suzanne (eds.). Visible women: new essays on American activism. University of Illinois Press. p. 88.
  9. "Adèle Clark Papers". Virginia Historical Society.
  10. Marschak, Beth; Lorch, Alex (2008). Lesbian and Gay Richmond. Arcadia Publishing. pp. 14–16.
  11. Mack, Charles R. (1995). Paper Pleasures: Five Centuries of Drawings and Watercolors. University of South Carolina Press. pp. 69–70.
  12. Raleigh Lewis Wright (1983). Artists in Virginia before 1900: an annotated checklist. University Press of Virginia. ISBN 978-0-8139-0998-1.
  13. Mahon, Charles E. (December 22, 1967). "Adele Clark: A Woman for All Seasons". Catholic Virginian: 16.
  14. Bonis, Ray. “Adèle Clark: The Artist as Activist.” Virginia Women: Their Lives and Times, edited by Cynthia A. Kierner and Sandra Gioia Treadway, University of Georgia Press, Athens, 2016, p.154.
  15. "Adèle Clark (1882–1983)". encyclopediavirginia.org. Virginia Foundation for the Humanities. Retrieved March 16, 2016.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.