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I've been ripping my CD's to MP3 using LAME, with -preset fast standar (or -V 2), since audio listening tests find that LAME with these settings is transparent and as good as top quality Ogg Vorbis or AAC, and MP3 is still a bit more supported than AAC.
Lately, I've been running out of space on my iPhone and I'm considering to start using AAC to compress my music, but there is no point using iTunes+ (AAC at 256 kbps) or AAC at 192 kbps since that would still occupy the same space. It should be AAC at 160 kbps or 128 kbps, I guess.
iTunes has an option to convert all my music to AAC 128 kbps when synchronizing the iPhone. Is 128 kbps AAC equivalent to the LAME encoding I've been using? If so, I could use that option, while I re-rip my collection to AAC 128 kbps.
What else would you recommend?
If I were considering listening exclusively on the phone with Apple's standard headphones, the 128 kbps wouldn't make a difference, but I also listen to my songs in a proper stereo and so what I'm considering is if I would get a similar quality from AAC at 128 kbps as I get from LAME MP3 at -V 2. If so, I can turn my ripping and encoding to AAC and save time when synching my music to the iPhone (instead of having MP3 in the Mac and AAC in the iPhone). – lpacheco – 2011-02-17T10:47:01.620
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This post at HydrogenAudio considers the same scenario, but the poster appears to conclude that iTunes AAC needs about the same bitrate as LAME to be "transparent". If so, it doesn't make much sense to move to AAC. http://www.hydrogenaudio.org/forums/lofiversion/index.php/t86057.html
– lpacheco – 2011-02-17T11:06:55.643Here's the thing about transparency: It's different for everyone. What kind of quality level/bitrate is transparent for you? Can you actually ABX a 128 Kb/s AAC encode against the CD source? Also, headphones are ideal for critical listening compared to a "proper stereo." Right now, in a very general sense, MP3 and AAC are difficult to distinguish between at 128 Kb/s and up. For many people, the differences don't become easily audible until you're at 96 Kb/s or lower, and AAC has techniques like SBC and PS available at lower bitrates to help music sound better. – afrazier – 2011-02-17T15:19:59.870
1Ultimately, what this boils down to is what sounds good to you, not what outrageous bitrate others consider transparent. Try out AAC at 128 Kb/s, you might be surprised to find that you can't distinguish it from high bitrate MP3s or the original CD. If you're worried about having an extremely high-quality archive, that's what lossless codecs like FLAC or ALAC are for. – afrazier – 2011-02-17T15:22:05.750