Action Theatre (Ruth Zaporah)

Action Theatre is an improvisational performance technique developed by the American performance artist, Ruth Zaporah.[1] Action Theatre is defined by its focus on embodied awareness, the tracking of the present moment through sensory experience, and by a structured training that uses exploration to build the performer's 'formal dexterity and the ability to “listen” to oneself and one’s acting partners'.[2] This physical theatre technique is documented in Zaporah's 1995 book, Action Theatre: The Improvisation of Presence.[3]

Origin

Action Theatre evolved from the explosion of interdisciplinary performance in the San Francisco Bay Area in the 1970s, which included Contact Improvisation performance groups and Anna Halprin.[4] Zaporah is described as one of the 'leading lights of the Bay Area's thriving experimental theater scene of the 1970s and '80s' and as a 'master teacher ... whose work blurs the edges between modern dance and mime'.[5] She trained in modern dance (with Merce Cunningham, Alwin Nikolais and Martha Graham) and participated in the theater and movement experiments of the '60s; it is said she 'embodies play that's dead serious'.[6]

Action Theater is a training technique and practice that Ruth Zaporah developed over a twenty year period in the San Francisco Bay Area.

gollark: Nothing in the logs when I cast `Blink`, which affects the caster.
gollark: Er, caster entity.
gollark: It didn't manage to cast an actual *spell* I gave it, but I think it references "Selector: Caster" i.e. the player entity.
gollark: I don't know if Psi will actually *work* with fake players in any way other than making psidust.
gollark: Turns out, though, that this allows me to use a CAD, though running the turtle through enough levels to be useful is going to be tedious, if it's even possible on fake players.

References
  1. Kourlas, G. (2011, October 31). Improviser With a Touch of “I Love Lucy.” The New York Times. Retrieved from https://www.nytimes.com/2011/11/01/arts/dance/ruth-zaporah-at-danspace-project-review.html
  2. Morrow, S. (2011). Psyche meets Soma: accessing creativity through Ruth Zaporah’s Action Theater. Theatre, Dance and Performance Training, 2(1), 99–113. doi:10.1080/19443927.2010.543987
  3. Zaporah, R. (1995). Action Theatre: the improvisation of presence. Berkeley, CA: North Atlantic Books.ISBN 978-1556431869
  4. Morrow, S. (2011). Psyche meets Soma: accessing creativity through Ruth Zaporah’s Action Theater. Theatre, Dance and Performance Training, 2(1), 99–113. doi:10.1080/19443927.2010.543987
  5. Hurwitt, R. (2009, July 10). Date Lines: News from the Bay Area arts scene. San Francisco Chronicle. Retrieved from http://www.sfchronicle.com/bayarea/article/Date-Lines-News-from-the-Bay-Area-arts-scene-3226067.php
  6. Off the cuff: Ruth Zaporah proves that preparation isn’t always best. (2006, September 13). Sante Fe Reporter. Retrieved from http://www.sfreporter.com/santafe/article-927-off-the-cuff.html


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.