7 Seconds (band)

7 Seconds (often stylized as 7Seconds) was an American hardcore punk band from Reno, Nevada which was formed on January 17, 1980, by two sets of brothers. The band has gone through numerous lineup changes over the subsequent years, with only Kevin Seconds and Steve Youth remaining constant members.

7 Seconds
Kevin Seconds
Background information
OriginReno, Nevada, United States
GenresPunk rock, hardcore punk, melodic hardcore
Years active1980–2018
LabelsRise, Alternative Tentacles, SideOneDummy, BYO, Epic
WebsiteMySpace page
MembersKevin Seconds
Steve Youth
Troy Mowat
Bobby Adams
Past membersTom Munist
Dim Menace
Jim Diederichsen
Alan White
Tony Toxic
Dan Pozniak
Ron Doig
Belvyk "Belvy K" Kamillus
Spiz Hughes
Josef Bansuelo
Chris Carnahan
Bobby Jordan
Jim Dzurovcak
Jim Rice
Kyle Kittell

The final lineup of 7 Seconds was Kevin Seconds (vocals), Steve Youth (bass), Troy Mowat (drums), and Bobby Adams (guitar).

History

Formation

7 Seconds was formed on January 17, 1980, by two sets of brothers; the Marvelli brothers, using the punk rock names "Kevin Seconds" and "Steve Youth," and the Borghino brothers, who were known as "Tom Munist" and "Dim Menace."

Asked about the origins of the band's name in a December 1982 interview with Flipside magazine, Kevin Seconds recalled:

"...I was ordering The Dils single "198 Seconds of The Dils" from Bomp and I wrote it on a desk and the ink it said 97 Seconds; and then we saw this movie Day of the Jackals or something and all through it there were references to 7 Seconds, and the Dils were like our idols... So we were looking for a name and we were looking at this racing book and it said 7 seconds and we said, 'fuck it, must be an omen,' so we picked it. It's a short, intense name."[1]

This story evolved over time. In the February 2005 issue of AMP, in an article titled, "7 Seconds: 25 Years of Our Core", Kevin Seconds told this tale:

"We were big fans of The Dils, they had this EP, 198 Seconds of The Dils and I was so in love with punk rock that I would just write album titles on my clothes. This was still when Steve and I lived with my mom. We had this desk in this room we shared and I wrote '197 seconds of The Dils,' I miswrote the title. Over time, everything else faded, but the 7 Seconds part was there, and I circled it, I thought it looked cool."

In 1981, Munist and Menace left to form a new band called Section 8.

Recording history

7 Seconds has floated across several genres of rock.

The band's early releases were several EPs including 1982's Skins, Brains and Guts, most of which were later re-released on the alt.music.hardcore and Old School compilation CDs.[2] All three demos were released on a bootleg release named 7 Seconds - Hardcore Rules, 80-82. They also appeared on the 1985 hardcore compilation Cleanse the Bacteria, in addition to numerous other compilations, such as Not So Quiet On the Western Front (Alt. Tentacles, 1982), Something to Believe In (BYO, 1984), Party or Go Home/We Got Power (Mystic, 1983), and Nuke Your Dink (Positive Force, 1984). They became closely associated with the Straight Edge movement and helped start the Youth Crew movement in 1984 with The Crew.[3][4]

Their first full-length album, The Crew, was recorded in 1983-84 and released by BYO Records, as was its successor - the classic hardcore EP Walk Together Rock Together.[2] With the New Wind album, the band dramatically expanded its sound and style with audible elements of a sometimes quieter, slower, more melodic and accessible sound. Many writers have credited this particular period of 7 Seconds' career as being highly influential on many pop punk and indie rock bands that came along much later.

Subsequent LPs moved deeper into mainstream territory with a U2-like sound. The 7 Seconds album continued their musical experimentation. The band broke free in 1995 with The Music, The Message, moving back somewhat into their roots. The Music, The Message was released on Sony (BMI), the first release on a major label throughout the band's history. Earlier material was on various homegrown labels, completely self-produced, or put out on Kevin Seconds own label, Positive Force Records (AKA United Front), before BYO Records housed them. However, the band returned to an old-school hardcore sound in 1999 with the Good to Go album. 2005 came the release of Take It Back, Take It On, Take It Over! on SideOneDummy, completing the evolution back to their Hardcore roots.

Legacy

7 Seconds is believed to be the first band to refer to themselves primarily as hardcore. After their first show on March 2, 1980, in Newsletter NWIN/SPUNK No. 1 they described their band as hardcore new wave.[5]

Live at Hadad's Lake, Best Friends Day RVA, 2011

Vocalist Kevin Seconds has gone on to have a lengthy solo career, becoming an important folk punk singer too, doing releases with people including Matt Skiba of Alkaline Trio[6] and Mike Scott of Lay It on the Line (band).[7]

Dim Menace's fist-brandishing scowl on the cover of the Skins, Brains, & Guts EP is one of the most iconic images in hardcore.[5] Sacramento News & Review speaks at length of their influence in the positive hardcore movement and their positive effect on the punk culture.[8]

In May 2013 it was announced that 7 Seconds had signed to Rise Records, with plans to record a new 7" and a full-length album that summer in Sacramento.[9]

Break up

On March 20, 2018, 7 Seconds announced their breakup via their official Facebook page.[10][11][12]

Discography

Demos (Cassettes)
  • Drastic Measures (cassette), 1980
  • Socially Fucked Up (cassette), 1981
  • Three Chord Politics (cassette), 1981

7" EPs
  • Skins, Brains and Guts (Alternative Tentacles, 1982)
  • Committed for Life (Squirtdown, 1983)
  • Blasts from the Past (Positive Force, 1985)
  • Praise (Positive Force Records, 1987)
  • 1980 Reissue (Official Bootleg, 1991)
  • Happy Rain/Naked (Eating Blur, 1993)
  • Split with Kill Your Idols (SideOneDummy, 2004)

Albums

Compilations
  • Not So Quiet on the Western Front (MRR/Alternative Tentacles, 1982)
  • We Got Power: Party or Go Home (Mystic, 1983)
  • Something to Believe In (BYO, 1984)
  • Nuke Your Dink (Positive Force, 1984)
  • Cleanse the Bacteria (Pusmort, 1985)
  • Another Shot for Bracken (Positive Force, 1986)
  • Four Bands That Could Change the World (Gasatanka, 1987)
  • Flipside Vinyl Fanzine, vol. 3 (Flipside, 1987)
  • Human Polity (One World Communications, 1993)
  • The Song Retains the Name, vol. 2 (Safe House, 1993)
  • Ten Years Later (Bossa Nova, 1997)
  • Short Music for Short People (Fat Wreck Chords, 1999)
  • Old School Punk Vol.1 (Walk Together, Rock Together)

Footnotes
  1. "7 Seconds," Flipside, whole no. 37 (Jan. 1983), pp. 22-23.
  2. Martin C. Strong, The Great Alternative & Indie Discography, Canongate, 1999; pp. 552-553
  3. "seven seconds, the annoyance interview". Annoyances.com.
  4. "Straightedge.com". Straightedge.com.
  5. "THE SUBVERSIVE HISTORY OF THE ORIGINAL 7 SECONDS". Originalsevenseconds.com.
  6. "Matt Skiba/Kevin Seconds - Split". Interpunk.com.
  7. "Tumblr". Layitonthelineuk.tumblr.com.
  8. "Hardcore devotion - Feature Story - Local Stories - March 11, 2004". Sacramento News & Review.
  9. Trimboli, Grant (23 May 2013). "Rise Records Signs 7Seconds". Under The Gun Review. Archived from the original on 2014-01-12. Retrieved 23 May 2013.
  10. Moore, Sam (2018-03-21). "7 Seconds announce split". Nme.com. Retrieved 2019-07-16.
  11. "7Seconds". Facebook.com.
  12. Gentile, John (21 March 2018). "7Seconds breaks up". punknews.org. Retrieved 21 March 2018.
gollark: Example issue with the central version: you scan your card on a payment terminal to pay one currency unit. But it reads your card's data off, and can now just take as much money as it wants at any time
gollark: And that would... probably be worse than the central version.
gollark: Well, it has to be decryptable by payment terminals, so that's useless.
gollark: Anyway, pretty much the only secure way to do this magcard thing would be... having payment terminals bother a central server, and even that would have problems.
gollark: (that's probably a metaphor for life somehow)
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